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Elon Musk & Donald Trump, Marvel, Movie Breakdown, Revisit Movies | The Jaftaf Show 41
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Love Sex Aur Dhokha - Indian Crime Sex Film | Rajkummar Rao, Nushrratt Bharuccha | The Jaftaf Show 40
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Love Sex Aur Dhokha Plot - Love (Titled Superhit Pyaar)
Rahul, a young amateur film director in his early 20s decides to make a small-budget film for the diploma of his film course. He conducts an audition and meets Shruti, a young girl whom he chooses for the leading role. Shruti belongs to an orthodox family and her father is a real estate magnate. The two bond and become closer, but Shruti's overprotective, aggressive brother overhears their telephone conversation and attacks the film set to find out the identity of the caller. Shruti tells Rahul her father will get her married to someone else; they elope and get married. From their honeymoon suite, they telephone Shruti's family and ask for their acceptance; her father and brother are initially angry but then approve and tell them they will be sending a car to pick them up from the hotel. During the journey, Rahul and Shruti are ambushed by Shruti's brother and his goons who murder them, dismember their bodies with an ax and bury their remains.
Sex (Titled Paap ki Dukkaan)
Shruti's friend Rashmi is a quiet woman who works night shifts in a supermarket to support her family. Adarsh, a supermarket supervisor, has obtained his job by using his family connections with the store's owner and has debts with loan sharks. He makes a pact with a friend to make a sex tape with one of the employees to sell to the media for a large sum of money; Adarsh chooses Rashmi, for whom he develops genuine feelings. He decides to back out of the plan but his feelings for Rashmi are suppressed by his greed. Rashmi receives news about the gruesome deaths of Shruti and Rahul and is deeply saddened. Taking advantage of Rashmi's vulnerability, Adarsh has sex with her and captures it on the shop's security camera. Having sold the footage, Adarsh is able to pay off his debts. It is later revealed that Rashmi was fired from the supermarket and shunned by her family.
Dhoka (Titled Badnaam Shohorat)
Prabhat, an investigative reporter, is desperate for a sensational story so he will be paid a bonus by the news company that employs him. He saves the life of aspiring dancer Naina, who tries to commit suicide by jumping from a bridge. Naina is initially furious at Prabhat but plans a sting operation with him to take revenge on Loki Local, a music producer and singer who asked her to trade sex for the position of a leading dancer in his upcoming music video. Prabhat and Naina take the sting footage to the media, who encourage them to plan another sting; Naina will supposedly blackmail Loki by threatening to reveal the initial footage in an attempt to catch him trying to bribe her—to render false any accusations by Loki of fabrication of footage. Naina meets Loki in the supermarket where Rashmi works to execute the sting, while Prabhat watches closely. The plan goes awry when Loki tries to steal the camera and shoots Prabhat, who is admitted to the hospital. Naina goes to meet Prabhat to hand over the footage so he can get the bonus, but he decides to protect Naina's dignity, refuses to give his superiors the footage and resigns. It is revealed that Naina has betrayed Prabhat by accepting the role as the lead dancer in Loki's new music video.
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Salaam Bombay - Haunting Lives of Mumbai's Street Children | The Jaftaf Show 39
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Salaam Bombay Plot - Before the start of the film, Krishna has set fire to his elder brother's motorbike in retaliation for being bullied by him. His angry mother has taken him to the nearby Apollo Circus and told him that he can only come home when he has earned 500 rupees to pay for the damage. Krishna agrees and starts working for the circus.
The film begins as the circus is packing up to move on to its next site. His boss asks him to run an errand, but when Krishna returns, he finds that the circus has left. Alone, with nowhere to go and without the money to repay his mother, he travels to the nearest big city, Bombay. As soon as he arrives, he is robbed of his few possessions. He follows the thieves, befriends them, and ends up in the city's notorious red-light area of Falkland Road, near the Grant Road Railway Station.
One of the thieves, Chillum, a drug pusher and addict, helps Krishna to get a job at the Grant Road Tea Stall and becomes a mentor of sorts to him. Baba, a local drug dealer, employs addicts like Chillum. Baba's wife, Rekha, is a prostitute, and they have a little daughter, Manju. Rekha is annoyed that she has to raise her daughter in such an environment. Baba had promised to start a new life elsewhere, but it is a promise that Baba cannot or will not fulfill.
