The School of Movies Archive

[Digital Gonzo 2012]

The Lord of the Rings begins in earnest. Starting with an epic retelling of Middle-earth history we set out to balance the attention to detail of major fandom with critical analysis, discussions on character development and notable aspects of the production. Setting out from the Shire, this episode will take you all the way to Rivendell meeting Bilbo, Frodo, Sam, Merry, Pippin, Gandalf, Saruman, Strider, Elrond and Arwen along the way. The operatic scoring of Howard Shaw remains an emotional touchstone throughout. 

Continuing where we left off, the Ring goes south, over and under the Misty Mountains culminating at Amon Hen where the Fellowship is broken from within. Character discussions include Boromir and Galadriel and the epic confrontation with shadow and flame. 

Guests:

Sharon Shaw of School of Movies

Chris Eason of GameBurst

[Digital Gonzo 2012]

Time to cover the 2005 movie that closed out the TV series. Take a journey with us on the final flight of Serenity, a superb, funny, clever, emotional and mostly ignored Sci-Fi cult classic, destined to travel on and find new audiences, decades and even centuries into our future.

Stick around to the end for some goram hilarious outtakes and a wonderful version of the Firefly Theme from Michelle Dockrey entitled “Mal’s Song”.

Guests:

Sharon Shaw of School of Movies

Leah Haydu of Some Other Castle

Joshua Garrity of Cane and Rinse

Matt Ramsey of GamerDork

Gary Blower of GameBurst

[Digital Gonzo 2012]

To celebrate Halloween I’m reviewing Monster House, one of the few movies ever put out by ImageMovers Digital.

It uses an identical performance capture technique to the Uncharted series, Heavenly Sword, Enslaved and The Last of Us. This is a technique that usually freaks people out because of the Uncanny Valley, less so in games because we’re used to seeing CG modeling but in the cinema people wonder why they’re not just looking at real people.

This is the most stylised of IMD’s catalog. They wisely make the character models more cartoonish and slightly claymation-looking which is easier to accept in the brainpan.

Joining me for this review are Neil Taylor of GameBurst and Jerome McIntosh of the Gonzo Planet community.

The plot runs thus: DJ, a young lad in an American suburb, watches the house across the street, the only occupant being a creepy, angry old man. There’s something funny going on inside and DJ is determined to find out what. 

It’s Halloween and his parents are going away, leaving him with a babysitter, which is embarrassing because he is on the cusp of growing up. His tubby, exuberant and scaredy-cat friend Chowder wants to go trick or treating one last time which DJ considers them now a bit too old for. And a smug, preppy swot of a girl named Jenny comes calling, selling cookies like a pro. All of them end up fixated on this house and what could be inside.

If you like The Goonies, Stand By Me or other 80′s adventures that don’t patronise the kids and have them talking like real people (Super 8 is another one even though it’s made in 2011 and set in 1979), you will love this. It’s a little bit too scary for young kids if you have them so watch it first. There are some great moments of comedy and a fantastic atmosphere of exploration. Also it’s got a solid emotional core. Ultimately it’s a story about growing up and what you have to leave behind.

Guests:

Nikki Taylor of TheKiddDogg

Jerome McIntosh of GameBurst

[Digital Gonzo 2012]

This one serves as an introduction to Avatar since my estimate is that 97% of you, my listeners have never had the pleasure of this, maybe the finest animated TV series in the world, and I do not use those words lightly.

The Legend of Aang is a story that starts out aimed at kids aged 6-11 but rapidly becomes something far more compelling to all age groups and walks of life. Taking inspiration from eastern mythology and martial arts, but with a fresh, original and very funny energy. Set over three series, which are paced like books, this has the scale of Lord of the Rings and the heart of Toy Story. You will find yourself devouring episodes, hungry for more as it draws towards a conclusion that will leave you breathless.

That series won ten major awards and ran from 2005 - 2008 but in an extremely rare instance Nickelodeon green-lit a follow-up series named The Legend of Korra which aired in 2012 and immediately met with massive success. It features gorgeous, animation that surpasses most theatrically released movies and a plot that embraces even more unexpectedly mature social themes than its predecessor. Nickelodeon was so impressed with the feedback, viewing figures and critical response that they recently ordered forty more episodes, a move that made my team here misty-eyed with joy.

To put the whole thing in perspective we review in this episode the disastrous, turgid and utterly hated cinematic outing from 2010, directed by M Night Shyamalan. Using it as a foil to explain what they did so wrong with the movie that was done so right on the show.

Joining me for this spoiler-free sizzle to convince you of what’s been missing from your life all these years I have Daniel Floyd, Pixar animator and the voice of Extra Credits and Joshua Garrity of the Cane and Rinse podcast and The Animation Archives, presented by Gonzo Planet. Also of Gonzo Planet, my ever-patient wife Mrs Sharon Shaw, anime and comic book fanatic Mr Jerome McIntosh and for one of his very first Gonzo shows, Mr Duane Griffiths.

Guests:

Daniel Floyd of Extra Credits

Joshua Garrity of Cane and Rinse

Sharon Shaw of School of Movies

Jerome McIntosh of GameBurst

Duane Griffiths of the Digital Gonzo community

[Digital Gonzo 2012]

The epic conclusion to Christopher Nolan’s game-changing Dark Knight Trilogy. It’s definitely not as straightforward as film two in the series because many people hate this film already, and an equal amount adore every inch of it.

It’s a tricky balancing act since so much of the most well-crafted and exceptional elements have already been discussed over three and a half hours reviewing Batman Begins and The Dark Knight. Neither did I want this turning into a hail of disproportionate vitriol over perceived flaws.

