The Questlove Show

Questlove sat down with director and composer John Carpenter in Hollywood to discuss Cathedral, a graphic novel and heavy metal album inspired by a single dream. Carpenter tells how a bongo lesson from his father led to the iconic Halloween theme. He also talks about casting Kurt Russell after their Elvis TV movie, why The Thing was his hardest shoot, and says The Exorcist remains the scariest movie ever made.

Along the way, Carpenter turns the tables and interviews Questlove, sparking a lively debate about The Beatles and whether music has reached “creative diminished returns.” It’s a funny, engaging conversation between two directors who work in different worlds but share a love of making music.

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In early 2022, Questlove and Team Supreme spoke to one of the most beautiful voices in all of music — Deniece Williams. She recalls her working with Stevie Wonder and Earth Wind & Fire, before breaking out into a Grammy-winning solo career that has spanned decades and multiple genres. Hear the stories behind the songs and relive the greatness.

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The Questlove Show hoped to record an episode with DJ Shadow while he was on the East Coast for the 30th-anniversary tour of Endtroducing….., but scheduling didn’t work out this time. Instead, Open Mike Eagle—who is performing on some of Shadow’s current tour dates—and Cousin Jake celebrate Shadow’s landmark debut, its lasting impact, and more.

They talk about crate-digging in dollar bins, Shadow’s little-known production work for Paris, Gift of Gab’s verse on “Midnight in a Perfect World,” and the difference between a beatmaker and a producer. They also explain why Shadow’s music demands active listening—not background or the dreaded “beats to study to.”

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Join legendary producer and musician Nile Rodgers as he travels across the country in his Lincoln Navigator® SUV, sitting down with some of music's biggest names to uncover the turning points that defined them.

Experience Before the Moment: A Lincoln Original Series on the iHeartRadio App, YouTube or wherever you get your podcasts.

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A real tycoon is in the building. Questlove sits down with Vallejo’s own E-40, the Yay Area legend who was selling records out of his trunk back when getting a major-label deal felt impossible. He built his own label, financed his projects independently, and gave Hip-Hop an entire dictionary of slang and similes. Now, with Turning My Money Over—a historic 40-song quadruple album—Earl Stevens isn’t slowing down.

E-40 talks about growing up on Magazine Street in Vallejo’s Hillside neighborhood, the New York and Bay Area rappers who shaped his voice, and the year at Grambling State that taught him how to make it on his own. He explains how The Click navigated distribution through consignment sheets, mom-and-pop stores, and even rim shops—and how VHS duplication helped change the game for independent artists. 40 Water recalls his dealings with Tupac, advocates for members of the Hieroglyphics crew, and shares how being doubted by a room full of DJs decades ago only pushed him to go harder.

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On this exclusive Questlove Show mini episode, Questlove talks with bass virtuoso Stanley Clarke about Last Train To Sanity, a recent 15-track album he funded himself and is selling only through his own website, with packaging designed by his daughter Natasha and full liner notes meant as a protest against streaming.

Clarke also talks about recovering from a nerve injury in his arm, recording School Days at Electric Lady Studios and meeting Joey Ramone there, why he loves playing Detroit, and his plans to write an acoustic bass concerto for schools.

Stay tuned for a full Stanley Clarke x episode running very soon.

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Questlove sits down with Tame Impala’s Kevin Parker, the multi-instrumentalist from Perth—one of the most isolated cities on Earth—who spent years letting the world believe his one-man project was a band.

Parker talks about turning down a big-name producer to make Innerspeaker alone in a beach shack he later bought, the more than 1,000 voice memos labeled “this will change my life,” and why he devotes 90% of his time to drum sounds. He also unpacks the idea behind Tame Impala's latest, Deadbeat, the feeling of always being on the outside—no matter how successful he becomes—and the strange ways stress and anxiety fuel his best work.

Along the way: sneaking into a White Stripes show with his brother’s ID, a Batman Forever soundtrack confession, and his new life building synthesizers.

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Recorded in early 2020, this classic episode of Questlove Supreme is Part 2 of the Family Stand conversation. Sandra St. Victor recounts leaving Atlantic for Elektra Records, and her alleges that Sylvia Rhone shelved her intended debut LP, Sanctuary. The band also discusses Prince hearing the album and working with Sandra, Curtis Mayfield’s warm mentorship, their defiant Moon In Scorpio era, and Jeff’s incredible saxophone work on hits by Billy Ocean and Debbie Gibson.

Along the way, The Family Stand share wild stories about a 1983 night at Rick James’ house and Roy Ayers on tour in Africa, pay tribute to their late guitarist Ronnie Drayton, and reflect on the Black Rock Coalition. The episode closes with Stevie Wonder humbly taking their notes and a preview of the band’s new album, which grew out of their reunion concert at the Met.

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We said we’d come back for Part 2—and we did. Arthur Baker, the architect behind “Planet Rock,” “Confusion,” and so much of the ’80s dance-floor sound, returns to The Questlove Show to finish what we started nearly a year ago.

Arthur takes us from carrying crates of vinyl onto airplanes to the Synclavier sessions for Hall & Oates’ Big Bam Boom, the clubs and DJs who shaped his sound, and the Brooklyn studio sessions that led to what he jokingly calls “New Arthur” records with New Order.

He also opens up about Streetwise Records, the making of Beat Street, the story behind “Sun City” and Artists United Against Apartheid, his connections to Miles Davis, Diana Ross, and Little Steven, and why he wrote his memoir, Looking For The Perfect Beat, for his daughter.

Arthur Baker is back.

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This early-2020 episode of QLS is among Questlove’s absolute favorites. The incredible trio of Sandra St. Victor, Peter Lord, and V. Jeffrey Smith joined Ahmir, Laiya, Boss Bill, and Suga Steve for a comprehensive and highly spirited two-part conversation. The result is informative, engaging, and often hilarious.

Peter recalls that watching The Exorcist left him so frightened that he played the radio every night—and that’s how he discovered music. V. Jeffrey Smith reveals that his famous saxophone solo on Billy Ocean’s “Caribbean Queen” was pieced together by producer Keith Diamond from recordings of him warming up. The trio also explains how the international hit “Ghetto Heaven” grew out of hearing a young Salaam Remi make beats in his father’s basement, how “Rush Rush” began as a playful jab at Babyface’s songwriting style before becoming a hit for Paula Abdul, and how one disastrous MTV Awards performance derailed the momentum of “Vibeology.”

Enjoy this QLS episode. It’s truly a classic.

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