Singer-songwriter Maysa Daw always knew she wanted to become a musician. At 27, the Haifa native has a debut album out and is a member of two bands: famed Palestinian hip hop group DAM and new, all-women ensemble Kallemi.  In this episode, Maysa talks about the importance of shattering social taboos and airing out the dirty laundry, about her journey toward radical self-acceptance, about writing music in Arabic without access to the Arab world, and about the struggle to remain authentic while going mainstream. Visit +972 Magazine and follow us on Twitter, Facebook and Instagram. Support +972 Magazine: 972mag.com/donate The music in this episode is by Ketsa and DAM. Support the show

The Palestinian Musician Shattering Taboos

Dive past the headlines in Israel-Palestine to explore the issues and stories other outlets tend to ignore with +972 Magazine writers and local activists, politicians, and experts. +972 Magazine is owned and operated by a group of Israeli and Palestinian journalists, providing fresh, in-depth reporting and analysis directly from the ground in Israel-Palestine. The magazine is committed to human rights, democracy, and freedom of information, and actively opposes the Israeli occupation.

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Last month, a controversy erupted in Israel when the Tel Aviv municipality, in time for the new school year, distributed maps to classrooms that showed the Green Line. Although the 1949 armistice lines that formed Israel's unofficial borders at the cessation of the 1948 war are internationally recognized, in Israel the Green Line is a contentious point, seen as incorrectly demarcating between "Israel proper" and the settlements in the occupied West Bank. Indeed, in sending the maps to schools, the Tel Aviv municipality flouted Education Ministry guidelines. The episode was a timely reminder of what +972 editor Amjad Iraqi and Meron Rapoport, an editor at Local Call, argued in a pair of essays they wrote for The Nation in August: that the Green Line, both as a result of Palestinian grassroots resistance and Israeli efforts to undermine the idea that the West Bank is a separate entity, is gradually becoming irrelevant.  You can read Iraqi and Rapoport's pieces at +972 Magazine here and here, or at The Nation here and here. Visit +972 Magazine and follow us on Twitter, Facebook, and Instagram. Become a member of +972 Magazine: 972mag.com/members Support the show: 972mag.com/donate Sign up for our weekly newsletter, The Landline: 972mag.com/newsletter Support the show

What happened to the Green Line?

Noam Shuster-Eliassi, an Israeli comedian based in south Tel Aviv, spent her childhood and early adulthood invested in a traditional model of coexistence between Israelis and Palestinians. Growing up in Neve Shalom-Wahat al-Salam, a mixed community in central Israel where Jews and Palestinains live together by choice, Shuster-Eliassi took to peace activism as a young adult, becoming part of dialogue groups and working with a UN subsidiary. Yet she came to find this mode of activism inadequate, she told the +972 Podcast. "I got to a very extreme point where I couldn't deal anymore with how much we were not making any progress in humanitarian work and in the NGO world."  Turning to stand-up comedy, she said, not only helped her feel less alone in struggling against the situation in Israel-Palestine, but also helped the trilingual Shuster-Eliassi — she speaks Hebrew, Arabic, and English — express herself in the way that she wanted. "[Comedy] released my voice. It made me say the things that I dreamed of saying, it made me reach the people I'm dreaming of reaching — it made me speak in all the languages that I know." The music in this episode is by DAM and Ketsa. The audio clips in this episode are taken from the short documentary "Reckoning With Laughter," directed by Amber Fares and produced by Rachel Leah Jones. "Reckoning With Laughter" can be watched at either Al Jazeera or The New Yorker. Visit +972 Magazine and follow us on Twitter, Facebook, and Instagram. Become a member of +972 Magazine: 972mag.com/members/ Support the show: 972mag.com/donate/ Sign up for our weekly newsletter, The Landline: 972mag.com/newsletter/ Support the show

The Jewish Comedian Calling Out Apartheid in Arabic

Archeology is presumed to be a neutral endeavor, a practice of excavation that merely uncovers clues about the past. But according to Israeli archeologist Yonathan Mizrahi, it's easy to frame archeological discoveries in a way that privileges one narrative or one history over another. That's very much what is happening in Israel-Palestine, and a lot of that is concentrated in East Jerusalem.

Until recently, Mizrahi served as the executive director of Emek Shaveh, an Israeli NGO that examines the interplay between archeology and the occupation. In his 15 years at the helm, he witnessed the increasing encroachment of right-wing settler groups on the city's Palestinian neighborhoods — a process which has, to a significant extent, relied on archeological excavations.

Such digging "brings [settlers] the opportunity to justify the settlement," said Mizrahi. "Instead of looking at the settlers as a group of people living in Palestinian neighborhoods in East Jerusalem, they can come and say, 'Listen, we are living in Jewish history. We have historic rights here. It's not just the Bible — you can see the ruins here."

The music in this episode is by Ketsa.

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Excavating Israel's underground settlements

When Sahar Mustafah, a Palestinian-American author and teacher, heard about the 2015 murder of three Muslim students in North Carolina by their white neighbor, she turned to writing to process the attack and its ramifications. "It was the kind of event that just rattled me to my core," says Mustafah, who is based in Chicago. "What compels someone that you know, a neighbor, to bring a gun to your door and shoot you in cold blood?"

That Mustafah's 2020 debut novel, “The Beauty of Your Face,” was timely is beyond doubt: it arrived in the final year of a Trump administration that had opened the floodgates of white nationalist violence and further inscribed Islamophobia into federal law. Yet in shopping the book to publishers, Mustafah says, it was precisely the sections involving the shooter's attack on a Muslim girls' school run by the main character, Afaf, that led most publishing houses she approached to pass on the novel.

In this episode, editor Natasha Roth-Rowland interviews Mustafah about the responsibility of representing her community to a mainstream audience, the grief of immigration, and writing as a critical tool of emancipation.

The music in this episode is by Ketsa.

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The Role of Fiction in Palestinian Liberation

Perhaps the most enthralling story in Israel-Palestine last month was the startling escape of six Palestinians from the notorious Gilboa prison, using simple tools like spoons to dig a tunnel out of their cells and on to freedom. Although the prisoners were re-captured several days later, their feat dominated Israeli news headlines and captured the Palestinian popular imagination. To unpack the story, +972 editor Amjad Iraqi interviews attorney Abeer Baker, a Palestinian human rights lawyer based in Akka who represents Palestinian prisoners before Israeli courts, about the sweeping nature of Israel’s incarceration regime, the ways in which Israeli law legitimizes the state’s policies, and how Palestinians are resisting their jailers even behind prison walls.

The music in this episode is by Ketsa.

Visit +972 Magazine and follow us on Twitter, Facebook and Instagram. Support +972 Magazine: 972mag.com/donate Support the show

The Palestinian Musician Shattering Taboos

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