The Infected: Post-Punk, Alternative, New Wave, Goth Music Podcast with background stories and tips

Massive Attack, De Staat, Iggy Pop, The Waeve, Beyond Border, Death in June, and the story of Elizabeth Fraser and Jeff Buckley are all featured in this Pilot episode for Season 4 of The Infected! 

The Lovers Episode: Malcolm McLaren, Innergaze, The Creatures, Nine Circles, Jeff & Jane Hudson & NNHMN - all lovers, making music together. We dedicate this episode to love with an edge and the wonderful dark fruit it bears.

We party with Cabaret Voltaire, Royal Family and the Poor, bdrmm, Soft Kill, Dalis Car and Terror Forms, secluded in splendid isolation in our stroboscopically lit home crypt. As always The Infected selected a beautiful bouquet of the best tracks, from influential eighties material to new highlights from the current scene of dark, alternative music.  

Your hosts Jeroen and Goof have snowed in, in our crypt. Since we can't open the door, we've had the time to unearth and dust off some great records. In this episode we discuss and play Isolation Ward, Depeche Mode, Vision Video, The Danse Society, Ist Ist and Undertheskin.

A great set! Psychic TV, James Holden, The Names, U2, 39 Steps, Killing Joke, and Asylum Party promoted all the way from Lima. Treat yourself to the stories behind the tracks and follow us into waves of darkness.

Brace yourselves.. We have yet another episode with 6 dark and beautiful tracks selected for you. We feature Lycia, ABC, Pink Industry, The Smiths, Section 25, and a very fresh band from Finland: Of Blood & Wine. What do most of these bands have in common? Listen, float away with us, and find out.

Belgian Delights and Cats Whiskers (Season 1 - Dutch spoken). Episode 12, featuring:

Whispering Sons – “Alone”

A standout track from this Belgian post-punk band, “Alone” features brooding atmospheres and commanding vocals by Fenne Kuppens. The song gained notable success, charting in the national top 40—a rare achievement for a local alternative group.The Infected

Visage – “The Steps”

Departing from their hit “Fade to Grey,” “The Steps” showcases Visage's deeper, more experimental side. The track reflects the band's pioneering role in the New Romantic movement, blending synth-pop with avant-garde

Orchestral Manoeuvres in the Dark – "The New Stone Age" Opening the band's 1981 album Architecture & Morality, this track is characterized by its aggressive, raw post-punk energy and stark, angular guitar riffs. Departing from OMD’s usual melodic synth-pop sound, it showcases their willingness to experiment with darker and more abrasive textures.

Throbbing Gristle – "Hot On Heels Of Love" From the influential 1979 album 20 Jazz Funk Greats, this track is a provocative exploration into industrial electronic music. Featuring pulsating synth sequences, whispered vocals by Cosey Fanni Tutti, and an unsettling sensuality, it's a pivotal work in the history of experimental electronic music.

Rose Of Avalanche – "Velveteen" A gothic rock anthem from the Leeds-based band Rose of Avalanche, released in 1986. "Velveteen" is marked by lush guitars, moody atmospherics, and an emotional, resonant vocal performance. The track highlights the band's distinctive blend of psychedelic textures with gothic overtones.

Shriekback – "This Big Hush" Featured on Shriekback's 1985 album Oil & Gold, this track is a hypnotic and introspective blend of art-rock and new wave influences. "This Big Hush" is known for its atmospheric depth, haunting melodies, and reflective lyrics. The song famously appeared in Michael Mann's 1986 thriller film Manhunter, enhancing its dark, cinematic legacy.

Front 242 – “Headhunter”

An iconic EBM anthem, “Headhunter” features aggressive beats and commanding vocals. Front 242's innovative use of sampling and electronic rhythms in this track solidified their status as pioneers in the industrial music scene.

Once upon a time, we started this podcast in Dutch, which you may or may not speak, but the music speaks for itself! Still, should you be curious, this episode comes complete with videos, pictures, Spotify links and very rich, translatable online show notes which you can find at

https://theinfected.nl/2020/06/28/episode-12-belgian-delight-cats-whiskers/

Science Fiction, Jesu & les Francais (Season 1 - Dutch spoken). Episode 11, featuring:

1. Tubeway Army – “Are 'Friends' Electric?”

Released in 1979, this synth-driven track narrates a futuristic tale of robot prostitutes. Its unconventional structure and obscure lyrics contributed to its unexpected success, selling over a million copies and marking the genesis of synthpop. The Infected

2. Tiamat – “The Scarred People”

Originating from Sweden, Tiamat transitioned from death metal roots to a more symphonic black metal sound. This track, from their 2013 album The Scarred People, showcases their evolved style, blending atmospheric elements with gothic undertones.

3. Second Still – Sleep

A Brooklyn-based trio formed in 2014, Second Still delivers dark post-punk melodies. With members Ryan, Alex, and vocalist Suki, their music reflects influences from shoegaze and coldwave genres. iVoox

4. Jesu – Homesick

Jesu, the project of British musician Justin Broadrick, merges shoegaze, post-metal, and ambient sounds. Known for their dense sonic textures, Jesu's music often delves into themes of introspection and melancholy.