Krishna gets a new name, "Chaipau," and learns to live with it. His goal is still to raise the money he needs to return home, but he soon finds out that saving money in his new surroundings is next to impossible. To make matters worse, he has a crush on a young girl named Sola Saal, who has been recently sold to the brothel. He sets fire to her room and attempts to escape with her, but they are caught. The fire causes Krishna to get a severe beating, while Sola Saal, who is considered valuable since she is still a virgin, denies starting the fire and tearfully tries to resist her enslavement. The madame of the house asks Baba to "tame her," which Baba agrees to do.
Meanwhile, Krishna, as well as working at the tea stall, works odd jobs to save some money and help Chillum, who cannot survive without drugs, especially after being sacked by Baba after a disastrous interview with a foreign journalist. Eventually, one of these odd jobs costs Krishna his job at the tea stall. To get more money, Krishna and his pals rob an elderly Parsi man by breaking into his house in broad daylight. Krishna eventually finds out that the money he had saved has been stolen by Chillum for drugs, which Chillum had overdosed on and died.
One night, while returning home from work with friends, Krishna and Manju are apprehended by the police and taken to a juvenile home. Krishna escapes and goes back to his world. He finds that a new recruit in Baba's drug business has taken Chillum's place and name. Krishna meets Sola Saal and tries to convince her to run away with him. She reveals that she is charmed by Baba and no longer interested in Krishna; she is driven away to service her first 'client'. Meanwhile, Rekha is told that the authorities will not release their daughter because the mother is a prostitute. An angry Rekha decides to leave Baba, but Baba beats her in retaliation. She is saved by the timely intervention of Krishna who, in a fit of rage, kills Baba and attempts to run away with her, but they become separated in a parade honoring Ganesh. The film ends with a slow zoom in on Krishna's dejected face.
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Gangs of Wasseypur 2 Revisit | Nawazuddin Siddiqui, Manoj Bajpayee | The Jaftaf Show 38
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Gangs of Wasseypur – Part 2 is a 2012 Indian Hindi-language epic black comedy crime film co-written, produced and directed by Anurag Kashyap. It is the second part of the movie Gangs of Wasseypur, centered on the coal mafia of Dhanbad, Jharkhand and the underlying power struggles, and dynamics of politics and vengeance between three crime families. Part 2 features an ensemble cast with Nawazuddin Siddiqui, Manoj Bajpayee, Richa Chadda, Huma Qureshi, Reema Sen, Piyush Mishra, Pankaj Tripathi, Zeishan Quadri, Rajkumar Rao and Tigmanshu Dhulia in major roles. Its story spans from the 1990s to 2009.
Both parts were originally shot as a 319-minute single film and screened at the 2012 Cannes Directors' Fortnight[4][5][6] but since no Indian theatre would volunteer to screen a five plus hour movie, it was divided into two parts (160 mins and 159 mins respectively) for the Indian market.
The film received an Adults Only certification from the Indian Censor Board but is still unusually explicit for Indian standards as it contained vulgar lingo and violence generally suppressed by mainstream Indian movies.[7] The film's soundtrack is heavily influenced by traditional Indian folk songs tending to be philosophical and liberal with its heavy use of sexual innuendos. Part 2 was released on 8 August 2012 across India and had some paid previews on 7 August 2012.[8]
Both parts of the film were acclaimed by the critics upon release. The combined film won the Best Audiography, Re-recordist's of the Final Mixed Track (Alok De, Sinoy Joseph and Shreejesh Nair) and Special Mention for acting (Nawazuddin Siddiqui) at the 60th National Film Awards.[9] The film won four Filmfare Awards, including Best Film (Critics) and Best Actress (Critics), at the 58th Filmfare Awards.[10] The individual film was declared flop at box-office.[11] Although not a huge hit by any financial standard, the meagre combined budget of ₹18.5 crore allowed the 2 films to be cumulatively commercially successful, with net domestic earnings of ₹50.81 crore (of the 2 parts combined). It is regarded by many as a modern cult film.
