with Andrew Simon, Alia Mossallam, and Ziad Fahmy

hosted by Chris Gratien

| The Egyptian revolution of 2011 is one of the most spectacular examples of how social media has played a pivotal role in political movements of the 21st century. However, in this final installment of our four-part series on "The Sound of Revolution in Modern Egypt," we argue that the true beginning of Egypt's media revolution arrived with the cassette tape, which for the first time, made it possible for every Egyptian to be a producer rather than a passive consumer of popular culture. As our guest Andrew Simon explains, this veritable "media of the masses" was not only a means of disseminating commercial music. Western pop music and classics of the Nasserist era mingled with new underground music, religious content, home recordings, and personal voice messages on Egyptian cassettes, which circumvented and subverted state censorship. Artists like Sheikh Imam and the poet Ahmed Fouad Negm produced celebrated political satire that defined the sound of the Infitah era, much to the chagrin of state authorities and the commercial recording industry. In 2011, when Egyptians took to the streets to protest the Mubarak regime, Imam's songs along with a century of sound stretching back to the First World War filled Tahrir Square in Cairo, as a new generation produced new sounds of revolution. We conclude our series with reflections from Alia Mossallam and Ziad Fahmy on the sounds of the square in 2011 and what they reveal about change and continuity in Egyptian politics.   

« Click for More »

with Alia Mossallam

hosted by Chris Gratien

| In 1952, a coup d'état led by Gamal Abdel Nasser ushered in a revolutionary period of Egyptian history in which sound played an integral role in shaping collective political consciousness. The culture of the 50s and 60s was dominated by songs by artists like Umm Kulthum and Abdel Halim Hafez that still resonate within national consciousness, but as we explore in this third installment of our four-part series on "The Sound of Revolution in Modern Egypt," the period produced spectacular sound as well as conspicous silence. As our guest Alia Mossallam explains, triumphant musical celebrations of the Egyptian state's signature achievement --- the construction of the Aswan High Dam --- shaped the terms through which Egyptians have come to remember this period. At the same time, songs of workers and Nubian villagers displaced by the dam captured subaltern sentiments beneath the surface of Nasserist cultural hegemony. We conclude our conversation with a reflection on the singular importance of sources like folk songs for writing histories erased by official sources.   

« Click for More »

with Ziad Fahmy

hosted by Chris Gratien

| During the interwar period, the recording industry reshaped Egyptian culture and politics through music. But as we discuss in part two of our four-part series on "The Sound of Revolution in Modern Egypt," everyday sounds of the city are no less part of Egypt's political history. As our guest Ziad Fahmy explains, writing sonic history requires listening to the sources with ears attuned to the sentiments and sensibilities of past people. Together, we listen to a early recording of Egyptian street sounds and explore the world of sound that awaits within the textual record, focusing on how class dynamics played out on the soundscape of Cairo and Alexandria. We also consider how the rise of a new medium, radio, began to reshape the sonic life of ordinary Egyptians during the interwar period, paving the way for the media revolution of the 1950s and 60s.   

« Click for More »

with Kyle Anderson & Alia Mossallam

hosted by Chris Gratien

| In the aftermath of the First World War, the Egyptian streets rose up against British rule during a period of global anti-imperialism, and the voices of the 1919 revolution have echoed throughout Egyptian history ever since. In this first installment of our four-part series on "The Sound of Revolution in Modern Egypt," we consider how the First World War reshaped political consciousness in Egypt, as our guests Kyle Anderson and Alia Mossallam explore the experiences of the Egyptian Labor Corps and the sonic history of WWI. We examine the adventure, hardship, exile, and abuse Egyptian workers faced serving the British war effort, as well as how the war changed the society they returned to, in the words of one famous song from the period, "safe and sound." In discussing the popular songs of the war period that entered Egyptian national canon, our guests illuminate the ways in which shared songs can be modified and repurposed for new political contexts, drawing attention to the need for reconstructing the layers of context contained within some of history's earliest sound recordings.

« Click for More »