Sarah Marie Masson discusses how working with joy has helped her rise through the writer's room.

To listen to the podcast, visit www.theshowrunnersshow.com.  

Emmy-winning Casting Director Rachel Tenner (Fargo, Severance, Joe Pickett) is back. This week, she talks about what she's learned since the start of her career and how TV and movie casting is different. She also shares how she feels about chemistry reads and table reads. Also, they play the Rapid Fire Four.

For more showrunning goodness, visit www.theshowrunnershow.com.

Emmy-winning Casting Director Rachel Tenner (Fargo, Severance, Joe Pickett) drops by the show to discuss how a casting director works with a showrunner. Along the way, they talk about casting in the post-COVID age, what happens when you find the perfect actor for the role, and tips for auditioning.

For more showrunning goodness, visit www.theshowrunnershow.com.

This week we talk strategies for getting it done when the script is due, and you're not feeling like writing.

To watch the complete episode, visit https://youtu.be/1fk1Vbraip4.

Also, make sure to visit www.theshowrunnershow.com for more showrunning goodness.

This week we talk about the citical relationship between the star of the show and the Showrunner.

Full video is available here! https://youtu.be/EMp8JGDSFCQ

For more, visit www.theshowrunnershow.com.

Part 2 of our series exploring the 5 different functions your pilot script will need to play at different phases of the process.

You can watch this episode on YouTube: https://youtu.be/1toILPRoW9U

For more, visit www.theshowrunnershow.com.

This week we talk about your Pilot script - or more specifically, the 5 primary functions of your pilot script, and how those 5 functions might not all fit into the same 1 script at the same time.

How do you shoot a television show in fewer hours a day, let your cast and crew feel more rested, get a better final product, and save money? Inspired by working in France, John, Drew, and Stacy explain how they've pushed for shorter shooting days on their sets and how that has worked out. (Spoiler: It's gone very well.)

For more showrunning goodness, visit www.theshowrunnershow.com.

In this "Best Practices" Episode, we talk about the "No Sides on Set 'Rule'" that keeps scripts off set.

For more showrunning goodness, visit www.theshowrunnershow.com. 

This week, Linda Rogers-Ambury talks us through the two types of TV budgets that you need to understand, how they're different, and why it's important to understand them.

For more, visit www.theshowrunnershow.com.