
Sign up to save your podcasts
Or


Does The Running Man (2025) pack the high-octane punch Edgar Wright is known for? And after releasing three films in eighteen months, are we finally sold on Oz Perkins as a director?
This week on The Screen Love Affair Podcast, Shea, Brandon, and Adriana start off with a breakdown of Wright’s latest film, Glen Powell’s moviestar charisma, and Coleman Domingo’s scene-stealing performance.
Then they switched gears to Keeper, an atmospheric horror outing from Oz Perkins, fresh off Longlegs (2024) and The Monkey (2025). The crew dives into the film’s visual storytelling, character dynamics, power struggles, and why Perkins continues to feel like a talented filmmaker searching for a script worthy of his style.
🎬 For the love of film and the films we love, subscribe and join the love affair! ❤️
Follow us on Instagram • Follow us on X(Twitter) • Follow Shea, Brandon, and Adriana on Letterboxd.
By Screen Love AffairDoes The Running Man (2025) pack the high-octane punch Edgar Wright is known for? And after releasing three films in eighteen months, are we finally sold on Oz Perkins as a director?
This week on The Screen Love Affair Podcast, Shea, Brandon, and Adriana start off with a breakdown of Wright’s latest film, Glen Powell’s moviestar charisma, and Coleman Domingo’s scene-stealing performance.
Then they switched gears to Keeper, an atmospheric horror outing from Oz Perkins, fresh off Longlegs (2024) and The Monkey (2025). The crew dives into the film’s visual storytelling, character dynamics, power struggles, and why Perkins continues to feel like a talented filmmaker searching for a script worthy of his style.
🎬 For the love of film and the films we love, subscribe and join the love affair! ❤️
Follow us on Instagram • Follow us on X(Twitter) • Follow Shea, Brandon, and Adriana on Letterboxd.