This is a second part and last film of Gangs of Wasseypur series.
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Gangs of Wasseypur is a Modern Materpiece | Pankaj Tripathi, Manoj Bajpayee | The Jaftaf Show 37
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Gangs of Wasseypur – Part 1 is a 2012 Indian Hindi-language epic black comedy crime film directed by Anurag Kashyap,[4] and written by Kashyap and Zeishan Quadri. It is the first part of the movie Gangs of Wasseypur, centered on the coal mafia of Dhanbad, and the underlying power struggles, politics and vengeance between three crime families from 1941 to the mid-1990s. Part 1 stars an ensemble cast, featuring Manoj Bajpayee, Richa Chadda, Reema Sen, Piyush Mishra, Nawazuddin Siddiqui, Vineet Kumar Singh, Pankaj Tripathi, Huma Qureshi, Anurita Jha and Tigmanshu Dhulia.
Although both parts were shot as a single film measuring a total of 319 minutes,[5][6][7] no Indian theatre would screen a five-hour film, so it was divided into two parts. Gangs of Wasseypur was screened in its entirety at the 2012 Cannes Directors' Fortnight,[8] marking one of the only Hindi-language films to achieve this. It was also screened at the Sundance Film Festival in January 2013.[9] It was filmed in Varanasi, Bihar, and Chunar, with these settings inspiring the film's soundtrack, which consists mainly of Indian folk.
The film was theatrically released on 22 June 2012, but was banned in Kuwait and Qatar for violent content.[10][11] Upon release, Gangs of Wasseypur – Part 1 received widespread critical acclaim, and won a number of awards. It received nominations for Best Film and Best Director for Kashyap at the 55th Asia-Pacific Film Festival,[12] and won for Best Audiography at the 60th National Film Awards, while Siddiqui won a Special Mention for acting at the same ceremony.[13][14] Gangs of Wasseypur – Part 1 also won four Filmfare Awards, including the Critics Award for Best Film, while Chadda won the Critics Award for Best Actress, at the 58th Filmfare Awards.[15]
Although not an individual financial success, it is a combined gross of ₹50.81 crore that facilitated a modest commercial return due to its certificate. The film marks Huma Qureshi, Anurita Jha and Tigmanshu Dhulia's debut film and first and debut film of Gangs of Wasseypur series. It is also had a sequel film Gangs of Wasseypur - Part 2, starring Nawazuddin Siddiqui, Rajkummar Rao, Aditya Kumar and Zeishan Quadri in their debut film.
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American Pie Reunion is Nostalgic | Nadia, Jim Levenstein, Steve Stifler | The Jaftaf Show 36
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American Reunion Plot - Nine years after getting married,[a] Jim Levenstein and his wife Michelle are in a sexual rut following the birth of their infant son. Kevin Myers is a househusband and architect, Chris "Oz" Ostreicher is a celebrity sportscaster dating Mia, a superficial supermodel, and Paul Finch has been traveling the world. The four friends return from their disparate locations to East Great Falls, Michigan, for their thirteen year high school reunion, and are joined by Steven Stifler, their obnoxious friend whom they hoped to avoid. The group spends the next day at the lake with Michelle and her old Band Camp friend Selena, whom Finch bonds with over his travels. Kevin and Oz reunite with their high school girlfriends Vicky and Heather, and meet Heather's boyfriend Ron. AJ, a young thug, steals bikini tops from Mia and other women before fleeing on a jetski. Seeking revenge, the boys trace AJ and his friends to a beach where Jim overhears his plans to take the virginity of Kara—Jim's neighbor whom he used to babysit—now she has turned 18. Stifler destroys their jetskis before fleeing. Instead of spending time with Michelle, Jim accompanies the others to the Falls to reminisce about high school, where they come across teens partying for Kara's birthday. Unsatisfied with Heather, Ron suggests swapping girlfriends for sex to a disgusted Oz. Kara drunkenly tries to seduce Jim, but he reluctantly rejects her. She passes out and Jim recruits Stifler, Finch, and Oz to distract her parents while he sneaks her into their house, worried Michelle will think he cheated on her. Jim returns home and falls asleep without having sex with Michelle, leaving her despondent about their failing marriage. The following morning, Kevin wakes up in bed with Vicky and assumes they had drunken sex. She confirms they did not but is upset he thinks so lowly of her. Jim encourages his widower dad, Noah, to begin