We’ll look at some of the fugues from Bach’s “Art of Fugue,” BWV 1080.

We’ll look at the ricercars, trio sonata and canons of the “Musical Offering.”

We’ll look at Bach’s “Organ Mass” (Clavier-Ubung or “Keyboard Practice” III) including the Trinity Prelude and Fugue and a sampling of the chorale preludes contained in the collection.

We’ll focus on BWV 35, “Spirit and Soul Become Confused,” and BWV 170, “Contented Peace.”

We’ll focus on Bach’s Partita No. 4 in D major, BWV 828, but also take a look at the opening movements of the other five partitas.

We’ll look at “Ich will den Kreuzstab gerne tragen,” BWV 56 (“Gladly I will carry the Cross-Staff”), and “Ich Habe Genung,” BWV 82 (“I have enough”).

We’ll focus on the Suite in E Minor, BWV 996, and the Suite in C Minor, BWV 997.

We’ll look at two of Bach’s trio sonatas: the Sonata in G major for Two Flutes, BWV 1039; and Bach’s Sonata in Eb for organ, BWV 525, in both the original and a trio sonata version.

We’ll look at two of Bach’s cantatas for soprano soloist: BWV 199, “My Heart Swims in Blood,” and BWV 52, “False World, I Do Not trust you.”

We’ll focus on the Toccata in D major, BWV 912, and the Toccata in C minor, BWV 911.