5. Dear Deer – Ruh

Hailing from France, Dear Deer is a duo that fuses post-punk with electroclash elements. Their energetic compositions are characterized by driving rhythms and a blend of male and female vocals.iVoox

6. Trisomie 21 – The Last Song

A French coldwave band formed in the early 1980s, Trisomie 21 is known for their minimalist electronic arrangements and melancholic tones. Their music has been influential in the darkwave scene.

Once upon a time, we started this podcast in Dutch, which you may or may not speak, but the music speaks for itself! Still, should you be curious, this episode comes complete with videos, pictures, Spotify links and very rich, translatable online show notes which you can find at

https://theinfected.nl/2020/06/17/episode-11-science-fiction-jesu-les-francais/

Them Are Us Too Us Are Them (Season 1 - Dutch spoken). Episode 10, featuring:

1. Q Lazzarus – “Goodbye Horses”

This haunting synth-pop track gained cult status after being featured in The Silence of the Lambs. The enigmatic singer, Q Lazzarus (real name Diane Luckey), was a New York taxi driver when director Jonathan Demme discovered her music. After years of obscurity, she resurfaced in 2018, revealing she was alive and working as a bus driver.

2. She Wants Revenge – “Tear You Apart”

A darkwave anthem from the Californian duo formed in 2004. The track, known for its brooding atmosphere, was featured in various media, including American Horror Story. The band draws inspiration from acts like The Cure and Bauhaus.

3. Them Are Us Too – “Eudaemonia”

Hailing from the Bay Area, this dream-pop duo's track “Eudaemonia” showcases ethereal vocals reminiscent of Kate Bush. The song is from their 2015 album Remain, released on Dais Records. The band's name is believed to reference the film Night of the Living Dead.

4. O. Children – “Dead Disco Dancer”

This London-based band's 2010 debut album features “Dead Disco Dancer,” a track blending post-punk elements with influences from Bauhaus and Joy Division. The song is noted for its minimalistic guitars and '80s-style drums.

5. Michael Gira – Why I Ate My Wife

Michael Gira, the driving force behind the experimental rock band Swans, is known for his intense and atmospheric compositions. While the specific track played in this episode isn't mentioned, Gira's work often delves into themes of existentialism and raw human emotion.

6. The Awakening – Nothing Like The Rain

The Awakening is a South African gothic rock band led by Ashton Nyte. Their music combines darkwave and post-punk elements, creating a moody and melodic soundscape. The particular track featured in this episode isn't specified, but the band's style is characterized by introspective lyrics and atmospheric instrumentation.

Once upon a time, we started this podcast in Dutch, which you may or may not speak, but the music speaks for itself! Still, should you be curious, this episode comes complete with videos, pictures, Spotify links and very rich, translatable online show notes which you can find at

https://theinfected.nl/2020/06/11/episode-10-them-are-us-too-us-are-them/

Shoegazing at the Waterfront (Season 1 - Dutch spoken). In Episode 9 of The Infected podcast, six tracks were featured:

The Blue Nile – "Tinseltown in the Rain" A melancholic track from their 1984 debut album A Walk Across the Rooftops. The song serves as a homage to Glasgow and symbolizes dreams and loss. The Blue Nile, known for their atmospheric sound, struggled financially early on but gained support from Linn Records, leading to the production of this album.

Simple Minds – "Waterfront" Released in 1983, this song reflects on the industrial decline of Glasgow and the subsequent renewal of the River Clyde. Inspired by a walk along the river, frontman Jim Kerr penned lyrics about transformation and hope. The track features a powerful bassline by Derek Forbes and production by Steve Lillywhite.

The Associates – "Party Fears Two" A theatrical, emotionally raw synth-pop track from 1982’s Sulk. Written by Billy Mackenzie and Alan Rankine, it juxtaposes jaunty piano melodies with themes of anxiety and self-sabotage. Mackenzie's soaring vocals and the track’s baroque grandeur made it a standout of the post-punk era.

Cocteau Twins – "Pearly-Dewdrops’ Drops" Released as a single in 1984, this song exemplifies the band’s ethereal sound: lush guitar textures, reverb-heavy production, and Elizabeth Fraser’s incomprehensible, angelic vocals. It’s a cornerstone of dream pop and shoegaze, emotionally resonant despite its abstract lyrics.

The Sound – "Winning" A rousing anthem of defiance from their 1981 album From the Lion’s Mouth. Adrian Borland’s impassioned delivery carries lyrics about perseverance in the face of despair. The track’s driving rhythm and somber mood capture the essence of post-punk at its most urgent.

The Chameleons – "Swamp Thing" Released in 1986 on the album Strange Times, this song blends swirling guitar effects with introspective lyrics about emotional struggle. Mark Burgess’ vocals are supported by layered instrumentation that foreshadowed the shoegaze movement. It’s widely considered the band’s signature track.

Once upon a time, we started this podcast in Dutch, which you may or may not speak, but the music speaks for itself! Still, should you be curious, this episode comes complete with videos, pictures, Spotify links and very rich, translatable online show notes which you can find at

https://theinfected.nl/2020/06/04/episode-9-shoegazing-at-the-waterfront/