IN MOVIES, there are always clues. A spy will walk into a deserted square in Bratislava and we, the viewers, will know—from the way the shadows fall, the stillness in the air, the unusual way that the pigeons are pecking at crumbs—that this is a setup, that he’s walking into a trap, but the clues in life are subtle, unreliable, and often misleading, so we rarely spot the setup or see the ambush coming.
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