“Easy Living” & Paul Desmond (102) 

Standards Rating 7, Difficulty Rating 6

“Easy Living” is a model of songwriting elegance: a 32-bar AABA form whose beauty lies in balance—lyricism paired with subtle harmonic motion. The A sections unfold in F with graceful chromatic touches and flowing ii–V movement, while the bridge’s unexpected shift to Db major adds color without disrupting the tune’s calm, unhurried mood. Its melody favors long, singing lines and spacious phrasing, making it ideal for players who value tone and nuance over display.

Paul Desmond was uniquely suited to this song. His alto saxophone sound—light, pure, and almost weightless—mirrors the tune’s sense of emotional ease. On his mid-1960s recording with Jim Hall, Desmond states the melody with restraint and warmth, letting the harmony breathe. His improvisation remains close to the song’s contours, emphasizing melodic continuity rather than technical flash. In Desmond’s hands, “Easy Living” becomes exactly what its title suggests: relaxed, lyrical, and quietly profound.

Paul Desmond 

Billie Holiday 

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Mauricio Morales & Adam Hersh 

Between Dreams & Twilight, released November 14, 2025, is a modern-jazz collaboration between bassist-composer Mauricio Morales and pianist-composer Adam Hersh. The album features nine pieces—blending intricate composition with cinematic atmosphere. Their writing moves between dreamy lyricism, modernism, craftsmanship, rhythmic inventiveness and layered textures. The  project is supported by a standout ensemble that brings depth and color to every track. Guitarist Mike Moreno, vibraphonist Warren Wolf, drummer Gary Novak, and the Rogue Lemon String Quartet all play essential roles. The youthful Hersh and Morales will undoubtedly continue to impress and further their popularity as their careers continue to develop both as a collaborative unit and as impactful individual voices.

“Easter Parade”- Roy Eldridge (102)

Standards Rating 5 Difficulty Rating 5

Irving Berlin’s “Easter Parade,” first drafted in 1917 and introduced in As Thousands Cheer (1933), remains one of the most graceful standards of the American songbook. Its balanced 32-bar AABA design, gentle chromatic inflections, and elegant melodic lift evoke the optimism of springtime in New York, making it a natural vehicle for improvisers who appreciate Berlin’s clean, song-focused craft.

Roy Eldridge’s 1944 Decca recording with his sextet is one of the tune’s most distinguished small-group treatments. Eldridge approaches the melody with poised lyricism, allowing his trumpet to float over Eddie Heywood’s polished rhythm section. But beyond the beauty of this performance lies the depth of Eldridge’s influence: he was the crucial bridge between Louis Armstrong’s foundational swing style and the harmonic daring of modern jazz. His command of upper-register trumpet playing, his rhythmic fire, and especially his use of substitute harmonies laid essential groundwork for Dizzy Gillespie and the bebop generation. On “Easter Parade,” Eldridge tempers his trademark intensity, revealing a master melodist whose innovations shaped the direction of jazz trumpet for decades to come

Roy Eldridge Sextet 

Sarah Vaughan and Billy Eckstine

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Alan Broadbent has built a remarkable career as a pianist, composer, arranger, and educator, blending deep jazz tradition with classical sophistication. Now in his late seventies, he continues to perform and compose with undiminished vitality, including appearances at the Deer Head Inn 12/12 alongside longtime collaborators Harvie S. and Billy Mintz. Broadbent’s newest album, Threads of Time (Savant Records), features original compositions spanning five decades, scored for a sextet he had long envisioned.

Raised in New Zealand on Chopin before discovering jazz through Dave Brubeck’s “Take Five,” Broadbent left for Boston at nineteen to study at Berklee. Mentored by the influential teacher Lennie Tristano, he learned that emotional truth mattered more than technique. A stint with Woody Herman launched his professional life, followed by major arranging work for pop icons Barbra Streisand, Linda Ronstadt, and Rod Stewart, as well as orchestral study inspired by Mahler.

Career-defining collaborations with Natalie Cole, Charlie Haden (Quartet West), and Diana Krall helped shape his enduring voice. Today, Broadbent also mentors rising talent such as Stella Cole, proving that curiosity and creativity continue to drive his music.

“Always” — Irving Berlin (101)

Standards Rating 5 Difficulty Rating 4 

“Always” stands as Irving Berlin’s most intimate composition, a love song written not for the public but for one woman—his wife, Ellin Mackay. While Berlin built a career on anthems, showstoppers, and holiday standards, this song reveals his quiet emotional core. There is no theatrical flourish here, no novelty or comedy—only devotion stated with rare simplicity. The lyric unfolds like a spoken promise rather than a performance, with its legendary closing line, “Not for just an hour… but always,” reducing love to a single, unforgettable assurance.

Berlin’s life gives the song added weight. A Jewish immigrant who rose from poverty on New York’s Lower East Side to become the defining American songwriter, he understood instability and loss. By assigning all royalties from “Always” to Ellin, he did something radical: he turned romance into contract, melody into lifelong security. The result is not merely a standard, but a private vow made public—one of the purest love songs ever written.