dating, and takes him to Stifler's house party where he meets Stifler's mother Jeanine. After Oz is deliberately embarrassed by Ron, he admits he misses Heather and kisses her. Mia finds out and breaks up with Oz, confessing to her own affair. Jim waits upstairs for Michelle so they can have sex, but Kara again tries to seduce him before AJ intervenes, and a fight ensues. Jim explains the situation to Michelle and states he does not care about Kara, causing both women to leave upset. The police arrive and arrest Finch for stealing a motorbike. Stifler mocks Finch's predicament, and the boys confront him over being a bad friend and his inability to move on from high school. Stifler reminds them that they have ignored and avoided him for years. The next day, Noah offers Jim advice on repairing his marriage. At the reunion, Finch admits that he lied about his travels because he was embarrassed to admit that he had a normal job as a retail manager, and stole the bike from his neglectful boss. Feeling guilty about their treatment of Stifler, the boys visit him at work and apologize, recognizing his unhappiness with his life and admitting that none of their lives are perfect, but that Stifler is their friend. Stifler confronts his verbally abusive boss and quits. The group returns to the reunion together. Kevin reconciles with Vicky and introduces her to his wife, Finch makes amends for lying to Selena, and Oz and Heather choose to be together. Stifler is offered work as a wedding planner, and also meets and has sex with Finch's mother Rachel. Jim makes up with Michelle and they have sex in the school's music room. The boys meet up the following day: Oz reveals he is staying in town with Heather; Finch intends to tour Europe with Selena; and Jim apologizes to Kara, who plans to save her virginity for a good man like him. Kevin proposes a pact for the group to meet up every year from now on.
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Real Ghost Stories | Halloween Special | The Jaftaf Show 35
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American Pie 2 | Hollywood's Teen Sex Comedy | Nadia, Jim Levenstein, Steve Stifler | The Jaftaf Show 34
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American Pie 2 Plot - Home for the summer after college, Jim Levenstein, Kevin Myers, Chris "Oz" Ostreicher, and Paul Finch attend Steve Stifler's party until the police shut it down. Kevin is inspired by his brother to rent a Lake Michigan beach house and throw a massive party to close out the summer.
The group obtains jobs painting houses in order to afford the rent. Jim receives a call from former love interest Nadia who informs him that she plans to visit him. To gain sexual experience, Jim seeks out his prom date, Michelle, who agrees to help him after he is mistaken for a mentally disabled trombone prodigy and makes a fool of himself in front of a band camp concert audience.
The group hosts a small party where Kevin and his ex-girlfriend Vicky awkwardly lie to one another regarding the number of sexual partners they have had at college. Oz attempts to have phone sex with his girlfriend Heather while she is studying abroad in Spain but they are interrupted by Stifler.
While painting a house, the group observes the two female occupants Stifler assumes are lesbians and he enters their home while they are away in order to find proof. Jim and Finch pursue him inside in an attempt to stop him when the women return home and find the trio inside. They tempt the boys with some quid pro quo sex acts. However, when Stifler exposes his genitals after the women request watching the boys give each other handjobs, Finch and Jim leave in disgust.
Jim visits Michelle again to obtain sexual tips and they are nearly caught by a camp director. Stifler brings the group pornography and Jim later accidentally mistakes super glue for lubricant and learns his penis will be "unusable" for a short period of time. Meanwhile, Finch has become involved in the art of Tantra and waits to use his new skills with Stifler's mom, who he mistakenly believes has arrived but is disappointed when he learns it is Stifler's younger brother.
Nadia unexpectedly arrives early, much to the dismay of Jim as his penis has not fully healed. He and Michelle pretend to be in a relationship. However, she realizes that she has fallen in love with him but stages a mock breakup the night of the party so that Jim is free to hook up with Nadia. As the party begins, Jim realizes that he loves Michelle. Jim interrupts her concert performance and they return to the party together.
