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Franz Berwald was a Swede who lived in the early 19th century and who made his living first as an orthopedic surgeon and later as the manager of a sawmill and glass factory. But these days, nobody cares very much about all that. Berwald’s true passion was music, and in addition to operas and concertos, he wrote four symphonies, only one of which was performed during his lifetime, and that to mixed reviews.
Berwald spent some years in Vienna, where a few of his works were performed. After Berwald’s death in 1868, the crusty, conservative Viennese music critic Eduard Hanslick appraised him as “a man stimulating, witty, prone to ‘bizarrerie,’ [but who] as a composer lacked creative power and fantasy.”
Oddly enough, it’s exactly Berwald’s “bizarrerie,” or amusing strangeness, that appealed to later generations — and likewise his creative power and fantasy. For many music lovers today, Berwald ranks as Sweden’s first great Romantic composer and symphonist.
This did not happen overnight, however. Berwald’s Symphony No. 3, (Singulière), was written in 1845, but had to wait 37 years after the death of its composer for its first public performance in Stockholm on today’s date in 1905.
Franz Berwald (1796-1868): Symphony No. 3 (Singulière); Helsingborg Symphony Orchestra; Okko Kamu, conductor; Naxos 8.553052
By American Public Media4.7
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Franz Berwald was a Swede who lived in the early 19th century and who made his living first as an orthopedic surgeon and later as the manager of a sawmill and glass factory. But these days, nobody cares very much about all that. Berwald’s true passion was music, and in addition to operas and concertos, he wrote four symphonies, only one of which was performed during his lifetime, and that to mixed reviews.
Berwald spent some years in Vienna, where a few of his works were performed. After Berwald’s death in 1868, the crusty, conservative Viennese music critic Eduard Hanslick appraised him as “a man stimulating, witty, prone to ‘bizarrerie,’ [but who] as a composer lacked creative power and fantasy.”
Oddly enough, it’s exactly Berwald’s “bizarrerie,” or amusing strangeness, that appealed to later generations — and likewise his creative power and fantasy. For many music lovers today, Berwald ranks as Sweden’s first great Romantic composer and symphonist.
This did not happen overnight, however. Berwald’s Symphony No. 3, (Singulière), was written in 1845, but had to wait 37 years after the death of its composer for its first public performance in Stockholm on today’s date in 1905.
Franz Berwald (1796-1868): Symphony No. 3 (Singulière); Helsingborg Symphony Orchestra; Okko Kamu, conductor; Naxos 8.553052

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