Steve Smith Interview (Part 2 )

Steve Smith has long stood as one of the most technically accomplished and musically versatile drummers of his generation. Known globally for his work with Journey, Vital Information, and an array of jazz legends, Smith combines precision, historic knowledge, and a deep respect for the lineage of drumming. His approach marries power with nuance, always serving the music while expanding its rhythmic possibilities. Beyond performance, Smith has become an influential educator, preserving and advancing drum traditions through masterclasses, clinics, and detailed historical studies. His commitment to understanding the roots of American drumming—from jazz to early R&B—continues to shape his artistic voice and teaching philosophy.

Vital Information -New Perspective on YouTube 

New Perspective on Spotify

Steve Smith on Jack DeJohnette

Steve Smith has long stood as one of the most technically accomplished and musically versatile drummers of his generation. Known globally for his work with Journey, Vital Information, and an array of jazz legends, Smith combines precision, historic knowledge, and a deep respect for the lineage of drumming. His approach marries power with nuance, always serving the music while expanding its rhythmic possibilities. Beyond performance, Smith has become an influential educator, preserving and advancing drum traditions through masterclasses, clinics, and detailed historical studies. His commitment to understanding the roots of American drumming—from jazz to early R&B—continues to shape his artistic voice and teaching philosophy.

Jack DeJohnette’s impact on modern drumming is immeasurable—his blend of jazz tradition, avant-garde freedom, and groove-based intuition reshaped what it means to be a contemporary drummer. His work with Miles Davis, the Keith Jarrett Trio, and his own ensembles introduced a fluid, open style that erased the boundaries between timekeeping and melodic improvisation. For Steve Smith, DeJohnette became a foundational influence, a model of musical fearlessness whose touch, phrasing, and sense of space helped shape Smith’s own evolution. That influence is central to the documentary Smith created, which not only honors DeJohnette’s legacy but also analyzes the innovations that changed the trajectory of drum performance. Smith further explored these ideas in his acclaimed Sonor YouTube series, where he breaks down drum concepts, demonstrates advanced techniques, and reflects on the lineage of great drummers. The series stands as both an educational resource and a continuation of DeJohnette’s spirit and legacy. 

Sonor Presents: Jack DeJonette and Steve Smith  Talk Drums (Part 1)  

Sonor Presents: Jack DeJonette and Steve Smith Talk Drums (Part 2) 

Sonor Presents Jack DeJonette and Steve Smith : Talk Drums (Part 3)

100- “Dreamsville” and Henry Mancini 

Standards Rating 6, Difficulty Rating 6 

Henry Mancini (1924–1994) was one of America’s most versatile and influential composers, and his lifelong connection to jazz shaped his signature sound. After early musical studies and service in the Army Air Corps, he worked with the Glenn Miller Orchestra, grounding his writing in big-band swing. Moving to Hollywood in 1952, Mancini contributed to more than a hundred films, but his breakthrough came with the 1958 television series Peter Gunn, whose sleek, modern jazz scores—performed by top West Coast players—brought jazz into the mainstream and earned multiple Grammy Awards. Among its standout pieces is “Dreamsville,” a tender, harmonically rich jazz ballad in AABA form that became a standard recorded by artists from Julie London to Hank Jones. Mancini’s later work, including the iconic “Pink Panther Theme” and “Moon River,” reflects his mastery of melody, orchestration, and jazz-inflected harmony, securing his legacy as a defining voice of American music.

Henry Mancini

Wes Montgomery 

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Anthony Stanco is a jazz trumpet virtuoso and composer from Southeast Michigan, deeply rooted in the Detroit tradition, having studied under luminaries like Marcus Belgrave and Rodney Whitaker. He is recognized for his technique and love for hard bop, also serving as an educator and cultural ambassador through the US State Department's "American Music Abroad" program.His latest album is In the Groove: Live at The Alluvion, released on October 17, 2025, on OA2 Records. This project is a continuation of his 2024 album, Stanco's Time.   In the Groove was captured live at The Alluvion, a gorgeous and intimate jazz club in downtown Traverse City, Michigan that has in a short time gathered around itself a dedicated and passionate community of listeners. Stanco is joined by an all-star band, including guitarist Randy Napoleon, pianist Xavier Davis, bassist John Webber, and drummer Joe Farnsworth, to deliver a bold and joyful voice in 21st-century bop, blending tradition with modern fire.

99- “Dream a Little Dream of Me” and Diana Krall 

Standards Rating 9, Difficulty Rating 5 

“Dream a Little Dream of Me” remains one of the most enduring standards because of its gentle melody, romantic lyric, and the effortless way it creates a feeling of warmth and nostalgia. The tune has a natural, lullaby-like flow, moving gracefully between its dreamy A section and the more open, hopeful lift of the bridge. Its charm lies in its simplicity — nothing feels forced or overly ornate, yet every phrase is memorable. This timeless quality is what makes the song so appealing to artists across generations, including Diana Krall. In her intimate trio performance, she leans into the song’s built-in softness, letting the melody unfold with quiet ease. Her understated vocals, paired with the light touch of guitar and bass, keep the focus on the song’s natural beauty rather than embellishment. The result is a version that feels both classic and personal, capturing the tune’s enduring tenderness.

Diana Krall 

Ella Fitzgerald and Louis Armstrong 

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