Guests:

Sharon Shaw of School of Movies

Neil Taylor of TheKiddDogg

James Carter of Cane and Rinse

Jerome McIntosh of GameBurst

Aquila Edwards of Eyrie City

Paul Gibson of Gonzo Planet

[Digital Gonzo 2012]

Part two of Christopher Nolan’s Dark Knight Trilogy. Following the powerful set-up of Batman Begins, the production team pulled out all the stops to deliver an epic crime thriller in the style of Michael Mann’s Heat. This is a story of a city in turmoil and a police force struggling to keep order, up against the ruthless mob. At the center are Batman and The Joker, forces of nature representing order and chaos. The only hope for Gotham may in fact be the White Knight, district attorney Harvey Dent.

But you all know this, because everybody and his dog saw this movie back in 2008. I just wanted to set the scene a little. Much is discussed, especially Heath Ledger’s extraordinary performance, but not forgetting the brilliant turns from Aaron Eckhart and Maggie Gyllenhaal and the possible career-high score from Hans Zimmer and James Newton Howard.

Guests:

Sharon Shaw of School of Movies

Neil Taylor of TheKiddDogg

Joshua Garrity of Cane and Rinse

Jerome McIntosh of GameBurst

Aquila Edwards of Eyrie City

Paul Gibson of Gonzo Planet

[Digital Gonzo 2012]

Finally we get to Christopher Nolan’s Dark Knight Trilogy. After eight years away from cinema screens, and multiple stalled attempts at relaunching the franchise, Warner Bros knocked the Bat out of the park with the best film so far and arguably the most compelling and mature adaptation of Bruce Wayne and his alter-ego.

Many aspects are discussed and deconstructed including Christian Bale’s intense portrayal, ace cinematographer Wally Pfister’s erotic endeavours and why Hollywood on paper is a senile, avaricious old psychopath.

Guests:

Sharon Shaw of School of Movies

Neil Taylor of TheKiddDogg

Joshua Garrity of Cane and Rinse

Jerome McIntosh of GameBurst

Aquila Edwards of Eyrie City

Paul Gibson of Gonzo Planet

[Digital Gonzo 2012]

This week we’re looking at three of the best Animated Batman Movies.

1. Year One (2011): The retold origin by Frank Miller, published in comic form in 1987. This film focuses on Bruce first donning the cape and cowl at the same time that Jim Gordon arrives at Gotham City PD and encounters overwhelming corruption. This was the inspiration for Batman Begins and  Mask of the Phantasm and reminded everyone of the tragic event that caused Bruce Wayne to dedicate his life to fighting crime.

2. Under the Red Hood (2010): Based on Under the Hood by Judd Winnick, this is a very personal story about Bruce being confronted by a shadowy figure from his past and a complex, emotional revenge tale. Genuinely frightening at times with a new portrayal of Joker courtesy of John DiMaggio.

3. Batman Beyond - Return of the Joker (2000) The finale for the three-season series wherein an aged and crippled Bruce Wayne attempts to train a new Batman to protect Gotham. When the Joker shows his grinning face for the first time since his apparent death 50 years previously, all Hell breaks loose and we learn sad and disturbing secrets about how things ended with Robin and Batgirl.

Guests:

Paul Gibson of Gonzo Planet

James Perkins of The Digital Fix

[Digital Gonzo 2012]

This is the fourth of the Batman shows. This time we’re taking a deep dive into the absolutely underrated box-office bomb, virtually unknown by the general public, but possibly best film about Batman until the Nolan films came along; Mask of the Phantasm. By extension this allows us to talk about the Animated Series which this sprang from unexpectedly for all.

Kevin Conroy and Mark Hamill head up the cast of relative unknowns in this melodramatic film noir which explores a key relationship at Bruce Wayne’s turning point as he assumes the cowl and cape of The Dark Knight. And in the present day he has to deal with the shadowy and murderous Phantasm as well as a rather terrifying Joker. If you like Arkham Asylum, you will recognize the voices and where that world began. Absolutely do pick this up and see it. The show has some prominent spoilers after a certain point.

Guests:

Nikki Taylor of TheKiddDogg

Joshua Garrity of Cane and Rinse

Jerome McIntosh of GameBurst

Paul Gibson of Gonzo Planet

[Digital Gonzo 2012]

We’re back at the Bat! This week was going to be a pair of reviews of the 1995 film Batman Forever and the 1997 sequel; Batman & Robin, both directed by Joel Schumacher. What we found was that our problems with these films could not be separated and a great deal of the issues of the fourth Batman movie originated in the third, which usually gets off lightly as it is considered halfway watchable (we suspect because of Nicole Kidman).

The truth is, I had real trouble pinning anybody down to help review this as the two are such tedious and incompetently constructed films. Everyone passed or fell ill or were otherwise engaged and frankly I don’t blame them. This was a review-set that filled me with anxiety over what to say. We know they’re a mess but the trick was how to explain why. In the end it was the Gonzo way of course; I did my homework and looked into how this odyssey of multibuggery came to pass. Gonzo Planet’s Paul ‘FlyingMuttley’ Gibson joined me for what ended up a bumper double-bill of savage critiquing. There is a special section on the making-of documentaries that has to beard to be believed. It reaches levels of self-delusion most often associated with war-criminals in denial.

Next week we’re looking at one of my favourite Batman graphic novels, which I suggest you all pick up and read before listening in. It’s called ‘Hush’ and it’s perfect for both newcomers to Batman comics and old hands. The world presented is like the Arkham games or a gritter version of the Animated Series and most of your favourite characters are involved in this compelling mystery story.

Guest:

Paul Gibson of Gonzo Planet