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At its largest, d’Lovelies performs as a seven-piece group: Rob Pate on guitar and vocals, Erin Gael Friedman on vocals, Duane Webster on bass and vocals, Ryan McCurry on keys, Mike McCloskey on saxophone, Nate Bitter on trombone, and Colin Mahoney on drums.

Often, the band plays in venues that aren’t big enough for the entire seven-piece to fit. To work around this, they rehearse and even perform in sections, including as duos and trios. When they can, though, they bring the whole lineup to perform ragtime, blues, original Americana, New Orleans R&B, and even Brazilian and Cuban rhythmic influences.

The group has been building momentum since they started performing together in December of 2023, even recording their debut album, Great Horizon, in August of 2024.

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[As a group, Canyon Collective] doesn’t write structured songs for their performances, instead improvising their material together on stage. They’ll talk amongst themselves about what style of piece they’ll focus on in their next performance, then they’ll perform it on the spot, riffing off of each other in the process.

Recently, the group had the opportunity to perform in a mineshaft for a private party. The performance was recorded, and upon listening back to the recording, they realized they had something special. Because of this, the group has decided to release this recording as their first live album.

For [bandleader and drummer Zach] Hedstrom, the improvisational style that the group embraces means that the musicians can embrace the present moment fully during their shows. He loves being able to take everyone’s ideas at face value and encouraging the performance to be a spontaneous musical collaboration.

Hedstrom loves being part of a band where every show gives a different energy through its spontaneity, and he hopes that everyone who comes to see a Canyon Collective show has a great time and feels encouraged to see them live again. For the group and the audience, every show is a different experience, and these musicians love that every show has a new energy.

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

Tyler Hickman, multimedia producer, at [email protected]

Jamie Lammers, podcast host, at [email protected]

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Zach Hedstrom moved to Fourmile Canyon around five years ago. Around that time, he and other musicians in the area started hosting gatherings to jam and enjoy each other’s company. Eventually, this gathering of people started playing local venues as a group, and thus, Canyon Collective was born.

The name Canyon Collective comes from the rotating lineup of the group. While there are core members who consistently play in Canyon Collective, there are also many musicians who jump in and out of the group that live in and around Fourmile Canyon, creating a welcoming environment for local musicians.

Hedstrom describes the group as a “high-energy global groove funk band,” as they play music primarily rooted in funk with various global influences such as Latin, West African, and reggae rhythms. In regards to core members, Hedstrom plays drums, Christopher Clauss plays bass, Ryan Benthall plays keyboard, Eshan Escoffery plays trombone, Matthew Wilkolak plays trumpet, Derek Miles plays guitar, and Greg[g] Freeman serves as the percussionist.

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

Tyler Hickman, multimedia producer, at [email protected]

Jamie Lammers, podcast host, at [email protected]

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Regular correspondent Maryann Rosen comes back with another spotlight episode on a town in the Peak to Peak area in Colorado, this time focusing on Rollinsville!

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

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In this very special episode of Audio Library, Celia Wilson reads six articles from the April 10, 2025, edition of The Mountain-Ear! You can find all of the digital articles read and links referenced in this episode below!

Peak Perspectives: Speaking from the heart by Barbara Hardt

Music of the Mountains: Canyon Collective by Jamie Lammers

Lady Eagles Soccer undefeated by Dave Gibson

Umoja Women's Village provides refuge by Dave Gibson

Keep it Local: Zuku Baskets by Lynn Hirschman

Columbia University funding cuts affect Boulder locals' research by Jamie Lammers

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

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Jamie Lammers, podcast host, at [email protected]

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In this episode of The Mountain-Ear Podcast, our regular correspondent Maryann Rosen shares stories about National Poetry Month!

Total Access by Ballistic Kisses: https://www.youtube.com/watch?v=QxxpiCNlvtQ

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

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Jamie Lammers, podcast host, at [email protected]

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In this very special episode of The Mountain-Ear Podcast, Jamie Lammers, Maryann Rosen, and Dango Rose join forces once again to cover the history and legacy of the Colorado band Elephant Revival!

Note: Due to re-editing of this episode, the order of the previous episode and this one have been switched.

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

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This is a special broadcast brought to you by The Mountain-Ear Podcast featuring an unedited recording of a meet-and-greet meeting centering around the Cross and Caribou Mines.

Note: Due to re-editing in the next episode, the order of this episode and the next episode have been switched.

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

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Jamie Lammers, podcast host, at [email protected]

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Andrew Sturtz has written songs for over twenty years, releasing projects but never focusing on touring those projects. He’s lived in Boulder for nearly a decade, and through playing open mics and other events in the town, he met people who have since become close musical and personal companions.

Now, Sturtz has christened a group with his last name, a quartet that includes himself on guitar, Courtlyn Carpenter on cello, Will Kuepper on bass, and Jim Herlihy on banjo. All four provide vocals, with Sturtz providing lead vocals.

The band spent a month coming up with their name, even creating a spreadsheet including dozens of potential band names (including Slow Drive, Alcove, Topiary, and Incongruity). However, the group eventually realized that Sturtz served as a perfect name for the group, which focuses on new arrangements of the namesake’s original material.

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

Tyler Hickman, multimedia producer, at [email protected]

Jamie Lammers, podcast host, at [email protected]

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Samson “Sam” Grisman has been surrounded by music his entire life. From a young age, he fell in love with the music played around him by family, friends, and especially his father, David.

David, a multi-instrumentalist, has performed for decades with and/or alongside Peter Rowan, Red Allen, Maria Muldaur, Darol Anger, Doc Watson, Mike Marshall, Tony Rice, and Andy Statman.

David has called his particular stylings “Dawg music,” embracing his nickname, “Dawg.” That nickname was first given to him by close friend and frequent collaborator Jerry Garcia.

Music has been so prevalent in Sam’s life that from a young age, he assumed everyone played music. He saw people’s instruments as part of their personality, and he thought everyone was born with a proclivity towards their instruments.

Though he has since realized that learning an instrument comes with time and practice, he has never lost what he considers a sense of duty to perform, and he wholeheartedly embraces the music he grew up around.

David always encouraged his children to learn instruments, practice playing other people’s songs, and work on original compositions to build their musical experience.

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Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below.

If you want to be involved in the podcast or paper, contact:

Barbara Hardt, our editor-in-chief, at [email protected]

Tyler Hickman, multimedia producer, at [email protected]

Jamie Lammers, podcast host, at [email protected]

General inquiries: [email protected]

Head to our website for all of the latest news.

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