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A synth-soaked hello turns into a full-on culture swerve: we revisit Footloose with fresh eyes, one of us remembering a youth where school dances were literally off-limits, the other rolling eyes at choreographed rebellion and perfect hair. The nostalgia is fun, but the conversation bites down when we hit the film’s book-burning scene and its eerie echo in today’s wave of bans. We even rate the movie on the sardine scale, because sometimes it stinks and people still love it.
Then we sprint into Cocaine Bear, treating the gore like comic confetti and reveling in the cast chemistry: Keri Russell, Margo Martindale, Isiah Whitlock Jr., and a roaring 80s aesthetic. We talk about why camp works when it’s obvious and how “ten buckets of popcorn, one boot to the head” can both be true. From there we shift to a live night with Colin Mochrie and Brad Sherwood, praising the genius of rule-bending improv while telling war stories about a crowd that wouldn’t stop trying to be the show. It’s a masterclass in how seasoned performers steer chaos into laughs.
Chelsea Handler gets a redemption arc as we nearly bail at minute ten, then get pulled into sharper, stranger, and very specific stories that make us laugh and wince in equal measure. A detour into tinctures and panic spirals sets up our final act: Marcel the Shell with Shoes On. We gush about Jenny Slate’s delicate voice, Isabella Rossellini’s warmth, and stop-motion that feels like a hug for your inner kid. One of us cried. The other almost did. We close with a brief salute to Diane Keaton and a musical glow.
If you’re into 80s movies, culty camp, improv wizardry, stand-up with teeth, or gentle films that sneak up on your heart, this one’s for you. Hit follow, share with a friend who needs a laugh and a cry, and leave a quick review—what should we watch next?
Find our Facebook group: https://www.facebook.com/groups/447251562357065/
By Anne Levine and Michael Hill-Levine5
1111 ratings
Send us a text
A synth-soaked hello turns into a full-on culture swerve: we revisit Footloose with fresh eyes, one of us remembering a youth where school dances were literally off-limits, the other rolling eyes at choreographed rebellion and perfect hair. The nostalgia is fun, but the conversation bites down when we hit the film’s book-burning scene and its eerie echo in today’s wave of bans. We even rate the movie on the sardine scale, because sometimes it stinks and people still love it.
Then we sprint into Cocaine Bear, treating the gore like comic confetti and reveling in the cast chemistry: Keri Russell, Margo Martindale, Isiah Whitlock Jr., and a roaring 80s aesthetic. We talk about why camp works when it’s obvious and how “ten buckets of popcorn, one boot to the head” can both be true. From there we shift to a live night with Colin Mochrie and Brad Sherwood, praising the genius of rule-bending improv while telling war stories about a crowd that wouldn’t stop trying to be the show. It’s a masterclass in how seasoned performers steer chaos into laughs.
Chelsea Handler gets a redemption arc as we nearly bail at minute ten, then get pulled into sharper, stranger, and very specific stories that make us laugh and wince in equal measure. A detour into tinctures and panic spirals sets up our final act: Marcel the Shell with Shoes On. We gush about Jenny Slate’s delicate voice, Isabella Rossellini’s warmth, and stop-motion that feels like a hug for your inner kid. One of us cried. The other almost did. We close with a brief salute to Diane Keaton and a musical glow.
If you’re into 80s movies, culty camp, improv wizardry, stand-up with teeth, or gentle films that sneak up on your heart, this one’s for you. Hit follow, share with a friend who needs a laugh and a cry, and leave a quick review—what should we watch next?
Find our Facebook group: https://www.facebook.com/groups/447251562357065/

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