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The Lifespan of a Fact and Truth in Journalism
Ira Glass, Tony nominee Leigh Silverman, and Barbara Brandon-Croft debate fake news and more, inspired by Broadway’s THE LIFESPAN OF A FACT. Based on the book of the same name, THE LIFESPAN OF A FACT opened cold on Broadway at Studio 54 October 18, 2018, and immediately illuminated issues of journalistic integrity, art versus media, and what the word “truth” actually means. Jim Fingal is an intern at a literary magazine assigned to factcheck an essay by John D’Agata—the kind of piece that, according to editor-in-chief Emily Penrose could be “meaningful” and “pushes the envelope.” Inspired by Jim, John, and their real-life negotiation, the story follows Jim as he investigates every checkable fact in John’s article (excuse me, “essay”) as John fights to preserve the art of the story and the essence of truth.
But are truth and facts the same? What about news and storytelling? Should there be a difference? When should a writer’s perspective surface, if ever? What facts are negotiable, if any? How do you know? In this episode, host Ruthie Fierberg digs into the origins of the play with Leigh Silverman—yielding a surprise twist—before opening up the discussion about facts and their negotiability, or lack thereof, with renowned content creator Ira Glass of THIS AMERICAN LIFE who says facts are black-and-white and Barbara Brandon-Croft, a fact-checker and research director at Parents magazine, who says situations like those portrayed in Lifespan are all too familiar. In the end, these artists and experts advise us all on how to consume reliable media and how to hold journalists and their outlets to ethical standards.
Purchase the play here.
Referred to in this episode
John D’Agata’s story “What Happens Here” that inspired the book THE LIFESPAN OF A FACT, which inspired the play
Create the change
Take the quiz to see if you know the difference between fact and opinion statements
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
Learn more about your ad choices. Visit megaphone.fm/adchoices
View all episodes
By Broadway Podcast Network
4.5
2222 ratings
Ira Glass, Tony nominee Leigh Silverman, and Barbara Brandon-Croft debate fake news and more, inspired by Broadway’s THE LIFESPAN OF A FACT. Based on the book of the same name, THE LIFESPAN OF A FACT opened cold on Broadway at Studio 54 October 18, 2018, and immediately illuminated issues of journalistic integrity, art versus media, and what the word “truth” actually means. Jim Fingal is an intern at a literary magazine assigned to factcheck an essay by John D’Agata—the kind of piece that, according to editor-in-chief Emily Penrose could be “meaningful” and “pushes the envelope.” Inspired by Jim, John, and their real-life negotiation, the story follows Jim as he investigates every checkable fact in John’s article (excuse me, “essay”) as John fights to preserve the art of the story and the essence of truth.
But are truth and facts the same? What about news and storytelling? Should there be a difference? When should a writer’s perspective surface, if ever? What facts are negotiable, if any? How do you know? In this episode, host Ruthie Fierberg digs into the origins of the play with Leigh Silverman—yielding a surprise twist—before opening up the discussion about facts and their negotiability, or lack thereof, with renowned content creator Ira Glass of THIS AMERICAN LIFE who says facts are black-and-white and Barbara Brandon-Croft, a fact-checker and research director at Parents magazine, who says situations like those portrayed in Lifespan are all too familiar. In the end, these artists and experts advise us all on how to consume reliable media and how to hold journalists and their outlets to ethical standards.
Purchase the play here.
Referred to in this episode
John D’Agata’s story “What Happens Here” that inspired the book THE LIFESPAN OF A FACT, which inspired the play
Create the change
Take the quiz to see if you know the difference between fact and opinion statements
Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter.
Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.
Our logo is by Christina Minopoli. See more at MinopoliDesign.com.
Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.
Connect with Ruthie!
Learn more about your ad choices. Visit megaphone.fm/adchoices
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