Ben and David continue their look at the Doctor Who Monthly readership rankings with a chat about where the Troughton, Pertwee, and Tom Baker stories stacked up. We share our theories, such as the Web Planet Effect, to why the stories ranked in the order that they did and discuss on which stories do we think are underrated, overrated, and correctly placed? We notice too that animations do not seem to make a difference with a missing story's popularity. The opening track is "Gentlemen, Good Luck" and closing track is "Mahogany", both from The Sun Maker soundtrack composed by Dudley Simpson. We recorded this episode on 22 May 2023.

RTD has revived the Doctor Who hype machine and Ben and David have been lapping it up. They enthuse over the many costume reveals for Ncuti Gatwa's Doctor and other members of the cast. Ben, who has been in England this past month, liked the Doctor Who trailer that dropped before EuroVision this year on BBC and is picking up a palpable buzz about the coming 60th anniversary series. Plus speculation if there will be a musical episode with Ncuti? Then, in the second part of the podcast, at about the 20:30 mark, we chat about the 2023 William Hartnell story rankings in Doctor Who Monthly. The intro and outro music is "Love Don't Roam" featuring Neil Hannon and composed by Murray Gold. We recorded this episode on 19 May 2023.

Ben presents to David a crash course in UK comics and all things related to The Star Beast, the 1980s comic serial that started Doctor Who Weekly #19, which was written by Pat Mills and John Wagner, and drawn by Dave Gibbons — all legends of UK comics. Toss in a dash of speculation of how RTD will bring Beep the Meep and the Wrarth Warriors to our television screens, and a sprinkling of speculation about other Marvel universe cross-overs with Doctor Who and there's your podcast! Opening music is "Cartoon Heroes", the 2000 (A.D.) song by Aqua and closing music is "That Beep", the 2008 song by Architecture in Helsinki. We recorded this episode on 16 April 2023.

Discussion of a possible UNIT spin off and then broaden our discussion to what can make a Doctor Who spin off successful and brainstorm spin-off ideas to pitch to RTD — from live action Paul McGann Doctor Who to steam punk Who to animated further adventures starring the Hartnell, Troughton, or Pertwee Doctors Who. What made the Sarah Jane Adventures successful and why was there a fourth series of Torchwood? We try to answer these questions and more in this episode. Opening music is "UNIT Rocks" composed by Murray Gold and closing music is "The UNIT Theme" composed by Dudley Simpson. We recorded this episode on 19 March 2023.

Ben is joined by writer Lena Barkin and pianist Jess Jurkovic to chat about their experiences at the 2023 Gallifrey One convention. Opening music is "Summons to Gallifrey" composed by Paddy Kingsland and closing music is "Jelly Babies" composed by Dudley Simpson. We recorded this episode on 27 February 2023.

A bonus episode! Ben's report from the first day of Gallifrey One 33 in Los Angeles and how impressive Tim Dane Reid's presentation of his behind-the-scenes account of portraying many of the monsters in Doctor Who. Opening music is from The Claws of Axos and closing music is from Fuldans by Fulkultur. We recorded this episode on 17 Feb 2023.

A double feature in this podcast. First up, Ben gives his report from the Worlds of Wonder Doctor Who exhibit currently running at the National Museum of Scotland in Edinburgh. Next David is joined by John (elvwood) and Peter (forpetessake), two quiz masters on the Games of Rassilon subforum on Gallifrey Base Doctor Who forum, where they discuss forum games and culture and the challenges and rewards of hosting forum games. Opening music is "The Axons Approach" by Brian Hodgson and closing music is "Scorched Earth" composed by Trevor Duncan and performed by the Group-Forty Orchestra. We recorded this episode on 28 January and 10 February 2023.

We are joined in this podcast by writer Lena Barkin and pianist Jess Jurkovic to chat about the upcoming Gallifrey One 33 convention to be held in February in Los Angeles. Ben, Lena, and Jess will all be panelists. Lena will present "Want You or Want to Be You: Companion Relationships in New and Classic Who" as part of the Tardis Talks Academic Symposium. She'll also be a panelist on "Coats of Many Colors", "Why Not a Singing Doctor?", and hosting the Blake's 7 Meet-up. Jess Jurkovic will be a panelist on "Sixty Years of Doctor Who Music" and giving a talk and performing "Dudley Simpson's Doctor Who Theme". Last, but not least, Ben is on two panels: "Stop Me Before I Collect Again" and "Bring the Cheese! Our Love Affair with Bad Movies". All-in-all, it sounds like a fun con! The music for this podcast is arrangements from Jess' Dudley Simpson IS Doctor Who project: opening music is "In An Atlantean Market" and closing music is "Liz's Tune". We recorded this episode on 21 January 2023.

The Abominable Snowmen Doctor Who animation is the centerpiece of this episode's discussion that ranges from the recent animation choices made by Gary Russell and Digitoonz to the original story by Mervyn Haisman and Henry Lincoln. Together they make a complex juxtaposition of early 2020s progressive sensibilities and late 1960s reactionism. What works and what, for lack of better words, is more Scooby-Doo than Doctor Who? The opening music is "Dakto Karpo" and closing music is "Rinchen Chabum" both from the 1975 recording Tibetan Folk Songs from Lhasa and Amdo. We recorded this episode on 8 January 2023.

We are trapped in a time loop in an "elf" storage in Manchester this podcast and are back on New Years Day 2022 to discuss the holiday special, Eve of the Daleks. David likes how Chris Chibnall writes his Dalek specials, but wonders why Nick was written to be so creepy. The name "Nick" certainly must have been a production team joke. Ben wonders what it is like to be killed by a Dalek, repeatedly. And we ask what about the mysterious Jeff? All-in-all, the two find this to be a quite serviceable hour of Doctor Who and wish more of this era could have been more like this. Opening and closing music by Segun Akinola from the Eve of the Daleks soundtrack. We recorded this episode on 7 December 2022.