While 2020 kept so many families painfully apart, three acclaimed indies from last year made the opposite case: "Why do I see these people again?" Playing a little 2021 catch-up, Chance and Noah drop by to visit "Spencer," "Shiva Baby," and "The Humans" to explore how families—be they English royalty or middle-class Americans—banter, bristle, covet nostalgia, push buttons, and flirt with genuine horror. But hey, just look at that spread.

To celebrate the 80th birthday of the eternal G.O.A.T., Chance dives deep into Muhammad Ali's cinematic legacy. Morgan Campbell of CBC Sports joins to discuss the unwavering supply of Ali documentaries and films, plus the necessity of preserving context around Ali's life and legacy as an activist athlete. Then, to finish, Chance runs down his three favorite Ali films. Happy birthday, champ.

To close the book on 2021 movies, Chance is joined by Conner Reed (Portland Monthly) to celebrate their favorite films and performances in the following categories: Oregon Feature, Documentary, Foreign Film, Blockbuster, Comedy, Horror, Acting Newcomer, Ensemble, Supporting Performance, Lead Performance, and Top 3 Movies of 2021. Happy new year, all!

One doesn’t simply walk into a “Lord of the Rings” episode—at least not without a 20-year anniversary and amateur Tolkien scholar Brent Rivers on one’s side. On today's blockbuster episode, our fellowship reflects on an all-time great film trilogy, assessing LOTR’s bizarre relationship to star power, how Peter Jackson adapted almost anti-modern novels, and how the trilogy’s approach to franchise filmmaking stands alone.

After many Thanksgivings spent recording supersized Be Reels, we finally do the sensible thing and just cover films about Turkey Day itself. The trio of “Planes, Trains and Automobiles” (1987), “Home For The Holidays” (1995) and “The Ice Storm” (1997) explores the great lengths to which families go to gather, despite cornucopias of evidence they shouldn’t. To all those surviving delayed flights and cooking for too many people this year, this one’s for you.

In the debut of a "Guest's Choice" format, Portland writer and film programmer Aaron Colter joins Chance to discuss a pair of '80s movies about New York vampires: "The Hunger" (1983) and "Vampire's Kiss" (1989). The former is Tony Scott's first movie (dark, entrancing, and with David Bowie), while the latter finds Nicolas Cage channeling Nosferatu to ends we still don't understand. Portlanders can see "The Hunger" at Clinton Street Theater on Thursday, Oct. 28 — https://cstpdx.com/schedule.

By the year 1991, Wes Craven had already solidified his place in the Hollywood "master of horror" pantheon. But for his third act, the "Nightmare on Elm Street" creator began asking, "What's the point of all this slashing?" as he embarked on a series of socially critical and self-reflexive scary movies: "The People Under The Stairs" (1991), "New Nightmare" (1994) and "Scream" (1996). For your Halloween episode, we dive in.

Reflecting on Sept. 11, 2001 twenty years later, we watched three films depicting the post-9/11 psyche at its most charged and wounded. "25th Hour" (2002), "Worth" (2021) and "Reign Over Me" (2007) consider 9/11 from grieving standpoints, but they also tell on themselves, revealing how difficult meaningful reflection actually is, whether from swaggering New Yorkers, bereaved Adam Sandlers, or the lawyers overseeing the Victim Compensation Fund.

Our fraternity of microphones and movie opinions celebrates its 200th episode this month, so we're taking the opportunity to review films about brothers and their criminal gambits. From the thousand-car pileups of "The Blues Brothers" (1980) to the street-crime insanity of "Four Brothers" (2005) to the dapper cons of "The Brothers Bloom" (2008), we tip our caps to the unbreakable bonds and wild squabbles of brotherly love. Happy 200, all.

Before the DM or chatroom, if you wanted to connect with a stranger pseudo-anonymously, you bought a personal ad. This week, we seek three films with classified ads as inciting incidents: “Desperately Seeking Susan” (1985), “Single White Female (1992) and the now 20-year-old “Ghost World” (2001). Romance, murder and vicarious living abound, plus the story of Chance and Noah answering an ad.