Nakano Shigeharu (1902-1979), leading twentieth-century Japanese poet and social critic, transformed the revolutionary culture movement of the 1920s. Positioning Nakano's thought within the very history of Japanese Marxism, Miriam Silverberg applies textual analyses to his pre-war writings to form a new perspective on the history of the politics and culture of the Japanese left. Her book relates Nakano to the Western Marxist tradition, recognizes the existence of a Japanese Marxist theory of commodity culture, and uses this theory to illuminate the era. In particular, Silverberg addresses how Nakano, like his European contemporaries, worked toward a critique of mass culture, illustrating how Japanese thinkers in the 1920s and 1930s adopted Marxism as the dominant method of political and intellectual inquiry. This book draws on Marx's writings and those of Georg LukNBcs, Walter Benjamin, Antonio Gramsci, Bertolt Brecht, and Mikhail Bakhtin to present Nakano as a Marxist critic and poet. Close readings of Nakano's essays, poems (most of them appearing for the first time in English), fiction, and prison letters trace Nakano's "changing song" or consciousness through four stages--from his "discovery of history" in the mid-1920s to his refusal to be silenced during the late 1930s, when he produced a series of scathing attacks on intensifying state repression.
Nakano Shigeharu Japanese Poet and Critic
Miriam Silverberg on Japanese Marxism
Revolutionary Culture in 1920s Japan
Marxist Theory of Commodity Culture in Japan
Japanese Leftist Intellectual History
Nakano Shigeharu and Mass Culture Critique
Japanese Marxism and Western Marxist Thought
Influence of Marx, Lukács, Benjamin, Gramsci on Japan
1920s-1930s Japanese Political Inquiry
Nakano Shigeharu’s Essays and Poetry
State Repression Critique in Pre-War Japan
Japanese Marxist Criticism and Mass Culture
Nakano Shigeharu’s Prison Letters and Essays
Marxist Intellectuals in Japan