Hey! The Gruesomes twosome - Bobby Beaton & John Davis - join us once again and they wanna talk about Nederbeat this week! Both songs are by The Outsiders - but we have cover versions, too! First up is "That's Your Problem," the original, then the 1984 renditions by The Tell-Tale Hearts. Second song is "Touch", the weirdly tense folk-garage masterpiece, with versions by The Bristols & The Thanes. If you don't like ... that's YOUR problem!!!!

Hey! The Gruesomes twosome - Bobby Beaton & John Davis - join us once again and they wanna talk about Nederbeat this week! Both songs are by The Outsiders - but we have cover versions, too! First up is "That's Your Problem," the original, then the 1984 renditions by The Tell-Tale Hearts. Second song is "Touch", the weirdly tense folk-garage masterpiece, with versions by The Bristols & The Thanes. If you don't like ... that's YOUR problem!!!!

Hey! The&nbsp;Gruesomes twosome -&nbsp;Bobby Beaton &amp; John Davis - join us once again and they wanna talk about Nederbeat this week! Both songs are by&nbsp;The Outsiders - but we have cover versions, too! First up is "That's Your Problem," the original, then the 1984 renditions by&nbsp;The Tell-Tale Hearts. Second song is "Touch", the weirdly tense folk-garage masterpiece, with versions by&nbsp;The Bristols &amp;&nbsp;The Thanes. If you don't like ... that's YOUR problem!!!!

The Outsiders ... With The Gruesomes!

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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The Outsiders ... With The Gruesomes!

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