“There are two kinds of lawyers... one that knows the law, and one that knows the judge.”

"More human than human is our motto."

This week we take on Blade Runner (1982), a film that looks like a masterpiece but often feels like three scripts in a trenchcoat, arguing about who is going to be the legs.

“Rosebud…”

This week we finally tackle the monolith itself: Citizen Kane. Long hailed as the greatest film ever made, Welles’ debut arrives with a mountain of reputation and a century’s worth of film-school baggage. We dig into the myth of Kane as a “perfect” film, the innovations that still impress, and the moments that feel more like homework than revelation. From deep‑focus shots to fractured timelines, from newspaper empires to lonely palaces, we ask whether the legend enhances the film or gets in the way of actually watching it.

"Just say the word and I'll throw a lasso around it and pull it down."

This week we sit down with "It’s a Wonderful Life", a film with a near-sacred status.. Frank Capra’s Christmas classic promises warmth, hope, and the ultimate affirmation of a life well lived.

We talk small-town virtue, and the weight of nostalgia, ask whether the film’s reputation does the heavy lifting. 

"What the fuck happened to you, man? Your ass used to be beautiful."

This week we’re talking about Jackie Brown. A film that didn't get the a huge audience on release, it’s less about chaos and more about character. We get into Pam Grier’s performance, the brilliant supporting cast, and how the film’s writing and music give it such a cool, lived-in feel. There’s plenty to unpack about tone, pacing, and what makes this one stand apart from the rest of Tarantino’s work.

"You're not listening... well, your heart is not. Love is deaf as well as blind."

"There's nothing to be afraid of. They were right. It's painless. It's good."

In this episode, we watch Philip Kaufman’s 1978 remake of Invasion of the Body Snatchers. Often praised as a paranoid sci-fi classic, the film has atmosphere, star power, and that unforgettable final shot.

We found ourselves less enthralled than expected, and our conversation unpacks why the film’s reputation might outstrip the experience of sitting through it today.

Join us as we dig into what works, what drags, and why this alien takeover didn’t quite capture our hearts.

Don’t cry. I’ve got another – genuine plastic. Just right for a little brat like you.

In this episode of Invasion of the Poddysnatchers, we slip into the neon-soaked, noir-tinged world of Diva (1981), Jean-Jacques Beineix’s cult classic that helped define the Cinéma du Look movement. We caught it on the IMAX at Bristol’s Watershed, where it was featured as part of Cine Rediscovered — a perfect setting to revisit this audacious slice of French cinema.

Opera, motorbike chases, hitmen, tape recordings — and the coolest sandwich in the history of cinema. But beneath the slick surfaces and iconic visuals, is there substance? Or is Diva all style, no soul?

Join us as we decode the film’s bold aesthetics, cool detachment, and unexpected charm — and reflect on how it plays today, over 40 years on.

"We'll tell you anything you want to hear, we lie like hell."

Is Howard Beale a tragic hero or a cautionary tale? Has TV ever really stopped exploiting us for ratings? And are we still mad as hell, or just too tired to notice?

I've told you a hundred times. I don't want to win awards. Give me pictures that end with a kiss and black ink on the books.

This time on IotPS, we dive into the glitzy shadows of Hollywood’s golden age with Vincente Minnelli’s classic melodrama. From ruthless ambition to romantic ruin, we unravel how this 1952 gem lays bare the cost of chasing cinematic greatness. Join us as we dissect Kirk Douglas’s Oscar-nominated portrayal of a charismatic yet morally bankrupt producer, the film’s striking structure, and why its themes still hit hard in today’s industry. Glamour, betrayal, and the price of legacy — let’s talk about The Bad and the Beautiful.