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Colin Marshall talks to Darcy Paquet, film critic and author of New Korean Cinema: Breaking the Waves. Since 1999, Paquet has maintained the web site Koreanfilm.org as the premiere destination for Anglophone lovers of Korean cinema, which has experienced an unprecedented explosion of creativity and artistry since the beginning of the decade. In his book and on his site, Paquet discusses such vital Korean filmmakers as Bong Joon-ho (The Host, Memories of Murder), Hong Sang-soo (Woman is the Future of Man, Virgin Stripped Bare by Her Bachelors), Kim Ki-duk (Spring, Summer, Fall, Winter… and Spring, 3-Iron), and Park Chan-wook (Oldboy, Joint Security Area).
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Colin Marshall talks to Darcy Paquet, film critic and author of New Korean Cinema: Breaking the Waves. Since 1999, Paquet has maintained the web site Koreanfilm.org as the premiere destination for Anglophone lovers of Korean cinema, which has experienced an unprecedented explosion of creativity and artistry since the beginning of the decade. In his book and on his site, Paquet discusses such vital Korean filmmakers as Bong Joon-ho (The Host, Memories of Murder), Hong Sang-soo (Woman is the Future of Man, Virgin Stripped Bare by Her Bachelors), Kim Ki-duk (Spring, Summer, Fall, Winter… and Spring, 3-Iron), and Park Chan-wook (Oldboy, Joint Security Area).
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