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Today's episode is my conversation about the 1929 film The Leatherneck. I'm joined by Gareth Bradwick from the "Popped" newsletter and we talk about the uneasy balance in the film between comedy and drama, how the film effectively uses the framing device of a military trial to tell its story, and how both filmmakers and theaters were dealing with the transition from silent to sound films.
You can watch The Leatherneck on YouTube and be sure to check out Gareth's newsletter.
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In today's episode, I interview Aaron Blaise, director of the animated short film "Snow Bear," a story of a lonely polar bear navigating a rapidly changing Arctic in search of connection.
Listen to hear about how Aaron found his way into animation, what he learned from his many years as an animator at Disney, and the emotional inspiration for the story of this new film.
Books mentioned in this episode include:
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Follow Aaron on Instagram @aaronblaiseart, check out his work at www.creatureartteacher.com and be sure to check out the film at Tribeca this June.
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Today's episode is my conversation about the 1929 film Weary River. Director Jonathan Hammond returns to the podcast to discuss the film and we talk about possibly the most compassionate prison warden character in film history, a theme song that gets played way too much in one film, and whether or not the film works as a part silent and part talking film.
You can watch Weary River on YouTube or purchase a copy for your collection and be sure to follow Jonathan on Instagram @jonohamm and keep an eye out for his latest film "Fireflies in the Dusk" at film festivals this summer. You can also listen to the previous interview with Jonathan on the podcast here.
Other films mentioned in this episode include:
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In today's episode, I interview Ida Melum and Laura Jayne Tunbridge, the director and writer of the animated short film "Ovary-Acting," a look at the complex decision of whether or not to have children facing many people in the world today.
Listen to hear about the personal inspiration for the story, the importance of finding humor even in the darkest moment in life, and the ambitious musical number that pops up in the middle of the film that has to be seen and heard to be believed!
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Follow Ida on Instagram @iidamelum and at www.idamelum.com, Laura @lauratunbridge and be sure to check out the film at Tribeca this June.
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Today's episode is my conversation about the 1929 film The Broadway Melody. My friend Kevin Pettit from the See You at the Movies newsletter joins me to discuss the film and we talk about whether the film was there just to support the music being played, the degree to which this film is was considered scandalous at the time, and whether or not the film earns the love triangle (quadrangle?) that serves as the centerpiece to the "action."
You can watch The Broadway Melody on YouTube or purchase a copy for your collection and be sure to check out Kevin's newsletter.
Other films mentioned in this episode include:
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In today's episode, I interview Sarah Goeke and Julia Sears, the writer and director of the web series "Forked," a story of a woman recovering from the purity culture of the Bible Belt through sobriety and dragon fantasy erotica.
Listen to hear about Sarah trusting her director on the shoot for And Through the Portal We Go, keeping the cast of "Forked" very much in the family, and finding humor in some of life's most serious moments.
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Films and TV shows mentioned in this episode include:
Follow Sarah on Instagram @sgerk, Julia @juliacsears and the series @forkedwebseries.
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Today's episode is my conversation about the 1928 film In Old Arizona. My friend Joanne Thornborough from the POP! Goes My Brain newsletter joins me to discuss the film and we talk about how some traditional western stereotypes are turned on their heads in this film, the ingenious uses of sound in the film at the dawn of the talkie, and yet another love triangle in late 1920s film.
You can watch In Old Arizona on YouTube or purchase a copy for your collection and be sure to check out Joanne's newsletter.
Other films mentioned in this episode include:
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Find out more information about the Barrymore Theatre.
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In today's episode, I interview Jessica J. Rowlands, the director of the short film "Rise," a heartwarming story of resilience and determination set in Zimbabwe. The film will make its world premiere at the Tribeca Film Festival this June.
Listen to hear about the individual who inspired the film, the importance of using local talent both in front of and behind the camera to tell the story, and how the film uses local music to help establish an authentic local identity.
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Musical Artists mentioned in this episode include:
Follow Jessica on Instagram @jessiejrowlands and the film @rise.zimbabwe. And if you're in the New York in June, check out the film at the Tribeca Film Festival on June 8th at 12 PM, June 14 at 8:30 PM and June 15th at 2:30 PM.
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Today's episode is my conversation about the 1928 film A Woman of Affairs. My friend Amanda Kusek from the The 90-Minute Movie newsletter joins me to discuss the film and we talk about a complex web of love triangles, the expressive, over-the-top performance of Douglas Fairbanks, Jr. as Jeffry, and whether or not the source material truly was as scandalous as history has made it out to be.
You can watch A Woman of Affairs on YouTube or purchase a copy for your collection and be sure to check out Amanda's newsletter.
Other films mentioned in this episode include:
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In today's episode, I interview Madison Hatfield, the director and star of the short film "I Could Dom," a laugh a minute sex comedy about a young woman trying to figure out what exactly she wants in a relationship.
Listen to hear about how the film was a bit of self discovery for Madison when it came to her people-pleasing personality, the importance of getting her male lead just right, and how important it is to help other artists whenever possible as we are all on our own journeys.
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Other media mentioned:
Follow Madison on Instagram @madhat31 and the film @icoulddom. And if you're in the Atlanta area, check out Banshee where the opening and closing scenes of the film were shot.
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From the publisher's feed
A discussion of all the films nominated for Oscars, starting in 1929, plus interviews with filmmakers and authors writing about the film industry.