12/22Tet Cello and Drumset travel over numerous Henry Cowellian time signatures while having brief convergences in the afterlife. Meow.

this track represents a shift in drumming to a more lyrical and expressive type of playing, rather than just playing beats as a function of time. The piano is split into two opposing meters, as well, allowing three separate meters/tempos at once in places. This music also reflects classical, jazz, and fusion in an integrated fashion.

Some mixed meters, Bulgarian rhythm and mixed Bulgarian meters, highly contrapuntal.

I once was a guest on Terry Bozzio's drum channel show at DW in Oxnard, CA, and we had a couple of jams, this being the first one. I hadn't played in a while and was trying to gain my footing against Terry's percussion rack. This was 2012

Hello,

I have taken time off and I'm back with piano collection 18, a polymetric pieces that is more lyrical and tonal than my usual style. Marks the ending of a two year break when I felt nothing I wrote made any difference and needed to quit for a while. the basic theme of this piece, other than atonal centricity, is that it's largely 5 against 4.

fuck. shit. and Piss.

Meow.

track V from facebook song cycle. Lore Lixenberg on vocals.

14tet piano with Lore Lixenberg singing strange things. from Facebook song cycle

Microtonal Song Cycle based on my facebook posts. Featuring Lore Lixenberg, mezzo soprano.