Super Gorilla! We suspect we are the first podcasters to discuss "The Rat's Revenge, Pts. 1 & 2" by The Rats (aka The Decades), anyone wanna challenge us? "Part One"  and its unforgettably STOOPID riff comes first (3:05). As the "Back From The Grave" liner notes note, the song cycle is an homage to the real hero of the AIP "Beach Party" movies, Eric Von Zipper and his Rats Motorcycle Club - but it's so much more than that! To truly understand the weirdness of the 1960s, you must listen in to our discussion of the sound and the lyrics of this one-of-a-kind rekkid. "Part Two", recorded in the studio a day after numero uno,  is possibly even more unhinged and less rehearsed in its spiel (1:01:44).  This one has a more taunting feel, and a second chorus!! Was Harvey Lembeck/Eric Von Zipper the template for The Beastie Boys? Tune in and  Chagga Walla Goo!!

Super Gorilla! We suspect we are the first podcasters to discuss "The Rat's Revenge, Pts. 1 & 2" by The Rats (aka The Decades), anyone wanna challenge us? "Part One" and its unforgettably STOOPID riff comes first (3:05). As the "Back From The Grave" liner notes note, the song cycle is an homage to the real hero of the AIP "Beach Party" movies, Eric Von Zipper and his Rats Motorcycle Club - but it's so much more than that! To truly understand the weirdness of the 1960s, you must listen in to our discussion of the sound and the lyrics of this one-of-a-kind rekkid. "Part Two", recorded in the studio a day after numero uno, is possibly even more unhinged and less rehearsed in its spiel (1:01:44). This one has a more taunting feel, and a second chorus!! Was Harvey Lembeck/Eric Von Zipper the template for The Beastie Boys? Tune in and Chagga Walla Goo!!

Super Gorilla! We suspect we are the first podcasters to discuss "The Rat's Revenge, Pts. 1 &amp; 2" by The Rats (aka The Decades), anyone wanna challenge us? "Part One"&nbsp; and its unforgettably STOOPID riff comes first (3:05). As the "Back From The Grave" liner notes note, the song cycle is an homage to the real hero of the AIP "Beach Party" movies, Eric Von Zipper and his Rats Motorcycle Club - but it's so much more than that! To truly understand the weirdness of the 1960s, you must listen in to our discussion of the sound and the lyrics of this one-of-a-kind rekkid. "Part Two", recorded in the studio a day after numero uno,&nbsp; is possibly even more unhinged and less rehearsed in its spiel (1:01:44).&nbsp; This one has a more taunting feel, and a second chorus!! Was Harvey Lembeck/Eric Von Zipper the template for The Beastie Boys? Tune in and&nbsp; Chagga Walla Goo!!

The Rat's Revenge

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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The Rat's Revenge

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