Paolo and Carrie are rejoined by Emily Neil to discuss Brian Yuzna's 1989 gruesome horror-satire Society. Topics include: goofy sound effects, totally sexy boobs, and the word "shunt" gaining a whole new meaning.

Paolo and Carrie are joined again by Josh Benson to discuss Barry Levinson's 1998 underwater sci-fi thriller Sphere. Topics include: redundant intertitles, the continuing adventures of Barry Levinson's bad directing, and varieties of scary meat.

Paolo and Carrie are alone again for a very subjective discussion of Amir Bar-Lev's 2007 art world documentary My Kid Could Paint That and two bonus shorts: Chris Marker's 1990 film Cat Listening to Music, and Cory Arcangel's 2009 film Arnold Schoenberg Opus 11 - 1 - Cute Kittens. Topics include: everyone in the art world being crazy, having control of your narrative, and whether or not Marla's dad helping her really matters.

Paolo and Carrie are joined by filmmaker & contributor to Chicago film guide Cine-File, John Dickson, to discuss Walter Hill's 1981 bayou thriller Southern Comfort. Topics include: broad similarities between this and Aliens, real animal corpses, and what the film argues about the United States.

Paolo and Carrie go it alone again (naturally) for a discussion of Tony Maylam's 1981 summer camp slasher The Burning. Topics include: blatant continuity errors, spatially impossible murders, and one of the slasher genre's greatest kill scenes.

Paolo and Carrie go it alone for a discussion of "Stephen Greene" and his 2015 political screwball comedy, Accidental Love. Topics include: Stephen Greene's origin story, television-style comedy writing, and one weird trick for enjoying Accidental Love and Alien: Covenant.

Paolo and Carrie are joined by two guests - beloved composer Ricardo Ortiz and friend of the podcast Courtney - to discuss James Foley's 1996 thriller Fear. Topics include: Mark Wahlberg messing with clocks, what constitutes a great fingering scene, and Paolo's adventures through James Foley's more recent work.

Carrie and Paolo are joined again by the third member of The Secret Cinema, beloved composer Ricardo Ortiz, to discuss Wes Craven's 1988 voodoo horror film The Serpent and the Rainbow. Topics include: various insane tales from behind the scenes, scrotum stabbing, and Carrie and Paolo getting various facts wrong.

Paolo and Carrie are joined by their friend Courtney to discuss Bryan Singer's 1998 horror-drama Apt Pupil. Topics include: key differences between the film and Stephen King's original novella, the uncomfortable blend of Holocaust imagery and sexual imagery, and whether or not baseball is really Todd's sport.

Paolo and Carrie are joined by Josh Benson to discuss William Klein's 1968 anti-American comedy Mr. Freedom. Topics include: whether or not this is the most anti-American film ever made, the hilarious costume design, and Paolo mistakenly believing that he coined the term "political sledgehammer."