The lads take a break from their summer holiday and busy work schedules to briefly chat about the lost opportunity of a Doctor Who / The Good Life cross-over some time in the mid 1970s and then David learns about the latest acquisition in Ben's Who collection. Opening music is the theme to "The Good Life" by Burt Rhodes. Closing music is from the soundtrack to "Robots of Death" composed by Dudley Simpson.

It has been terribly hot in the northern hemisphere, so Ben and David have their quick picks of Who stories to beat the heat. But, first how could they not comment on the new teaser for series 11 that dropped after the football final? Join the lads as they discuss recent Who news and then find out which stories to watch to leave you "cold". Opening music is "The Galactic Weed" by Geoffrey Burgon. Closing music is the opening of "The Ice Warriors" by Dudley Simpson.

Ben and David are excited to hear the music of Segun Akinola, the new composer for Doctor Who! Akinola will be scoring the incidental music for Series 11 and putting his mark on the show's theme song. So, this week the Metebelis Two listen to song excerpts from Akinola's SoundClound page and speculate what type of music he will bring. Opening with "Mount Nyiragongo" from the BBC documentary series "Expedition Volcano", the lads also listen to excerpts entitled "Dakika", and "Ororo". They also listen to music from "The Human Body", including "DNA", "Microglia", "Amorph", and "Codon". Then sample a couple of tracks from the BBC's "Black and British" including "David's Theme" and "Dalu". Finally they delve deeper into Akinola's back catalog with excerpts from "Following the Trail", "Abandoned", "Evil Knight", and "Nothing Left". This week's pod is a musical feast! Closing music is "Keshokutwa" also from Akinola's score for "Expedition Volcano".

Ben and David meet in person for the first time in Metebelis Two podcast recording history to celebrate their second anniversary of podcasting. Join the unlikely lads as they have a Who chat with random emergency questions supplied by their listener. Opening sting is from the score for Planet of the Spider, composed by Dudley Simpson. Closing music is Mysteries by Don Harper.

The Metebelis two review Genesis of the Daleks on the big silver screen. How did the cut down omnibus version not seen since 1975 fare on when projected to make Tom Baker appear 10 feet tall? What did the lads miss and what, if anything, was improved? And why did seeing Tom's interview make them a bit said. Also, in the battle of for the old man crown, who has the more antiquated television set-up. Opening music is from Dudley Simpson's score for Genesis of the Daleks and closing music is Heathcliff Blair's later rendition of the score.

In this episode, the Metebelis Two continue their examination of Big Finish's Paul McGann stories with a listen to Paul Magr's "The Stones of Venice". What will the lads think of their time in 23rd century Venice in the Magrsverse? How has this story held up since its release in 2001? Opening music is from the Rolling Stone's 1974 song, "Time Waits For No One". Closing music is from Russell Stone's score of "The Stones of Venice".

The Metebelis Two wrap-up their exploration of Doctor Who cliffhangers through the various years with a look at those from the Moffat-era. What "Moffhangers" did each of the lads pick as their top five? Do Moffat cliffhangers herald back to earlier eras? Would the two rather talk about Monty Python than the Moffat years? Give a listen to find out. Opening is an excerpt of an interview with Graham Chapman, followed by Murray Gold's music from "Dinosaurs on a Spaceship". Closing Music is from Gold's amazing score for "Heaven Sent".

This week, the Metebelis Two pay homage to Graham Strong, the man behind the "crystal clear" recordings of mid-1960s Doctor Who. As fans we owe a great debt to him and his hobby of recording and archiving our favourite television show. Despite neither of us ever meeting him, we wanted to pay our respects and talk about the legacy of his and others' off-the-air recordings from the sixties. We included a few excerpts of interviews with Strong from the BBC and Fantom Films, so we could hear his perspective directly. Opening music is "Mr. Oak and Mr. Quill" composed by Dudley Simpson for Fury from the Deep and closing music is the "Propaganda Sleep Machine" by Brian Hodgson from The Macra Terror. Both stories were recorded by Strong on broadcast.

We look back at the cliffhangers of the Russell Tiberius Davies era. With our favourite show returning to BBC1 in 2005, what would become of our beloved cliffhangers? Would RTD be able to keep cliffhangers intact with the change to a 45 minute, complete story format? Of course he did! Ben and David discuss the genius of RTD and how cliffhangers evolved to work in the revived era. What picks did the lads make as their top 'hangers'? Please give a listen! Opening music is an excerpt "I'm Coming to Get You" and closing music is from "The Doctor Forever", both by the incomparable Murray Gold.

Ahh the 1980s... Ben and David pick five cliffhangers each that are the best, or at least representative of the John Nathan-Turner era of Doctor Who. From continuity errors from being away at school to the pitiful telephone calls of a fanboy wondering when the Romana and K9 in E-Space series was going to start, the Metebelis Two lads explore j'tangers. Opening music is an excerpt from the "Earthshock" score by Malcom Clarke and closing music is an excerpt from the "Frontios" score by Paddy Kingsland.