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We step into the charged terrain of land, power, and belonging - and ask who really gets to claim ownership of land in Africa. Beginning with a screening of The Battle for Laikipia at Hyde Park Picture House, we trace the tensions between Indigenous Samburu pastoralists and fourth-generation white settlers in Kenya - and unravel how the logic of private property, colonial inheritance, and climate crisis continue to shape who eats, who survives, and who gets fenced out.
From there, we widen the lens. Tamanda connects the film’s themes to her own family history across Botswana, South Africa, and Britain - from childhood memories of “the boy” on white relatives’ farms to a recent, real-life story of stolen oranges and guinea fowl that became a parable of modern policing versus ancestral justice. Aiwan brings a filmmaker’s eye to the ethics of empathy and the politics of whose pain is centred, then flips the frame to Yellowstone and the global story of land as commodity - whether in Montana, Laikipia, or the post-colonial south.
Along the way, we confront the colonial hangover that refuses to die: white settlers who never left, governments that compensate the oppressor before the oppressed, and a climate emergency exposing the same old inequalities in new forms.
In this episode:
🎧 Listen wherever you get your podcasts
🎥 Watch the full episode on YouTube
🔁 Share with someone thinking about land, identity, or climate justice
📬 Reflections or stories to share? Email us: [email protected]
⚠️ Content note: discussion includes colonial violence, racist language, and murder/death.
Please rate, review and subscribe for weekly episodes.
Connect with us on:
This is an AiAi Studios Production
©AiAi Studios 2025
Hosted on Acast. See acast.com/privacy for more information.
By Rigour & Flow with Aiwan and TamandaWe step into the charged terrain of land, power, and belonging - and ask who really gets to claim ownership of land in Africa. Beginning with a screening of The Battle for Laikipia at Hyde Park Picture House, we trace the tensions between Indigenous Samburu pastoralists and fourth-generation white settlers in Kenya - and unravel how the logic of private property, colonial inheritance, and climate crisis continue to shape who eats, who survives, and who gets fenced out.
From there, we widen the lens. Tamanda connects the film’s themes to her own family history across Botswana, South Africa, and Britain - from childhood memories of “the boy” on white relatives’ farms to a recent, real-life story of stolen oranges and guinea fowl that became a parable of modern policing versus ancestral justice. Aiwan brings a filmmaker’s eye to the ethics of empathy and the politics of whose pain is centred, then flips the frame to Yellowstone and the global story of land as commodity - whether in Montana, Laikipia, or the post-colonial south.
Along the way, we confront the colonial hangover that refuses to die: white settlers who never left, governments that compensate the oppressor before the oppressed, and a climate emergency exposing the same old inequalities in new forms.
In this episode:
🎧 Listen wherever you get your podcasts
🎥 Watch the full episode on YouTube
🔁 Share with someone thinking about land, identity, or climate justice
📬 Reflections or stories to share? Email us: [email protected]
⚠️ Content note: discussion includes colonial violence, racist language, and murder/death.
Please rate, review and subscribe for weekly episodes.
Connect with us on:
This is an AiAi Studios Production
©AiAi Studios 2025
Hosted on Acast. See acast.com/privacy for more information.