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Apple has killed off its second attempt at a "music social network," Connect, which was part of Apple Music. We ponder what it would take to create a useful music social network.
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We look at some possible future scenarios about iTunes, in part because a recent change that Apple has made.
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Doug and Kirk make a list, and check it twice, presenting some ideas for music-related Christmas gifts.
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Chris Connaker, of the Computer Audiophile website, joins us to discuss downsizing audio systems. You really can get good sound with a minimal setup these days, and Chris explains how.
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Special Guest: Chris Connaker.
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Doug and Kirk have made lists of their ten desert island discs, and, in part one of a two-part series, we hear Doug's picks. Check out Episode #130 - Desert Island Discs, Part 1 to hear Kirk's picks.
Show notes:
Doug's ten desert island discs (links to Apple Music, except for Exposure which isn't streamable):
We also mentioned Peter Gabriel performing Here Comes the Flood from the 1979 Kate Bush Christmas Special (via YouTube).
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A recent article in Rolling Stone says that the album is dying. Andy Doe says that "every word in that article is shite."
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Special Guest: Andy Doe.
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Musician and journalist Jeff Slate wrote the liner notes for the latest Bob Dylan Bootleg Series release, More Blood, More Tracks, covering the Blood on the Tracks sessions.
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Special Guest: Jeff Slate.
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Doug and Kirk have made lists of their ten desert island discs, and, in part one of a two-part series, we hear Kirk's picks.
Show notes:
Kirk's ten desert island discs (links to Apple Music):
If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast.
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Classical music is vast. How can listeners new to the genre find what they want to listen to, and learn to appreciate the many styles of music it contains. We talk with Timothy Judd who helps listeners do this through his blog.
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Streaming music has changed the economics of the music industry, but it has also affected the way songs are made. We discuss some of these changes and how music is adapting to the new ecosystem.
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