The New East Asian Studies Podcasts in the Age of AI

In the late eighteenth century two expansive Eurasian empires met formally for the first time—the Manchu or Qing dynasty of China and the maritime empire of Great Britain. The occasion was the mission of Lord Macartney, sent by the British crown and sponsored by the East India Company, to the court of the Qianlong emperor. Cherishing Men from Afar looks at the initial confrontation between these two empires from a historical perspective informed by the insights of contemporary postcolonial criticism and cultural studies.The history of this encounter, like that of most colonial and imperial encounters, has traditionally been told from the Europeans’ point of view. In this book, James L. Hevia consults Chinese sources—many previously untranslated—for a broader sense of what Qing court officials understood; and considers these documents in light of a sophisticated anthropological understanding of Qing ritual processes and expectations. He also reexamines the more familiar British accounts in the context of recent critiques of orientalism and work on the development of the bourgeois subject. Hevia’s reading of these sources reveals the logics of two discrete imperial formations, not so much impaired by the cultural misunderstandings that have historically been attributed to their meeting, but animated by differing ideas about constructing relations of sovereignty and power. His examination of Chinese and English-language scholarly treatments of this event, both historical and contemporary, sheds new light on the place of the Macartney mission in the dynamics of colonial and imperial encounters.

The Ming dynasty was the last great Chinese dynasty before the Manchu conquest in 1644. During that time, China, not Europe, was the center of the world: the European voyages of exploration were searching not just for new lands but also for new trade routes to the Far East. In this book, Timothy Brook eloquently narrates the changing landscape of life over the three centuries of the Ming (1368-1644), when China was transformed from a closely administered agrarian realm into a place of commercial profits and intense competition for status.The Confusions of Pleasure marks a significant departure from the conventional ways in which Chinese history has been written. Rather than recounting the Ming dynasty in a series of political events and philosophical achievements, it narrates this longue durée in terms of the habits and strains of everyday life. Peppered with stories of real people and their negotiations of a rapidly changing world, this book provides a new way of seeing the Ming dynasty that not only contributes to the scholarly understanding of the period but also provides an entertaining and accessible introduction to Chinese history for anyone.

Using a combination of newly mined Sung sources and modern ethnography, Robert Hymes addresses questions that have perplexed China scholars in recent years. Were Chinese gods celestial officials, governing the fate and fortunes of their worshippers as China's own bureaucracy governed their worldly lives? Or were they personal beings, patrons or parents or guardians, offering protection in exchange for reverence and sacrifice? To answer these questions Hymes examines the professional exorcist sects and rising Immortals' cults of the Sung dynasty alongside ritual practices in contemporary Taiwan and Hong Kong, as well as miracle tales, liturgies, spirit law codes, devotional poetry, and sacred geographies of the eleventh through thirteenth centuries. Drawing upon historical and anthropological evidence, he argues that two contrasting and contending models informed how the Chinese saw and see their gods. These models were used separately or in creative combination to articulate widely varying religious standpoints and competing ideas of both secular and divine power. Whether gods were bureaucrats or personal protectors depended, and still depends, says Hymes, on who worships them, in what setting, and for what purposes.

In this episode, we delve into the groundbreaking workshops hosted by the Fairbank Center for Chinese Studies at Harvard University, where Kwok-leong Tang, Managing Director of the Digital China Initiative, leads a series focused on integrating Generative AI (GenAI) into the study of Literary Sinitic Studies. These workshops are designed for researchers of all levels, providing hands-on experience with the latest AI tools to enhance academic research, digital collections, and reference formatting.

Join us as we explore how Generative AI is transforming the field of East Asian studies, with insights into the workshop's structure, which ranges from beginner adoption techniques to advanced applications. Learn about the collaborative environment that encourages continuous learning and innovation, empowering researchers to discover novel uses for GenAI in their projects. Whether you're an academic, a tech enthusiast, or simply curious about the future of digital humanities, this episode provides valuable takeaways on harnessing AI for scholarly work.

The two sources are transcripts of a talk given by Geshe Lobsang Monlam, founder of the mLam Institute, about the use of artificial intelligence (AI) to preserve Tibetan knowledge. Monlam’s work centers on digitizing Tibetan texts and resources, and he has developed numerous software programs and the mLam Tibetan Dictionary, which is currently 223 volumes and growing. Monlam sees AI as a key tool for creating a global digital Tibetan library, allowing for greater access to Tibetan knowledge, especially for younger generations. He is also concerned about the ethical implications of AI and believes that Tibetan Buddhist philosophy, which emphasizes compassion and the well-being of others, can help to guide the development of AI in a positive direction.

https://www.youtube.com/watch?v=DPqVGGjYxJQ

From about 1600 to 1800, the Qing empire of China expanded to unprecedented size. Through astute diplomacy, economic investment, and a series of ambitious military campaigns into the heart of Central Eurasia, the Manchu rulers defeated the Zunghar Mongols, and brought all of modern Xinjiang and Mongolia under their control, while gaining dominant influence in Tibet. The China we know is a product of these vast conquests.

