By The Old Songs Podcast
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The podcast currently has 23 episodes available.
Today, I'm talking to broadside ballads singer, Jennifer Reid. Although Jenn has been involved in researching and singing these songs for a decade, I'm ashamed to say that she only turned up on my radar when she appeared as the ballad-singing bar owner, Barb, in the recent BBC adaptation of The Gallows Pole. I've since discovered that she's a force to be reckoned with - one of the most passionate proponents of old songs that I've so far had the good fortune to meet. In this conversation, we discuss her background with broadsides, their history, what a ballad hawker might have been, who might have been singing these songs and why, and how Jenn ended up singing unaccompanied traditional songs to a Pulp audience at the behest of Jarvis cocker. Along the way, we chat a little about one of her favourite ballads, 'The Bury New Loom' [Roud V9197]. Pull your ear goggles on and let's get underway.
It’s been a while, hasn’t it? But, like buses, you wait ages for an Old Songs Podcast episode and then two come along in quick succession. Because this edition is the first in a two-part thing. Today, we’re chatting to Jim Moray about passing the two-decade mark as a professional musician, about one of my favourite of his traditional arrangements, the ballad 'Lord Douglas' [Roud 23], about a new album coming soon, and about an upcoming festival in his name. The second part to this podcast is going to be recorded live, in front of an audience - possibly even you, dear listener - at the Jim Moray festival on Jun 17th at Cecil Sharp House in Camden, North London, where we’ll be joined by Jim, Nick Hart and a number of other guests. I’ll stick the tickets link on the page accompanying this episode.
We’re focusing this episode loosely around the song, 'Lord Douglas', which Jim originally released 10 years ago, winning Best Traditional Track at the BBC Radio 2 Folk Awards in the process. We’re also using it as an opportunity to talk to Jim about his career so far. Listen out for tales about the time Amy Winehouse mistook him for a photographer’s assistant, his relationship with folk music and gadgetry, and his theories on how arranging traditional ballads is like writing a week’s worth of Eastenders.
And, as an extra special treat, listen out for the final track in the podcast - usually an unaccompanied ballad, but this time an exclusive - a recording of 'Lord Douglas' from the Abbey Road sessions that make up his new album.
Once again, our thanks to the English Folk Dance and Song Society for their ongoing support, and we hope to see some of you at JimFest on June 17th.
Tickets for the Jim Moray Festival are available now from this link.
The Old Songs Podcast is supported by the English Folk Dance and Song Society.
‘Lord Douglas’ podcast notes
This article is accompanied by a partial transcript of the sections that discuss Jim’s career. You can find that in our Jim Moray interview.
Links
Track listing
Episode 8 of the second series of The Old Songs Podcast, supported, so very kindly, by the English Folk Dance and Song Society, is an unusual one as it focuses on an old tune rather than an old song. Prepare yourself to delve into the background of one of the most well-known Morris dancing tunes, 'Princess Royal'.
Joining Jon Wilks to discuss the tune is one of the country’s finest melodeon players, John Spiers, or "Squeezy" as he’s fondly known as on the English folk scene. Many of you will know Squeezy as a founding member of Bellowhead, not to mention a myriad of other bands he steps in and out of when the road calls.
Over the course of an hour or so, the pair look at the history of 'Princess Royal' tune. Did it start life as an accompaniment to English Morris dancing, or does it stretch further back and over greater distances than that?
Squeezy tells us a bit about growing up, somewhat hesitantly, in the Morris tradition, and talks about the difference between being a musician performing this tune on stage and a musician playing for a Morris side. He explains what a jig is, what a reel might be, how to recognise a slow, and who’s wearing the trunkles in this relationship?
Squeezy mentions video clips and different versions throughout, which we have listed and embedded below.
Links
Over the course of the episode, John Spiers and Jon Wilks mention the following things:
Track listing
For more info on John Spiers, head to johnspiers.co.uk.
This Christmassy episode of the Old Songs Podcast turns the tables slightly, as Nick Hart interviews Jon Wilks about a traditional folk song of wintery note, 'The Gloucestershire Wassail' [Roud 209]. The pair chat about the history of the song, where it was collected, where it travelled to, what the lyrics might refer to, the definition of wassailing, and its connection to Britpop (or all things). Everything you ever wanted to know about 'The Wassailing Song' is right here in this episode, so strap your ear-goggles on and summon your wassailing bowl.
‘The Gloucestershire Wassail’ podcast notes
Links
Over the course of the episode, Nick Hart and Jon Wilks mention the following things:
Track listing
For more info on Jon Wilks, head to jonwilks.online.
