
Sign up to save your podcasts
Or


It might seem odd to think of Max Bruch as a 20th-century composer. After all, his three greatest hits — his Violin Concerto No. 1, his Scottish Fantasy for violin and orchestra, and his setting of the Hebraic liturgical chant Kol Nidrei for cello and orchestra — were all written in the 19th century.
But this archetypal German Romantic composer, who was born in 1838, lived to the ripe old age of 82, and kept producing new works up to the time of his death in 1920.
One of these, a Concerto for Two Pianos, was commissioned by an American duo piano team, Ottilie and Rose Suttro, who premiered it with Leopold Stokowski and the Philadelphia Orchestra on today’s date in 1916. The new work was well-received and its composer praised.
But there is a somewhat ironic historical footnote to this successful premiere: It appears the Suttro Duo drastically revised and even rewrote parts of Bruch’s score for their 1916 performance, unbeknown to the composer. It wouldn’t be until 1971 that the concerto was performed as he had actually written it.
Max Bruch (1838-1920) Concerto for Two Pianos; Güher and Süher Pekinel, pianos; Philharmonia Orchestra; Neville Marriner, cond. Chandos 9711
By American Public Media4.7
176176 ratings
It might seem odd to think of Max Bruch as a 20th-century composer. After all, his three greatest hits — his Violin Concerto No. 1, his Scottish Fantasy for violin and orchestra, and his setting of the Hebraic liturgical chant Kol Nidrei for cello and orchestra — were all written in the 19th century.
But this archetypal German Romantic composer, who was born in 1838, lived to the ripe old age of 82, and kept producing new works up to the time of his death in 1920.
One of these, a Concerto for Two Pianos, was commissioned by an American duo piano team, Ottilie and Rose Suttro, who premiered it with Leopold Stokowski and the Philadelphia Orchestra on today’s date in 1916. The new work was well-received and its composer praised.
But there is a somewhat ironic historical footnote to this successful premiere: It appears the Suttro Duo drastically revised and even rewrote parts of Bruch’s score for their 1916 performance, unbeknown to the composer. It wouldn’t be until 1971 that the concerto was performed as he had actually written it.
Max Bruch (1838-1920) Concerto for Two Pianos; Güher and Süher Pekinel, pianos; Philharmonia Orchestra; Neville Marriner, cond. Chandos 9711

6,774 Listeners

38,890 Listeners

8,772 Listeners

9,216 Listeners

5,777 Listeners

928 Listeners

1,388 Listeners

1,287 Listeners

3,156 Listeners

1,975 Listeners

523 Listeners

183 Listeners

13,770 Listeners

3,082 Listeners

248 Listeners

28,116 Listeners

430 Listeners

5,467 Listeners

2,196 Listeners

14,146 Listeners

6,417 Listeners

2,513 Listeners

4,840 Listeners

575 Listeners

243 Listeners