Art is an expression of the soul and the kind projecting dark themes indicated, typically, that there is som form of trauma at tis core. In 2013 we learned that George Bush Jr. was an avid painter, having painted himself nude in the shower and bathtub and sent the pictures to his sister Dorothy. Jeffrey Epstein’s compound housed images of both former Presidents George Bush Jr. and Bill Clinton, the latter as a child with a paper airplane and twin towers and the former in a blue dress with red heels. Think Dorothy and her red shoes. Such art indicates both blackmail and a form of childlike innocence, almost suggesting an appeal for help by potential victims. Such is the case with Kim Noble paintings, a woman claiming to have been the victim of ritual abuse, wherein children are caged and innocence is depicted bloodied and destroyed. Now we are learning of President Joe Biden’s daughter, Ashley, who wrote in her diary that her dad may have abused her when they inappropriately to shower together. She goes on to immediately say in the dairy that she felt turned on and that she would touch her vagina and listen to her parents have sex. Her diary was left, like Hunter Biden’s laptop, for free pickings as if they were intended to be found. Any attempt to address the potentially horrific details of the laptop or dairy are dismissed, often by both parties, likely because, like Epstein, the red and blue are drowning in the same kinds of blackmail. This results in programmed drones, like much of the public, obsessed with fantasy to the point where fiction becomes indistinguishable from life. Such are the programming themes of Disney, Wizard of Oz, and Alice in Wonderland.

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