Twisted four piano 8 hands four tunings and the ZalZal mode

12, 18, 24, and variable pitch bend pad this snarling microsnarky vicious insidious snake of sasquatch magnificence wriggling in your ears and brain, eating through tissues and sinews and blood vessels usurping your seat of consciousness.

A short woodwind quintet in quartertone based ZalZal tuning modality. Frenetic in 17/16. 2024

Originally a short Wind Quintet, this piece, with re-orchestrated sounds, has 19tet in the "flute", 18tet in the oboe, 17 tet in the nylon guitar, or clarinet, vice versa, 12tet in the horn part, or rumbly thing, and 16tet in the psaltry, which is bowed, in this case. The piece is tightly woven contrapuntally into 17/16 with layers of triplets and other subdivisions.

A line is tuned a quartertone away from a line that is tuned a quarter tone away and the space gets shorter between them while the chasm between reality grows into a crevasse as we slip in and are eternally lost in total hopelessness and despair.

goddamned mother fuckers. nazis. right wing Hitlerian mother fuckers.

17tet Oud, 24tet Celeste, and 12tet chamber cloud bowls endeavor a sweet, busy, and tranquil birthday to the composer.

FUCK YOU MAGA TRUMP JUSTICES YOU MOTHER FUCKING COCKSUCKERS.

This music is for a standard woodwind quintet with a few extra voices in sections for additional effect. Probably around 10 players in total. Microtones are modally placed quartertones. Composed originally as the winds section for Milko, for large chamber ensemble, and rearranged and sped up. Imagine mice performing on meth.

Instruments from all over history from the Renaissance to Hip Hop describe a polymicrotonal landscape in quartertones, 2nd octave overtones, Pythagorean, and 12tet. Polytonal chords from the diatonic collection flank the music.

This track is for two cellos and a little extra help from violin. The tuning is on the fly, with a mixture of quartertones, eighth tones and sixteenth tones, so I guess it's polymicrotonal. this was rendered in Synthfont so the samples are not the greatest. On the other hand some added effects make up for it. I hope. There is no regard for matching the sonic environments with EQ, or reverb. They stand out as an additional articulation to the music. On purpose.