This episode ties some of my reflections to the mermaidy aspects of the Black Panther sequel Wakanda Forever to Rivers Solomon's novel The Deep. I connect what I call the 'crossing merfolk' narrative in Solomon's novel to the film's reimagining of Atlantis through the history of conquest and colonization. I don't think I give away the end or any major twists but this discussion may contain some spoilers for Wakanda Forever.
My Research on Fantasy, Science Fiction, and Mermaids
My Review of Skin of the Sea in Los Angeles Review of Books (In this I define and discuss the crossing merfolk concept referenced in this episode)
Caveats and corrections: I forgot to address the fact that the Talokani people in Wakanda forever are not mermaids in the sense that they don't have fishtails, they have human form. This is also true of some of the stories that I study in my own work. I use the term merfolk broadly to describe humanoid or human-hybrid beings that live primarily in water. I would argue that the film intentionally references mermaid lore in relationship to Talokan through the dolphin kick motion (with feet together, mimicking a fin) that most of them use to swim, different characters calling Namor a merman or fishman, and their use of a siren-like call.
Ryan Coogler's Black Panther and Wakanda Forever
Rivers Solomon's The Deep
Parliament Funkadelic's Motor Booty Affair
Critical and Secondary Sources Mentioned, Referenced, or for Further Reading:
Nili Blanck,"The Mesoamerican influences behind Namor from Black Panther 'Wakanda Forever'
This American Life Feature-Afrofuturism
Nettrice Gaskins, "Deep Sea Dwellers; Drexciya and the Sonic Third Space"
Justin Burton, "Azalea Banks, Seapunk, and Atlantis: An Embattled Humanist Mixtape"
Joshua Bennet's On Being Property Myself ("The Shark" chapter)
M. Jacqui Alexander's Pedagogies of the Crossing