HAVE ALWAYS BELIEVED that every child, by the time they’re 13 or so, should have a good grounding in three specific skills. They should be able to read well; they should have a decent understanding of their individual rights, especially freedom of speech and the sanctity of a free press; and they should understand the scientific method and how it works.

Science is real, and it is as accurate as anything can possibly be BECAUSE it is designed to be ferociously self-critical. What if our political system worked the same way? Wow—what an amazing thing THAT would be! Let me say that another way: what if we were to unleash the scientific method on POLITICAL science? What would THAT look like! In this episode, I take a look at that, with the help of none other than Carl Sagan. Have a listen.

The National Oceanic and Atmospheric Administration (NOAA) operates underwater microphone arrays throughout the world's oceans, going them th ability to listen to goings-on below the surface. Many sounds capture by those hydrophones they recognize--but some, they don't. In this episode I'll share some of these mysterious sounds with you. What do YOU think they are?

To combat disease, we have the opportunity to go to the doctor and get a vaccine, which helps us create antibodies to resist disease. But how do we inoculate ourselves against a very different and insidious attacker--bias and disinformation? I'll tell you.

Anyone who has listened to more than two episodes of this program knows that I’m about as weird and geeky as they come. I’m a sucker for science and nature, and in spite of the fact that as a kid I would have rather looked for turtles and snakes in the vacant lots around our town than play sports, a fact that led to more than a few schoolyard brawls, my passion and curiosity have never left me—and hopefully, never will.

One of the best things I ever built, one of the most magical, was something called a crystal radio. And listen: if you have a young person in your life, pay attention—this is a great project to do together.

The very best resource I’ve found online about crystal radios is maintained by Professor David Goldenberg at the University of Utah. You can find his page at https://goldenberg.biology.utah.edu/fun.shtml.

This episode's cover image is from my good friend, Kenn Sato.

One of the most effective yet most overlooked and under appreciated techniques for assessing the biodiversity of an environment is sound--the voice of the place. In this episode, I describe why sound is such a powerful and accurate indicator of bioacoustics health.

Jared Blake is one of the most important human voices in the natural world today. His unceasing commitment to exhort us all to slow down and listen to the voices of the natural world, to work hard to understand what we're being told, is a cause and effort to be celebrated. in this episode, Jared tells us about his months-long recording expedition to the American Southwest, and about the extraordinary, often eerie, voices he heard while in the wild.

Here’s a childhood question for you. And I should qualify that—for the most part I’m talking to people who were kids during the 60s, and who shared the books they read with their own children. Here’s the question: What do Carolyn Keene, Franklin W. Dixon, Kenneth Robeson, Laura Lee Hope, and Victor Appleton have in common? Hopefully, you remember some of those names. The answer is that they’re all well-known authors to anyone who read The Bobbsey Twins, Hardy Boys, Doc Savage, the Campfire Girls, The Happy Hollisters, and a few others. The other thing they have in common? None of them exist, and they never did. They’re all pseudonyms. Here's why.

Were you aware that deep in the Amazon Jungle of Brazil there lies an abandoned American town, built in the 1920s by none other than Henry Ford? Check it out.

Remember the movie, “Tombstone”? There’s a scene where Val Kilmer, who plays Doc Holliday, confronts the outlaw, Johnny Ringo. Doc says, “I’m your huckleberry,” which causes Johnny Ringo to go pale as a ghost, because he knows that people don’t generally walk away from a gunfight with Doc Holliday.

But here’s the thing: that’s not what he said. The other evening, Sabine told me what he actually said, and that got me thinking about words—you know how I am with stuff related to language—and the next thing I knew I had assembled a list of words that I had never heard in my life, but that now I can’t wait to find a reason to use. Here you go.

A few months ago, I did an interview on the program with Sarah and Derek Solomon, who are safari guides in southern Africa. If you listened to that episode, you may recall that their work is pretty unique. First, in addition to doing traditional photo and wildlife viewing safaris, they also do sound safaris, usually at night. Their safari guests can’t see the animals, but they can hear them, thanks to special microphones mounted on the front of the safari vehicle and headphones at each seat.

Then, they met a young South African filmmaker who was producing a documentary about a remarkable young South African girl, blind since birth, and her experiences of seeing the world through sound. Brett, the filmmaker, needed a safari guide to help this young girl “see” African wildlife in her own way—with her ears, rather than with her eyes. Sarah and Derek were perfect for the job.

The film, “Call of the Wild,” has been a big hit at film festivals ever since its release. But equally important is the impact that the experience has had on Sarah and Derek. After working with Brett, and the young girl, Annika, A thought struck them: Why not offer sound safaris for people who can’t see?

Well, after a great deal of effort and planning, their idea has become a reality. I reached out, and asked them to give me an update on how things are going.