Meanwhile, Sherman is seduced by Nadia who is attracted to his geeky persona. Kevin is disappointed to learn Vicky has brought a date and storms off onto the beach. Oz is happy when Heather unexpectedly arrives early. Jim, Oz, and Finch speak to Kevin, who admits he is struggling to move on after high school; but they reassure and convince him to return to the party. The group returns, Kevin apologizes to Vicky, and they all enjoy an evening of partying together. The two "lesbians" arrive to the party and later have a threesome with Stifler.
The next day, the group prepares to leave when a car pulls up; Finch approaches and finds Stifler's mom inside. They drive off together and have sex again.
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What Makes Drive My Car So Great? | Hidetoshi Nishijima, Tôko Miura | The Jaftaf Show 33
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Drive My Car Plot - Stage actor and director Yūsuke Kafuku lives in Tokyo with his wife Oto, a screenwriter who conceives her stories after sex and narrates them to him. He learns his lines by listening to tapes recorded by Oto, while driving his red Saab 900 Turbo. After Yūsuke performs in Waiting for Godot, Oto introduces him to young television star Kōji Takatsuki. When a theater festival Yūsuke was slated to play in is delayed, he returns home, where he finds his wife having sex with Kōji, but does not disturb them. After a car crash, Yūsuke discovers he has glaucoma in one eye and must take eyedrops to prevent blindness. One day, Oto asks to have a serious conversation with Yūsuke. After he spends the day driving alone, Yūsuke returns home to find Oto dead from a brain hemorrhage. After the funeral, Yūsuke breaks down while performing the title role in Uncle Vanya.
Two years later, Yūsuke accepts a residency in Hiroshima to direct a multilingual production of Uncle Vanya. The theatre festival requires that he be chauffeured in his own car for insurance reasons, and despite his initial reluctance, he eventually bonds with his reserved young driver, Misaki Watari. With the help of dramaturge Gong Yoon-su, Yūsuke casts a diverse group of actors to perform in their native languages. He is impressed by Lee Yoo-na, a mute actress who communicates in Korean Sign Language, and he also unexpectedly casts Kōji as Uncle Vanya.
After a rehearsal, Kōji invites Yūsuke for a drink, where the young actor pushes against harsh assessments of his character but admits to his unrequited love for Oto. He scolds someone for taking a photo of him. Yoon-su invites Yūsuke and Misaki to dinner with his wife, who is revealed to be Yoo-na. Driving home, Misaki tells Yūsuke about driving her abusive mother for long hours at a young age. They later visit a garbage facility, where Misaki explains that she drove garbage trucks after leaving her hometown when a landslide destroyed her home and killed her mother.
Drinking with Kōji again, Yūsuke reveals that he thinks he can no longer play Vanya himself, and suggests that Kōji's lack of self-control is a personal weakness but a strength as an actor. After Kōji slips away to confront a man taking photos of him, Misaki drives them home. Yūsuke reveals that he and Oto lost their young daughter, who would now be Misaki's age; Oto's gift for telling stories after sex was a bond that helped them both cope. Though he knew of his wife's affairs, Yūsuke believes she still loved him, and Kōji shares one of Oto's stories that Yūsuke never heard in its entirety.
The police interrupt a rehearsal and arrest Kōji, as the man he attacked has died from his injuries. Given two days to consider whether to take over as Vanya or else cancel the production, Yūsuke asks Misaki to take him to her childhood home in Hokkaido. Yūsuke shares his guilt for not coming home to face the discussion Oto wanted to have, which might have allowed him to save her life. Misaki reveals that she escaped the landslide but chose not to pull her mother from the wreckage, receiving a scar on her cheek she has chosen not to have treated. They visit the snowy remains of Misaki's childhood home and hug as they both confront their shared grief.
Yūsuke assumes the role of Vanya and gives an impassioned performance before a live audience, including Misaki. Yoo-na meaningfully delivers Sonya's final lines: "We shall hear the angels, we shall see the whole sky all in diamonds, we shall see how all earthly evil, all our sufferings, are drowned in the mercy that will fill the whole world. And our life will grow peaceful, tender, sweet as a caress… You've had no joy in your life; but wait, Uncle Vanya, wait… We shall rest." Actors and audience alike are moved by the performance.
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