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In part II of the series we will delve more deeply into the history of NOLA's death culture, funerary and burial practices by exploring it's cemeteries.
New Orleans is a beloved and complex city that has a reputation for being obsessed with joy and death in equal measure. Haunted by alleged ghosts and it's very real past, the morbid history of NOLA is endlessly fascinating. This series will focus on how it first gained it's reputation as "a city of the dead."
THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you. Extra special thanks to the following patrons for their exceptional support:
Matthew Aronoff
Dennis Barette
Rob Emmett
Haley Lamp
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
Note: As of the release of this episode, the Town Hall meeting has been released and is watchable at: https://youtu.be/Da0uML0BPy4?si=12pHRR1_abEaJ6EF
In recent decades, museums and historical sites all over the world have been engaging in the incredibly important and difficult conversation of repatriation, especially when it comes to human remains. The ethical questions are numerous, and each case is complex and, at times, highly nuanced. How do you find provenance for remains that are over 150 years old? What is the appropriate resting place for unclaimed, unidentified remains? Who decides that? Is the answer to ban all human remains from being on display? One institution that is currently undergoing massive scrutiny for how it is handling the question of displaying or repatriating human remains is the Mütter Museum in Philadelphia. To aid us in this discussion, Katie interviewed members of "Protect the Mütter ," a campaign devoted to challenging the current decisions being made around removing human remains from public view. ONLY AVAILABLE ON PATREON!
For more information on "Protect the Mütter" you can check out their linktree: https://linktr.ee/protectthemutter?fbclid=PAAaaJ_jHZvgyUNsxQWTrND8LZENQedtQW1jGneEBc34WS296L5AObLooEOuM_aem_AZTCUoIoWTgHM0gQkV4qTX1cotfWkFzqWjFrXj26YmYVVs4VI4Lye43Stya6bAJ7h-A
THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you. Extra special thanks to the following patrons for their exceptional support:
Matthew Aronoff
Dennis Barette
Rob Emmett
Haley Lamp
Lauren Stephenson
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
In recent decades, museums and historical sites all over the world have been engaging in the incredibly important and difficult conversation of repatriation, especially when it comes to human remains. The ethical questions are numerous, and each case is complex and, at times, highly nuanced. How do you find provenance for remains that are over 150 years old? What is the appropriate resting place for unclaimed, unidentified remains? Who decides that? Is the answer to ban all human remains from being on display? One institution that is currently undergoing massive scrutiny for how it is handling the question of displaying or repatriating human remains is the Mütter Museum in Philadelphia. To aid us in this discussion, Katie interviewed members of "Protect the Mütter ," a campaign devoted to challenging the current decisions being made around removing human remains from public view.
For more information on "Protect the Mütter" you can check out their linktree: https://linktr.ee/protectthemutter?fbclid=PAAaaJ_jHZvgyUNsxQWTrND8LZENQedtQW1jGneEBc34WS296L5AObLooEOuM_aem_AZTCUoIoWTgHM0gQkV4qTX1cotfWkFzqWjFrXj26YmYVVs4VI4Lye43Stya6bAJ7h-A
THANKS TO OUR TO PATREON SUBSCRIBERS! We couldn't do this without you. Extra special thanks to the following patrons for their exceptional support:
Matthew Aronoff
Dennis Barette
Rob Emmett
Haley Lamp
Lauren Stephenson
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
In Philadelphia, a hulking ruin of one of America's largest prisons is now a historic site and famed attraction. Eastern State Penitentiary illustrates the changing cultural mores around crime and punishment, and the mass incarceration crisis today.
Thank you, Patreon Subscribers! We couldn't do this without you. Extra special thanks to the following patrons for their exceptional support:
Matthew Aronoff
Dennis Barette
Rob Emmett
Haley Lamp
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
For at least two centuries, the tale of Sweeney Todd has delighted and terrified us to our very core, but has left us with some questions. How did this legend begin? Was Sweeney Todd a real person? Join as we dive deep into the mysterious and thrilling history of the most famous barber of all time.
THANKS TO OUR TO PATREONS! We couldn't do this without you. Extra special thanks especially to the following patrons:
Matthew Aronoff
Dennis Barette
Haley Lamp
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
Hey Morbuddies! As a special treat, we have decided to release an exclusive episode from our Patreon Ahistorical Cinema Vault!
Did you know we’ve added more tiers and benefits to our Patreon!? New tiers include some of the following:
If you like what you hear, please consider becoming an official Morbuddy on Patreon today!
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Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
Social Media Consulting: Larisa Courtien
What began as a small bin fire on the 8th floor of an unsafe factory, would end in the tragic and untimely death of 146 workers. Sorrow turned to outrage, and this tragedy would push sweeping labor reform throughout the United States, inspiring the New Deal and other pieces of progressive legislation that still inform our labor rights today.
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
Social Media Consulting: Larisa Courtien
Costumed interpretation, or living history, or reenacting, is a fascinating practice in which historical dress, tools and props are used to present and educate about the past. We discuss the particular American brand of living history, as chronicled in Tony Horwitz' enduring classic, Confederates in the Attic.
Patreon: patreon.com/themorbidmuseum
Instagram: @themorbidmuseum
Email: [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
The Triangle Shirtwaist Factory garment workers, mostly young women and teenagers, faced inhumane treatment and conditions, exacerbated by the greed and neglect of their employers. Unbeknownst to them, this mid-rise building in Manhattan, designed to maximize efficiency, was a death trap.
Become an official Morbuddy: patreon.com/themorbidmuseum
Follow us on IG: @themorbidmuseum
Email us at [email protected]
Artwork: Brittany Schall
Music: "Danse Macabre" by Camille Saint-Saens, performed by Kevin MacLeod
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