Roud 2 goes under so many titles, it might be easier just to stick with 'Roud 2' and be done with it. Whether you know it as 'When I was on Horseback' or 'The Unfortunate Rake', or any of the other titles you may find, it's a grizzly old song with a fascinating history. And who better to discuss it with than Debbie Armour of Burd Ellen, always a fun person to chat with, not to mention an absolute font of folk knowledge. Debbie discusses the fact that it appears to be more than one song, the golf course approach to traditional song, as well as the ways she went about interpreting it... and the ways in which her daughter responded. It's a funny conversation, in spite of the misery that the song brings. Dig in, why don't you?
Over the course of the episode, Debbie Armour and Jon Wilks mention the following things:
Track listing
For more info on Debbie Armour and Burd Ellen, including the new album, head to burdellen.bandcamp.com.
Emily Portman, Rob Harbron and Jon Wilks discuss the traditional ballad, ‘The Trees They Do Grow High’ [Roud 31], a song that Emily and Rob have recorded for their new album, Time Was Away. Subjects covered include the duo’s first encounter with traditional folk music, their work with the English Folk Dance and Song Society, Emily’s interpretations of the song’s themes, its history, the source singer that Emily learned the song from, the modes and the melody, and how Rob goes about creating accompaniments for traditional songs. They also chat about the album itself and the forthcoming tour to support it. The Old Songs Podcast can be found on all decent streaming platforms.
The Old Songs Podcast is supported by the English Folk Dance and Song Society.
‘The Trees The Do Grow High’ podcast notes
Links
Over the course of the episode, Emily Portman, Rob Harbron and Jon Wilks mention the following things:
Track listing
Photo Credit: Camilla Greenwell
'Shallow Brown' [Roud 2621] is a much-loved and rather mysterious traditional folk song. Collected on both coasts of the United States, as well as the South coast of England, Scotland, Wales, Ireland and Canada, the most common versions of this mesmerising sea shanty hint at heart-breaking experiences of the transatlantic slave trade. In this, the fourth episode of the second series of The Old Songs Podcast, folk singers Angeline Morrison and Jon Wilks discuss the song's known history, the singers and collectors involved with it, and their own experiences of first hearing and performing the song.
Links
Over the course of the episode, Angeline Morrison and Jon Wilks mention the following links:
Track listing
For more info on Angeline Morrison, head to angelinemorrisonmusic.bandcamp.com
'The Brisk Lad' [Roud 1667] was collected from Edith Sartin by the Hammond brothers in 1906 in Corscombe, Dorset. Also known as 'The Sheepstealer' and 'All I Have is My Own', it has been performed and recorded by many traditional folk singers over the ensuing century (and a bit). Jimmy Aldridge and Sid Goldsmith chose to speak about the song here for its political content, and will be singing it at their Cecil Sharp House gig on October 5th (tickets are available here). Jimmy and Sid chat here to Jon Wilks about the history of the song, where they first heard it, and what it means to them as modern interpreters of traditional songs. This episode is dedicated to the memory of Paul Sartin.
'Sweet Lemany' [Roud 193] is a traditional folk song that has entranced countless singers, not least Hannah Martin of Edgelarks, SykesMartin, Gigspanner and Saltlines. The song is an aubade (a piece of music for the morning) and features mystical lyrics that may (or may not) refer to a druidic figure and the magic of early summer. Ahead of her performance with SykesMartin at Cecil Sharp House on September 29th, 2022, Hannah joins Jon Wilks on the Old Songs Podcast, supported by the English Folk Dance and Song Society, to chat about the history of the song, where she first heard it, and what caught her attention in the first place. Make sure you stick around to the end of the podcast to hear a truly gorgeous, unaccompanied performance of the song by Hannah Martin herself.
'Sweet Lemany' podcast notes
Links
Over the course of the hour, Hannah Martin and Jon Wilks mention the following links:
Track listing
For more info on Hannah Martin, head to Edgelarks.co.uk.
Everything you ever wanted to know about the traditional ballad, ‘Lucy Wan’ [Roud 234] can be found in the first episode of the second series of The Old Songs Post, featuring the English traditional ballad singer, Nick Hart. On this page you’ll find all the notes, links, track listings, etc, mentioned in the podcast itself. It can be heard by clicking the player below, or on the majority of podcast platforms, from Apple to Spotify to Mixcloud.
The Old Songs Podcast is supported by the English Folk Dance and Song Society.
‘Lucy Wan’ podcast notes
Links
Over the course of the hour, Nick Hart and Jon Wilks mention the following links:
Track listing
For more info on Nick Hart, head to nickhartmusic.com.
The podcast currently has 23 episodes available.
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