We do a deep dive case study into producing Tenzing with Liz Watts, one of Australia's most successful producers — we get into working with a cross-cultural cast and crew, the detail required to stay on top of budgets, and the creative philosophy that held the whole production together.

This is Part 2 of our conversation with Liz Watts. Part 1 was released last week.

Host: Emile Sherman

Producer: @jonahprimo on Instagram, Jonah Primo on Letterboxd https://boxd.it/cjFIF

Composer: @Adiescar

Artwork: @studiostromberg

Hosted on Acast. See acast.com/privacy for more information.

Today we sit down with Liz Watts, Head of Film and Television, Australia at See-Saw Films. Liz is one of Australia's most successful producers, with credits including Animal Kingdom and The King. Since joining See-Saw, she's executive produced Apple Cider Vinegar for Netflix, produced The Royal Hotel, and led us up a mountain with See-Saw's upcoming Apple Original film, Tenzing.

We get into the art of producing — a job that's a little hard to understand from the outside. We talk about the relentless drive it takes to bring a project together, the instinct and taste behind choosing what to spend years of your life on, and what it really means to back the talent you work with.

Next week in part two, we do a deep dive case study into producing Tenzing — working with a cross-cultural cast and crew, the detail required to stay on top of budgets, and the creative philosophy that held the whole production together.

Host: Emile Sherman

Producer: @jonahprimo on Instagram, Jonah Primo on Letterboxd https://boxd.it/cjFIF

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

BAFTA winning casting director Nicky Barrett returns for part two, pulling back the curtain on how movies actually get cast: where star power, financier lists, and directors who need "director-proof" actors collide with the search for something real. The conversation widens into acting styles across cultures, the messy politics of authenticity casting, and closes on a genuinely unresolved question: can an AI performance ever have charisma, or is that something only a human being pretending to be someone else can give you?

This is Part 2 of our conversation with Nikki Barrett. Part 1 was released last week.

Host: Emile Sherman

Producer: @jonahprimo on Instagram, Jonah Primo on Letterboxd

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

"It's not who fits where — it's what is the world we're making." BAFTA award-winning casting director Nikki Barrett joins the show to talk about what makes a great actor, casting as world-building rather than list-filling: the difference between naturalism and truth on screen, why she's drawn to anthropological projects and non-actors, and how the best actors find the "safety to take risks.” 

This is Part 1 of our conversation with Nikki Barrett. Part 2 will be released next week.

Host: Emile Sherman

Producer: @jonahprimo on Instagram, Jonah Primo on Letterboxd

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

Joe Locke shot to fame playing Charlie Spring in See-Saw's beloved coming-of-age series Heartstopper — and now, with the release of Heartstopper Forever, that story comes to a close. Host Emile Sherman is joined by See-Saw co-founder Iain Canning to sit down with Joe and look back on the whole journey: what it was like stepping onto set as a newcomer to acting, navigating a whirlwind rise to fame, and what it took to bring Nick and Charlie's story to its conclusion. They also dig into what the show has come to mean to fans around the world. This is a warm, reflective conversation to send off one of the most-loved series of the past few years.

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Host: Emile Sherman

Producer: @jonahprimo on Insta & Letterboxd

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

Part 2 of our conversation with Jane Campion. Jane has been nominated for five Oscars, winning Best Original Screenplay for The Piano and Best Director for the See-Saw production The Power of the Dog.

But what we really wanted to dig into was how Jane actually makes things. Where do her stories come from? How does she develop a visual language for a film? What is her relationship to her own subconscious as a creative tool? We explore the space between instinct and craft, between preparation and surrender, and what it means to build a body of work that is so unmistakably, fearlessly your own.

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Host: Emile Sherman

Producer: @jonahprimo on Insta & Letterboxd

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

Jane has been nominated for 5 oscars, winning best original screenplay for The Piano and best director for the See-Saw production The Power of the Dog. She is in fact the only woman to have been nominated twice for the Academy Award for Best Director, and the first female filmmaker to receive the Palme d'Or at Cannes. We first worked with Jane In 2012 on the two season miniseries Top of the Lake, which became quite a landmark moment in serialised television - and then again on The Power of the Dog which earned 12 Academy Award nominations (a record for an Australian film). 

The power of Jane’s storytelling stems from her unflinching vision, her creative risk-taking, and her unwavering commitment to exploring not just the world around her but her inner world. She trusts, amongst other things, the deep reservoir of the subconscious that, if we’re still long enough to listen, can serve as our guide. What a treat to sit down with Jane and reignite that space of inner inspiration.   

This is Part 1 of our conversation with Jane Campion.

Host: Emile Sherman

Producer: @jonahprimo

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

Part 2 of our conversation with Volker Bertelmann, also known as Hauschka, an acclaimed film composer and experimental pianist, this time focusing on his creative process. 

Host: Emile Sherman

Producer: @jonahprimo

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

Today I’m speaking with Volker Bertelmann, also known as Hauschka, an acclaimed film composer and experimental pianist.

We first collaborated on Lion (with Dustin O’Halloran), his debut score. Since then, he’s won an Oscar for All Quiet on the Western Front and scored projects like Conclave, The Day of the Jackal, and Dune: Prophecy, as well as our film One Life.

In this conversation, we explore his dual identity and his relentless drive to reinvent sound—pushing instruments, ideas, and storytelling into entirely new territory.

Host: Emile Sherman

Producer: @jonahprimo

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.

Using Adolescence as a case study, Mediawan's Pierre-Antoine Capton and Elisabeth Darvieu speak to how they back bold, unconventional projects while maintaining independence and creative vision. They reveal the principles and processes that allow a media powerhouse to thrive in an unpredictable industry. If you’re curious about how risk, intuition, and collaboration drive some of the world’s most compelling film and TV, this conversation is essential listening.

Host: Emile Sherman

Producer: @jonahprimo

Composer: @Adiescar

Artwork: @studiostromberg

A See-Saw Films Production

Hosted on Acast. See acast.com/privacy for more information.