The Scene of the Scene

The Scene of the Scene

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The Scene of the Scene episodes

  • 36. Víkingur Ólafsson.

    Chris and Mikey see Víkingur Ólafsson perform J.S. Bach’s Goldberg Variations. They were supposed to see him perform a concert with Yuja Wang, but alas, things don’t always work out as expected. The concert was still a delight.

    23 min
  • 35. La Reine-garçon.

    Chris and Mikey see

    La Reine-garçon, a new opera about Queen Christina of Sweden. Or is that King Christina? Either way, she’s got a lot of irksome gentleman suitors, but she’s also got a favourite countess in her court. And she’s also brought René Descartes to Sweden? There’s a lot to talk about.

    Show Notes.

    La Reine-garçon (composed by Julien Bilodeau, libretto by Michel Marc Bouchard) runs through the Febrauary 15 in Toronto.

    Finally solved this: It premiered in Montreal last Febraury!

    We saw Donizetti’s Roberto Devereaux long before we started this podcast!

    And Roberto Bolaño is the Chilean writer. OK, I think that sorts out most of the mistakes?

    15 min
  • 34. Barbie.

    Chris, Charlotte, Mikey, and Garrett go see the

    Barbie movie! And though
    only one of them grew up playing with Barbie, they all have a terrific time.
    (Also they do not go on to see Oppenheimer.)

    22 min
  • 33. Drawfee Live.

    Jared and

    Jess got to see Drawfee Live in
    Seattle! We are all big Drawfee fans here
    at The Scene Of The Scene, so we’re very jealous. (Oh, here’s the Batman
    video.)

    13 min
  • 32. Tori Amos.

    We’re… back? We’re back! Chris and

    Mikey leave the house and go see Tori Amos
    in concert. Mikey is a lifelong fan, but this is his first time seeing her!
    And this tour is coming off Tori’s strongest album in ages. Hurrah!

    14 min
  • 31. Jacqueline.

    We saw the world premiere of

    Jacqueline, an opera
    about the tragic life of Jacqueline du
    Pré. Du Pré was a phenomenal
    cellist (see her perform the Elgar Cello
    Concerto with her husband, Daniel
    Barenboim, conducting) who, at the age of 28, was diagnosed with multiple
    sclerosis and lost her ability to perform. She passed away in 1987 at the age
    of 42.

    The opera is unusually intimate, performed by just two people—a soprano

    (Marnie Breckenridge, who was on a recent
    episode of This Is Your Mixtape) and a
    cellist (Matt Haimovitz, who
    knew du Pré when he was young). It was composed by Luna Pearl
    Woolf with libretto by Royce
    Vavrek and produced by Tapestry
    Opera (who also produced last year’s excellent
    Shawnadithit).

    Chris and

    Michael gushed about the opera immediately
    after seeing it.

    20 min
  • 30. Hansel and Gretel.

    We didn’t see Gretel & Hansel (the new movie), but we did see the Canadian

    Opera Company’s production of Englebert Humperdinck’s Hansel and
    Gretel. This
    production transforms the setting to a modern-day Toronto apartment building,
    with surprisingly effective results.

    Chris and

    Michael talked about it just after seeing it,
    and kinda want to see this production become A Thing.

    22 min
  • 29. The Barber of Seville.

    We went to see the Canadian Opera Company’s production of Rossini’s The

    Barber of Seville,
    which—hey, this is a first—we’d seen before, when they put the same production
    on in 2015. I guess we’ve officially seen all the opera, if they’re already
    repeating!

    Chris and Michael chatted about it afterwards, and wondered what the goal of putting on a comic opera should be.

    15 min
  • 28. Turandot.

    We went to see the Canadian Opera Company’s production of Puccini’s

    Turandot, with stage design by
    Robert Wilson. If
    you want to marry Princess Turandot, you’ll first have to answer three
    riddles. And even if you solve them, it won’t be easy to win her heart.

    Chris and

    Michael didn’t really like this one, despite
    Nessun dorma…

    16 min
  • 27. Rusalka.

    We saw Antonín Dvořák’s opera

    Rusalka at the Canadian
    Opera Company. Rusalka is based on a Slavic version of the Little Mermaid
    myth—but were any of its tunes as memorable as “Under the Sea”?

    Chris,

    Michael,
    Daniel, and
    Julie shared their thoughts on the opera,
    the staging, and what it means to put this opera on today.

    23 min

About The Scene of the Scene

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The best part of going to a show is hanging out with your friends afterwards and talking about it.

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