Somewhere in the deep lore of alien abduction, past the gray guys who run the equipment, sits a manager. Six to nine feet of praying mantis, purple robe for rank, telepathic, standing at the head of the table while the drones do the wet work. It regards you the way a farmer regards livestock. This week, Tristan brings on Stanford (yes, the one we verbally abused all of last season, now a guest in good standing) to work out where this giant bug came from. The trail runs straight to David Jacobs, an actual history professor who ran more than 900 hypnotic regression sessions and emerged with a full taxonomy of alien species and their agendas. We get into why hypnosis is the same memory-fabricating machine that produced the satanic panic, how your brain rebuilds every memory from scratch and patches the gaps with whatever's lying around, and why sleep paralysis has been parking a terrifying presence at the foot of human beds for as long as we've had beds. Then there's the square-cube law, which is grim news for anyone hoping a seven-foot insect could stand up without collapsing into paste.

Then the part that matters. Peel the costume off the mantis, and you're left with a job description: detached managers who treat the people under them as a resource to optimize, workers who run the program with zero ethical input, surveillance nobody consented to, monitored reproduction, value squeezed out of people the system won't acknowledge as people. That's capitalism with extra legs. The mantis is a face bolted onto a faceless system, because our brains would sooner hunt one villain than sit with the idea that nobody's driving. Your anger is correct. The target is a bug. (Next week, we put Jacobs himself under the magnifying glass.)

Guest plug: Stanford co-hosts Captain's Log Supplemental, a Star Trek rewatch podcast grinding through the entire canon in chronological order, currently surfacing into Strange New Worlds after doing hard time in Enterprise. Go find it wherever you get podcasts.

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Music by Rod Kim | Cover art by Skutch | Edited by Max

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