Hedda Gabler is not a fan of specialization: not in the professor she has married, and his esoteric scholarly interests; not in domesticity, and the specialized affections required by marriage and motherhood; not in any lover’s infatuated specialization in her; and perhaps not in the form of specialization arguably required by life itself, with its finite and confining possibilities. Is there any way, short of suicide, to transcend such limits? Wes & Erin discuss Ibsen’s Hedda Gabler.

Tyler (PEL and PMP's audio editor) rejoins Mark, Erica, and Brian to explain one of his passions. How is it a battle and what are the rules? What's the appeal? How does it relate to free-stylin', rap albums, and insult comedy? Does it make sense as a "free speech zone"?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

On the first half of Book II of John Locke's Essay Concerning Human Understanding (1689).

How do we get our ideas? Simple ideas must come in through perception, but this doesn't just mean the senses; also reflection on our own minds, and this added layer of complexity allows us to bring in memory, concepts, time, and more.

Don't wait for part two; get the full, ad-free Citizen Edition now. Please support PEL!

Kevin (The State, RISK!) joins Mark, Erica, and Brian to talk about his telling/curation/coaching of confessional stories. Do they have to be funny? True? How does this form relate to essays a la David Sedaris? How personal is too personal (or indicative of PTSD or something)? What's the role of craft in this most populist endeavor? Listen at risk-show.com.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

Continuing on Book I of John Locke's Essay Concerning Human Understanding (1689).

We consider Locke's arguments that since there are no universally agreed upon principles, therefore there are no beliefs that we're all born with, or that we all (without the need for experience) immediately recognize as true as soon as we gain the use of reason or are otherwise equipped to understand them.

Start with part one. Hear the whole discussion with no ads and get access to our latest Nightcap: Join us at partiallyexaminedlife.com/support.

Plenty of songs try to tell stories, but do the pop song format and narrative really mix? Songwriter and short story author Rod Picott joins Mark, Erica, and Brian to talk about classics by Bob Dylan and Johnny Cash, formative nightmares like "Leader of the Pack" and "The Pina Colada Song, borderline cases like "Bohemian Rhapsody," and more. How does this form relate to theater, videos, and commercials?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

Bill Budd is a beautiful man. Not just good looking, but exquisitely good natured, something that costs him no effort and has required no instruction. And yet it is ultimately his beautiful soul and good nature that get Billy killed. Wes & Erin discuss Herman Melville’s final and unfinished work of fiction, and whether a good heart and good intentions are more important than obedience to authority and adherence to civilized norms.

Brian, Erica, and Mark reflect on this weird sci-fi HBO Max series by Aaron Guzikowski and Ridley Scott. How much are we supposed to understand? Can we identify with any of the android and/or wild child and/or murdering characters? Is the imagery too heavy handed? How does it compare with Westworld, The Walking Dead, etc.? Warning: Spoilers ahoy! So watch it yourself or let us reveal its craziness to you.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

Mark, Wes, Dylan, Seth get into specific points and textual passages from Peter Kropotkin's The Conquest of Bread (1892).

In this preview, we start by considering that Kropotkin is right that mutual aid is a natural tendency and so communism is very much feasible, why hasn't it happened already? In the full discussion, we discuss K's version of the "you didn't build that" argument, plus guaranteed minimum income, identity and criminal justice in a stateless world, religion, and more.

What do we mean when we talk about the American Dream? Is it realistic? Wes & Erin discuss F. Scott Fitzgerald’s “The Great Gatsby.”