The Talkies

Here we are again, ready to dive deep into what makes Lebowski such a legendary movie. We have a bit of an existential crisis too.

Today, we continue our Coenquest with one of the most beloved movies of all time: Fargo. We talk about theme, characters, and screenwriting.

Continuing on our CoenQuest, we have The Hudsucker Proxy. We've come out weirdly split on this movie. Is this a sign of the Coens being human?

Here we are with the our fourth Coen's bros film discussion: Barton Fink. We talk about all kinds of thematic elements, the surreal, and the Coen's omnipresent nihilism. 

Today on the Talkies, we have the epic continuation of Coencon...our deep dive into the Coen bros filmography....with gangster Movie: Miller's Crossing. The first Coen movie so far that we're actually a bit split on our opinions of the movie. There's some great discussion of how the Coens write vs how they shoot. This is probably one of the most important episodes when talking about the Coens.

Today, we continue on to our second movie of the Coen Bros filmography: Raising Arizona. D hasn't seen it, Taylor's seen it once, and Kenny's seen it a hundred or so times. Seems like the Coen's like themselves some good writing.

Hello Everybody, and welcome to COENCON!

We just finished our run of Kubrick movies, now we're starting on the legendary Coen Brothers movies. This duo's movies have always been a part of our film discussions, and now we're taking a deep dive into their filmography and studying what makes these movie tick. We're starting with Blood Simple.

Antebellum is a brand new horror by directing duo Gerard Bush and Christopher Renz. What is this movie??? The trailer looked dope, so we watched it and talked about it. Lots of Spoilers.

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We never thought we were going to be able to watch this movie in a theater...and here we are! But here's a question we never thought we'd ask: Is Tenet good?

Well, here it is, our last Kubrick movie in our run of his filmography. To cap it off, we talk about the surprisingly old Paths of Glory and how Kubrick feels as a filmmaker considering the whole of what we've reviewed.