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The guys welcome Chris Prentice to parse the underpinnings of the American Western, whether Michael Madsen is actually good, truth and lies, Tarantino's age-blindness, Netflix's clumsy editing, and arguably the most provocative and least coherent ending of QT's career.
By Al Schwartz, John Bernhard5
1717 ratings
Send us Fan Mail
The guys welcome Chris Prentice to parse the underpinnings of the American Western, whether Michael Madsen is actually good, truth and lies, Tarantino's age-blindness, Netflix's clumsy editing, and arguably the most provocative and least coherent ending of QT's career.

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