How does clothing mesh with set design, cinematography, sound design, etc. to create the mood in a film? Whitney designed for and dressed leads and crowds on The Great Gatsby, the Happy Death Day films and several indie flicks. She joins Erica, Mark and Brian to discuss how clothes on screen relate to clothes in life, designing vs. curating, historic Continue Reading …

On "Scorekeeping in a Language Game" (1979) and "Truth in Fiction" (1978).

Lewis's account of possible worlds can be applied to conversation: As we speak, each sentence adds to the "conversational score" (the set of assumptions that enable us to understand each other) while reducing the field of possible worlds that the picture we're painting together could potentially represent. What are the gravitational forces within this kind of scorekeeping? Also, when an author creates a fictive "world," how do facts about that world logically relate to those of the actual world? With guest Matt Teichman.

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End song: "Real Life" by Matt Wilson, as interviewed for Nakedly Examined Music #118.

On Ch. 4 of Lewis's book Counterfactuals (1973) and the essays “Scorekeeping in a Language Game” (1979) and “Truth in Fiction” (1978).

What makes a sentence about possibility true? Lewis thinks that we need possible worlds that really exist in order to make sense of our modal intuitions. He uses this possible-world talk to make sense of conversations and the worlds created by fiction writers. With guest Matt Teichman from Elucidations.

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Why has a children's toy become a brand attached to virtually every media type, partnering with the most ubiquitous franchises, and serving as a pastime for many adult hobbyists who will gut you if you call LEGO a "children's toy."

AFOL Brian Hirt talks with co-hosts Erica Spyres and Mark Linsenmayer about creative play vs. following the printed directions, building purists vs. anthropomorphizers, LEGO qua corporate overlord, LEGO media, and more.

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This podcast is part of the Partially Examined Life network and is curated by openculture.com.

Continuing on The Spirit of the Laws (1748) by Charles Louis de Secondat, aka Baron de Montesquieu. Mark, Wes, Dylan, and Seth talk more about the "motive force" behind each type of government and the separation of powers.

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End song: "King of the Hill" by MINUTEMEN. Listen to Mark interview Mike Watt on Nakedly Examined Music #108.

Do we need professional critics regulating our entertainment intake? Noah writes for The Washington Post, NBC News, The Guardian, Slate, Vox, The Atlantic, etc., and he now joins Mark, Erica, and Brian to talk about the function of criticism, criticism as art, and the joy of negativity. We talk 1917, Midsommar, Marvel vs. Scorsese, Yesterday, Bob Dylan, Twilight, and more.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life network and is curated by openculture.com.

On The Spirit of the Laws (1748) by Charles Louis de Secondat, aka Baron de Montesquieu.

What keeps a society functioning? Montesquieu, though of course not the first political philosopher, was perhaps the first to systematically explore correlations between characteristics of a government, its people, its climate, dominant industries, religion, and other factors. Some of his ideas directly influenced the American Constitution, and some of them are very very weird.

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Do you play video games for the plot? Mark, Erica, and Brian are joined by former video game professional (current TV development exec) Donald E. Marshall to talk through types of video game narrative, ways of weaving story into a game, balancing gameplay and storytelling, and more.

Mark, Wes, Dylan, and Seth summarize thoughts about our recent series on social construction, gender and sex, and Judith Butler's notion of "grievable lives." Should we stop covering so much contemporary work and/or political topics?

End song: "The Size of Luv" by Mark Lint from Mark Lint's Dry Folk (2018).

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Continuing on Benjamin's "Critique of Violence" (1921).

Mark, Wes, and Seth keep trying to figure out this difficult essay. Is Benjamin really advocating a workers' revolution to end the state, or just reflecting on a hypothetical to explore the limits of the concept of violence?

According to Judith Butler's interpretation of the essay, the takeaway is the alternative to motivation through force, i.e. speech, which Benjamin (in other essays) gives some religious significance, but the way he actually concludes the essay is in a discussion of "divine violence" as somehow transcending means-end analysis and the corruption inherent in violence.

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End song: "Jericho" from hackedepiciotto, as interviewed on Nakedly Examined Music #116.