The Other 50%

I sat down with Jill Gilbert, who is Head of Creative Affairs at Luma Pictures, a visual effects and original content company. Jill has had an amazingly interesting career coming up through development, animation, theme park development, and producing. She has credits that range from Disney animated titles to Grandma's Cats Are Trying to Kill Her and a Spongebob movie. This episode is full of good advice, interesting stories, and a career well built.

Her career is an example of take the opportunity – you never know where it will lead.

Today I’m putting a special bonus episode because it is time-sensitive and I know you are not going to want to miss it. Anne Kenney, a television writer known for Outlander and Switched at Birth among many others has written a play. It’s called Last Call and it’s being put up at the Open Fist Theatre company, and it’s directed by Lane Allison, who you will remember from this podcast, episode 52. I was lucky enough to have them both in studio to talk about it. And by in studio, I mean at my dining room table. We talked all about the play, and Anne’s career as a tv writer. This is a goodie.

Last Call runs Jan. 18 through Feb. 23. Atwater Village Theatre is located at 3269 Casitas Ave in Los Angeles, CA 90039. On-site parking is free. For reservations and information, call (323) 882-6912 or go to www.openfist.org.

To kick off this year, I sat down with writer and filmmaker Julia Camara. Originally from Brazil, Julia has made several award-winning shorts. She has also written the feature films Area Q, Open Road, and Occupants. She recently released her experimental feature film called In Transit, which won Best Experimental film at the Glendale International Film Festival and is available to rent or buy on Amazon Video.

We talked about her career, her films, and spent a minute unpacking the Kavanagh hearings, as we recorded during that week. Somehow, we kept our sense of humor, because we laugh a lot about the absurdity of gender inequality.

For this last episode of this year, I sat down with Paulina Lagudi. She is a filmmaker who just released Mail Order Monster, which is available on all the streaming services. I gotta tell you, this woman is an inspiration. She’s an artist, a savvy business person, and a force to be reckoned with.

We talked about her film and its distribution, female empowerment of the “right kind,” setting boundaries, martial arts and growing up the only girl in a family of men with a single father and how instrumental her step mother turned out to be.

Megan started out as a cinematographer and then transitioned to being a producer and a writer. She is currently the Showrunner on Gears Pro Circuit All Access, and is gearing up to shoot her feature film called Nightmare Mansion which is set and will be filmed in Kansas city.

She shares some amazing tales from the trenches, including barreling down a road in the Republic of Georgia at 100 miles an hour while being forbidden to wear a seatbelt. Honestly, it’s a miracle she’s alive.

Jacqueline is a veteran Director of Video Production, and currently the Founder and Executive Producer at apparentlyjack. Jacqueline’s background spans almost every aspect of the filmmaking process from development to delivery, in both the branded and Independent film spaces with films and commercials starring well known Directors and Talent.

With over ten years producing Independent Film, Katie is currently  the Head of Independent Content at apparentlyjack. Katie’s production background includes work on both narrative and documentary feature films. Most recently, Katie produced documentaries G-Funk, A More Civil War, and The Untitled MMW Documentary. On the narrative side, Katie co-produced The Land,   Galveston, and also had a hand in the coming-of-age film The Kings of Summer, which premiered at Sundance.

After many years in the advertising and film industries, Jacqueline decided to go out on her own to form the content studio, apparentlyjack. apparentlyjack’s mission is to bring cinematic storytelling and storyline driven content to brands and independent film in a variety of formats.

apparentlyjack champions equality, diversity, and inclusivity both behind and in front of the camera. They have dedicated a portion of the company to empowering and mentoring other women in entertainment and are working with various organizations to reach Gender Parity by 2020.                                      

For more information about apparentlyjack, visit www.apparentlyjack.com.     

Julia started out in broadcast journalism and acting, and then transitioned to working behind the camera. Having worked in the television industry for over two decades and cutting her teeth as a coordinator, writer, producer, shooter and editor for companies like E! Entertainment, Steven Bochko Productions and HGTV, Julia went on to direct, write and produce her own feature film and become one of a handful of female directors to win multiple awards in the film festival circuit and secure world-wide distribution for her first feature film, endorsed by Dr Jane Goodall, Medicine of the Wolf.

Julia just finished her short film WOLF SPIRIT starring world renowned National Geographic photographer Jim Brandenburg and will be using the film as a tool for education about the value of wolves and their necessary place on the north American landscape.

We talked about her passion projects, tenacity in the business, and the state of women in the world. As we do.

Ally has worked on stage in productions like Jekyll & Hyde, as well as on screens big and small including shows like American Housewife, Criminal Minds, and Days of Our Lives. Ally makes an appearance in Nicole Conn's newest feature film Nesting Doll, in Jorge Xolalpa Jr.'s latest feature A Giant Without A Head, and as a lead opposite Ray Wise and Bonnie Bedelia in the feature film Life On The Rocks.

Ally has spoken on numerous panels about gender parity and intersectional, inclusive feminism and does her best to align herself with work that has an eye on advocacy. Her internationally award-winning film Wedlocked, an LGBTQ comedy about gay divorce toured at over 45 film festivals worldwide securing digital, broadcast and theatrical distribution.

Most recently she can be seen in the feature film Solver, hosting the new plant-based food travel show The Road Less Eaten, and in her gender parity comedy series Flip the Script, which is being produced in partnership with Women In Film. 

Ally is driven, fearless, and hilarious. Grab your tea and enjoy some time with us.

Sasheen is a Writer/Producer with over 20 years of experience in live events, documentaries, talk shows and scripted programming, such as “Fight for $15” and its impact on small business, the school-to-prison pipeline, the plight of New Orleans residents on the fifth anniversary of Hurricane Katrina and a “one-night only” Prince concert at the Conga Room in Los Angeles. Sasheen also produced the late-night talk show, Tavis Smiley.

Currently, she is in development with several TV and film projects and co-chairs the Producers Guild of America Power of Diversity Master Workshop. 

This summer, she was invited by the Royal Film Commission - Jordan to develop a curriculum and teach a 5-day Workshop to their local filmmakers on how to prepare their projects for the marketplace. The Workshop culminated with the filmmakers pitching their projects for feedback to top Hollywood execs from Sony, Fox, Paramount, Media Rights Capital and HBO. 

We talked about her incredible journey from homelessness to producing, and broke down the business case for diversity. This is a good one.

Monique is a writer and director of TV and film. After graduating from UCLA, Monique worked as a director’s assistant in television dramas and comedies. She then made a short film, Pants on Fire, which garnered international distribution and led to writing jobs such as “Blind Date,” and for variety and alternative shows on Comedy Central, and VH1; after which she landed a staff position at ABC in a development think tank.

Monique has also written the feature films The Babymaker, a Chinese remake of the film Love Stinks, Rock n’ Roll Princess, and All the Way Down. In 2014, she was selected as a finalist for the ABC TV writing program. During this time, Monique also completed her first novel, How Long You Should Wait to Have Sex.

Her most recent directing work includes several music videos, a web series pilot, and 3 unscripted series for the international network Fashion One, which she produced in the Philippines.

There is more, but I will let her tell it in the interview. Also, she has many stories about being the only woman in a writer’s room. Let’s just say it wasn’t awesome, but it does seem to be getting better.

Now, a brief disclaimer. We conducted this interview outside in a park. So, there is plenty of ambient noise of children, traffic, and an ill-times roofer across the street. Pretend you are on a nature walk and having this conversation with Monique. It will be worth it, I promise.