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Title: The Sweet Smell of Psychosis

Subtitle: A Novella

Author: Will Self

Narrator: John Lee

Format: Unabridged

Length: 1 hr and 40 mins

Language: English

Release date: 02-15-16

Publisher: Audible Studios

Ratings: 4 of 5 out of 3 votes

Genres: Fiction, Contemporary

Publisher's Summary:

A brief and brilliant satire of magazine hacks and fashionistas, The Sweet Smell of Psychosis shows Will Self - a writer hailed by Time as "brilliant, iconoclastic...one of Britain's most original young writers" - at the top of his form.

It looks like it's going to be quite a Christmas for Richard Hermes, powdered with cocaine and whining with the white noise of urban derangement. Not so much enfolded as trapped in the bosom of the most venal media clique in London, Richard is losing it on all fronts: He's losing his heart to Ursula Bentley, a nubile and vacuous magazine columnist; he's in danger of losing his job at the pretentious listings magazine Rendezvous; he's losing his mind courtesy of Colombia's chief illegal export; and, worst of all, he's losing his soul...to the king of all media and sinister purveyor of opportunities - sexual, chemical, and professional - known only as Bell.

Murky, paranoid, and hilarious, The Sweet Smell of Psychosis is Will Self at his best.

Members Reviews:

the beautiful ugly people

Self and Rowson make a pungent pair - both left wing, media London establishment jesters as writer and cartoonist respectively, they team up in this short novella to paint a verbal and visual zeitgeist crusher of a book. The story is a simple one, not a bit of it cannot be found in some other tale or parable somewhere: naive, northern boy leaves his miserable life in the north with his 'girlfriend tending towards parturition, and small flat that would have required partition' to try and make it in the cocaine blasted world of media London as journalist for Rendezvous - one of those listings magazines that claims to surf the very tip of the cultural wave with weekly listings for tedious avant-garde cultural events.

Richard, our hero, finds himself drowning in a sea of drugs and superficiality. His nemesis, Bell, is a modern media baron - a promiscuous womaniser and hairsuite sex god. Mixing excessive substance abuse with paranoid affection for Ursula Bentley - a sort of twenties decadent siren reconstructed afloat on the pillow of narcotics in 90s central London, Richard finds his crush on the flighty Ursula growing with his cocaine fuelled paranoia about seeing Bell's face everywhere he goes. Richard has the nub of goodness within him, bless him. His wish is to make a genuine connection with Ursula, lift her and her tedious sex column out of this ephemeral dirge of media London to a married life of meaning and permanence. Ursula merely ruffles his hair and calls him 'sweet'. The twin poles, and scents of Ursula's perfume 'Jicki' and Richard's psychosis - entwine and grow as the novella roars to a swift and surreal denoument.

So the story is basically a bog standard modern parable of values being important than drugs, beautiful people and glamour blah blah. But the style - Self's amphetiminic and thesauras powered prose and Rowson's Hogarthian grotesque cartoons is to be savoured.

scathing

This joyfully venomous novella, whose title invokes the excellent Burt Lancaster/Tony Curtis film Sweet Smell of Success (1957), is ostensibly intended to satirize the sorts of tabloid hack journalists who had enjoyed themselves so thoroughly at the expense of Martin Amis, Will Self's literary godfather, several years ago.