Continuing Ian Hacking's The Social Construction of What (1999) and Peter Berger's "Religion and World Construction" (1967).

We break down Hacking's typology of construction arguments: Are they exploring where our ideas came from or trying to change things? Are they trying to state facts about nature vs. nurture or essentially political solicitations for us to reconceptualize in healthier ways? Plus, more about the supposed divide between science wars and the culture wars and Berger's picture of the nomos (custom) defining what it is for us to live a meaningful life.

Start with part one, or get the full, ad free Citizen Edition. Please support PEL!

End song: "The ConstruKction of Light, Part 1" by King Crimson; listen to Mark with Trey Gunn on Nakedly Examined Music #21.

TV news reporter Paul Beban (ABC, Al Jazeera, Yahoo, and now featured on the Discovery Network's Contact) joins Mark, Erica, and Brian to discuss the appeal of UFO narratives. Do you have to believe to be entertained? What's the connection to humor, religion, and anti-government venom?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

On Ian Hacking’s The Social Construction of What (1999) and Peter Berger's “Religion and World Construction" (1967).

Guest Coleman Hughes from Dilemma joins us to survey the types of social construction arguments: the "culture wars" (e.g., race, gender) and the "science wars" (scientific findings are not read off the world but emerge from history). Something can be constructed, yet still be an objective truth we have to deal with.

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Revivals (not to be confused with reboots) can bring us back to the comfort of old friends, who are now really old. But is reviving a show really ever a good idea? Mark, Erica, and Brian consider some successes, failures, and hypotheticals.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

Continuing on Sir Francis Bacon's New Organon (1620).

We cover more of Bacon's "idols" and how Bacon divides religion from science (and what this means politically). We then move on to book 2, including Bacon's novel update of the term "form," and take a look at Bacon's method of doing science by filling out tables before actually doing experiments.

Start with part one or get the full, unbroken Citizen Edition. Please support PEL.

End song: "Stuck in a Cave" by Chrome Cranks; hear Mark talk to singer/songwriter Peter Aaron on Nakedly Examined Music #93.

Wes Alwan joins Mark, Erica, and Brian to discuss Quentin Tarantino's Once Upon a Time... In Hollywood in the context of Tarantino's other films. We consider T's strange sense of pacing, his comic violence, his historical revisionism, and casting choices. Is this a brilliant film or a fundamentally misguided idea badly in need of an editor?

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is part of the Partially Examined Life podcast network and is curated by openculture.com.

On Sir Francis Bacon's New Organon (1620).

Bacon claims to have developed a new toolset that will open up nature to inquiry in a way that wasn't possible for ancient and modern natural philosophy.

Mark, Wes, and Dylan consider how much what Bacon describes resembles modern scientific method, talk through Bacon's "four idols" that interfere with impartial inquiry, and consider how Bacon's method fits in with his larger political-ethical-religious views.

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Dave Hamilton (from Gig Gab) joins Mark, Erica, and Brian to weigh concert-going (and theater-going) against the technological alternatives. Why are tickets so pricey? Do tribute bands fulfill our needs? Should audiences ideally be on drugs? These are but a few of the questions we breeze through.

For more, visit prettymuchpop.com. Hear bonus content for this episode at patreon.com/prettymuchpop.

This podcast is curated by openculture.com.

Continuing on Simone Weil's essays "The Iliad, or the Poem of Force" (1939) and "Analysis of Oppression" (1934) with guest Corey Mohler.

We talk about the self-contradictions of power, why oppression and war are so intractable, and her positive solution (what there is of it here). Weil cuts through our left-right political dichotomy in a way that might interest you. Plus, why the Iliad is so great.

Start with part one or get the full, ad-free Citizen Edition. Please support PEL!

End song: "Throw Down the Sword" from Wishbone Ash; hear Andy Powell on Nakedly Examined Music #51.

Mark, Erica, and Brian take on both Margaret Atwood's 1985 novel plus the TV series, getting into the transition from page to screen, taking the work as political speech vs. art, Atwood's phenomenology and neologisms (prayvaganza!), plus the roles of race and (lack of) comic relief in the story.

For more, visit prettymuchpop.com. Hear bonus content for this episode patreon.com/prettymuchpop.