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Doug and Kirk discuss Apple Music, how it’s changed the way they listen to music, and how to get the most out of the service.
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Doug and Kirk were teenagers when disco hit. They didn’t care for it then, but has their opinion change after 40 years? Is it time to reevaluate disco music?
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Doug and Kirk discuss their favorite music documentaries.
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We welcome Jeffrey Norman, who has been mixing, mastering, and restoring Grateful Dead recordings for more than 35 years.
This week’s guest:
Show notes:
Correction to Kirk’s next track selection. The New Riders of the Purple Sage came on after the Grateful Dead’s first acoustic set.
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Special Guest: Jeffrey Norman.
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Andy Doe helps Kirk and Doug understand “make louder boxes.”
This week’s guest:
“You are experiencing audio ennui.”
Show notes:
One note about the musical Girl From the North Country. Between the recording and release of this podcast, the show will transfer to the Noel Coward Theatre in London for 12 weeks, from December 29. See it if you can.
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Special Guest: Andy Doe.
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Doug and Kirk take a close look at changes Apple has made to iTunes in its latest version, 12.7.
Sponsor: Rogue Ameoba’s Audio Hijack. If you can hear it on your Mac, you can record it with Audio Hijack. Download the free trial from Rogue Amoeba, then save 20% with coupon code NEXTTRACK.
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Chris Connaker joins us to talk about hi-fi separates. Today, we discuss the network streamer. How does it work? Do you need one?
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Special Guest: Chris Connaker.
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Doug and Kirk chat about their favorite movies about music, and some that they don’t like. This is the first of three parts; the other parts will be released in the next couple of months.
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We talk with Brian Brandt of Mode Records about releasing recordings of avant garde music, and the difficulties of the music business.
Apologies for the audio quality of this episode. We had endless Skype issues for this interview.
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Special Guest: Brian Brandt.
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Andy Doe joins us to discuss hi-fi snake oil. In part one of a two-part series, we look at cables.
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Special Guest: Andy Doe.
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