In this episode we discuss who we are, where we've come from and why we do what we do. The first part will focus on us as individuals and the second will be about the beginnings of our collaboration together.

All music in this episode was written/recorded by Michael Garrett & Zimran Dass.

Hosted on Acast. See acast.com/privacy for more information.

In this episode we discuss who we are, where we've come from and why we do what we do. The first part will focus on us as individuals and the second will be about the beginnings of our collaboration together.

All music in this episode was written/recorded by Michael Garrett & Zimran Dass.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

After a long hiatus we're back!

New show, new format, same boys.

In the new show we talk about the news of the week in movies, television and games with a focus on music, then we do a deeper dive into a particular music topic. This week our topic is RANKING THE MUSIC IN DANIEL CRAIG'S BOND MOVIES, looking at the music of David Arnold and Thomas Newman.

If you like the episode please share it around to anybody you think would like listening to a couple of bozo music nerds talking nonsense!

TIMECODES:

00:00 - Intro

03:30 - Music News

37:20 - Ranking Craig's Bond

01:09:30 - Notable Mentions

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Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Continuing our deep dive into Hans Zimmer's career we have a look at what was a left turn for him at the time, The Lion King (1994). Winning Best Score at the Oscars, Zimmer, along with Lebo M and songwriters Elton John and Tim Rice created a sound that has struck a chord across the world over multiple generations.

Listen as we discuss and deconstruct the techniques that went into making this fantastic score.

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Today we begin our exploration of Hans Zimmer's career by taking a look at one of his first Major Motion Pictures, Rain Man (1988) dir. by Barry Levinson. Spoilers for the movie.

Due to the pandemic we have transitioned to podcasting on zoom but this first attempt left us with audio quality that wasn't quite up to par but we will be fixing it for the next episode!

In this episode we touch on some subjects that we know little to nothing about, including how this film portrays autism. Please let us know if we could have done anything better. Here is a website (for context) as to what Michael was referring to in the films impact on the perception of autism: http://www.interactingwithautism.com/section/understanding/media/representations/details/38

Help us decide what score to explore next! Email us at [email protected] to tell us what 2000s Hans Zimmer score you'd like us to have a look at.

Show Notes:

3:40 - Story and context of the film

15:45 - Raymond's/Rain Man's Theme

31:10 - What is Syncopation?

37:55 - Michael's Conspiracy Corner (part 1)/What was Zim dancing to?

41:10 - The Sound of Rain Man (talking about the Fairlight CMI)

49:25 - The Brothers Theme

1:01:10 - Miscellaneous Cues (inc. Las Vegas)

1:02:20 - Michael's Conspiracy Corner (part 2)

1:08:30 - Comparing to Future Zimmer

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Today we look at the "amazing" score for Spider-Man 2! Composer Danny Elfman had some troubles on this film with director Sam Raimi which we have a look at. We also discuss the main themes from the movie and how Christopher Young's cues fit in with that style.

Spoilers for Spider-Man 2 (which you should probably just watch).

Show Notes:

2:30 - Reflecting on the first time we saw Spider-Man

7:10 - Context of the filmmakers

11:50 - The Plot

14:15 - Is it the best/our favourite Spider-Man film?

17:10 - Spider-Man/Peter Parker's Theme

37:10 - Mary Jane's/Love Theme

49:20 - Responsibility Theme ("Great Power yadayada")

59:10 - Doc Ock's Theme

1:11:30 - Behind The Scenes Drama

1:19:35 - Miscellaneous Themes (and Danny Elfman's rejected cues)

Hosted on Acast. See acast.com/privacy for more information.