Peter C. Perdue chronicles this little-known story of China's expansion into the northwestern frontier. Unlike previous Chinese dynasties, the Qing achieved lasting domination over the eastern half of the Eurasian continent. Rulers used forcible repression when faced with resistance, but also aimed to win over subject peoples by peaceful means. They invested heavily in the economic and administrative development of the frontier, promoted trade networks, and adapted ceremonies to the distinct regional cultures.

Perdue thus illuminates how China came to rule Central Eurasia and how it justifies that control, what holds the Chinese nation together, and how its relations with the Islamic world and Mongolia developed. He offers valuable comparisons to other colonial empires and discusses the legacy left by China's frontier expansion. The Beijing government today faces unrest on its frontiers from peoples who reject its autocratic rule. At the same time, China has launched an ambitious development program in its interior that in many ways echoes the old Qing policies.

China Marches West is a tour de force that will fundamentally alter the way we understand Central Eurasia.

Ink landscape painting is a distinctive feature of the Northern Song, and painters of this era produced some of the most celebrated artworks in Chinese history. The Efficacious Landscape addresses how landmark works of this pivotal period first came to be identified as potent symbols of imperial authority and later became objects through which exiled scholars expressed disaffection and dissent. In fulfilling these diverse roles, landscape demonstrated its efficacy in communicating through embodiment and in transcending the limitations of the concrete.Building on decades of monographic writings on Song painting, this carefully researched study presents a syncretic vision of how ink landscape evolved within the eleventh-century court community of artists, scholars, and aristocrats. Detailed visual analyses of surviving works and new insight about key landscapes by the court painter Guo Xi support the perspective put forward here and introduce original methodologies for interpreting painting as an integral element of political and cultural history. By focusing on the efforts of emperors, empresses, and eunuchs to cultivate ink landscape and its iconography, this investigation also tackles the social and class dichotomies that have long defined and frustrated existing scholarship on this period's paintings, highlighting instead the interconnectedness of painting practice's elite modalities.

This book is the winner of the 2020 Joseph Levenson Pre-1900 Book Prize, awarded by the Association for Asian Studies.
In Song Dynasty Figures of Longing and Desire, Lara Blanchard analyzes images of women in painting and poetry of China’s middle imperial period, focusing on works that represent female figures as preoccupied with romance. She discusses examples of visual and literary culture in regard to their authorship and audience, examining the role of interiority in constructions of gender, exploring the rhetorical functions of romantic images, and considering connections between subjectivity and representation. The paintings in particular have sometimes been interpreted as simple representations of the daily lives of women, or as straightforward artifacts of heteroerotic desire; Blanchard proposes that such works could additionally be interpreted as political allegories, representations of the artist’s or patron’s interiorities, or models of idealized femininity.

"Song Lyric," ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves.As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older "Classical Poetry," shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement.

A three-thousand-year history of China’s Yellow River and the legacy of interactions between humans and the natural landscape
 
“No other scholar has produced such a systematic, comprehensive account of the long-term changes in the river’s function and structure. I consider it to be the definitive work on the topic of the Yellow River to date.”—Peter C. Perdue, author of China Marches West: The Qing Conquest of Central Eurasia
 
From Neolithic times to the present day, the Yellow River and its watershed have both shaped and been shaped by human society. Using the Yellow River to illustrate the long-term effects of environmentally significant human activity, Ruth Mostern unravels the long history of the human relationship with water and soil and the consequences, at times disastrous, of ecological transformations that resulted from human decisions.
 
As Mostern follows the Yellow River through three millennia of history, she underlines how governments consistently ignored the dynamic interrelationships of the river’s varied ecosystems—grasslands, riparian forests, wetlands, and deserts—and the ecological and cultural impacts of their policies. With an interdisciplinary approach informed by archival research and GIS (geographical information system) records, this groundbreaking volume provides unique insight into patterns, transformations, and devastating ruptures throughout ecological history and offers profound conclusions about the way we continue to affect the natural systems upon which we depend.