Mouth. Hands. Silliness. The result sounds like too much caffeine steeped in a bayou just outside of New Orleans and just this side of insanity. Or, could it merely be the result of Richard having to do two SAWs in row? You decide.

Mouth. Hands. Silliness. The result sounds like too much caffeine steeped in a bayou just outside of New Orleans and just this side of insanity. Or, could it merely be the result of Richard having to do two SAWs in row? You decide.

Richard set out to do a song using mainly mouth noises... and failed. But he did succeed in blending many basses, a smattering of guitar, several vocal lines and several... er... mouth noises. Enjoy!

Richard set out to do a song using mainly mouth noises... and failed. But he did succeed in blending many basses, a smattering of guitar, several vocal lines and several... er... mouth noises. Enjoy!

Again a song that results from a challenge! The title came up as a chance phrase in conversation, and Richard challenged Erik to do a song with solely bass accompaniment. Here it is, with four simultaneous bass tracks (so Erik describes them ... how he managed to play them all four at once we can't say!), a drum track and two vocal tracks. Adventurous and tasty!

Following last week's thread of very short and radically different, Chris offers up a first -- SAW's first non-English language track. Consisting of only layered vocals with stomps and claps for percussion, the song is modeled on traditional Scottish mouth music. Any Scottish Gaelic speakers out there will kindly forgive Chris the disgraceful liberties he has taken with a relatively unfamiliar tongue!

This short but (almost literally) sweet concoction grabs you by the ears from the get-go! It's the result of a challenge issued to Richard to write an entirely happy song -- and trust us, for Richard, that IS a challenge. The result is a thickly-layered, frenetic song that features Richard ... um ... well ... rapping! Feast your ears.

This short but (almost literally) sweet concoction grabs you by the ears from the get-go! It's the result of a challenge issued to Richard to write an entirely happy song -- and trust us, for Richard, that IS a challenge. The result is a thickly-layered, frenetic song that features Richard ... um ... well ... rapping! Feast your ears.

For lucky number 13, Erik jumps in feet first with 'Connected'. This also features great looped samples for all the percussion (thanks Jon M.), and some nifty presets from the GSP 21 Legend Guitar Signal Processor. David Byrne influenced lyrics with Elvis Costello influenced production -- could we expect anything less from Mr. H?

Continuing his exploration of the electronic domain, Chris offers this downtempo little number, called 'Interstitial'. Features keyboards, looped samples, guitar and some thickly-layered vocals.