In this episode: Mark Missions himself into a new episode format, matching box office data proves elusive, and—awards aside—what are the real best movies of 1996?

Music by Thomas Furr.

In this episode: Mark is stuck in Cruise control, Dave throws shade at Obi Wan, and the week’s lists “lose a lot of good people to Liam Neeson.”

Music by Thomas Furr.

In this episode: Does Tom Cruise play other characters? Which movie overcomes its middle slump? And how does Bolt (2008) fit in to the MCU?

Music by Thomas Furr.

In this episode: Dave is high on Superman (or something), debates spark over Wicked: For Good and A Minecraft Movie, and the guys apparently didn’t learn their lesson about the power of animated movies.

Music by Thomas Furr.

In this episode: Dave tries to explain the connection between Easter, rabbits, and eggs; Mark reunites with Joey Slotnick; and which kind of chocolate bunny is Hollow Man (2000)—hollow or solid?

Music by Thomas Furr.

In this episode: Mark crosses his fingers for more Statham, Dave tries a new adjective for overlong movies, and can the guys talk their way out of any of Mickey 17 ’s (2025) clunkier moments?

Music by Thomas Furr.

In this episode: Baby Face’s (1933) New York City is populated by dopes, Dave—unsurprisingly—fumes at Babygirl’s (2024) empty business-speak, and Mark will be your father figure.

Music by Thomas Furr.

In this episode: Dave debuts a new game show concept, the guys have an honest discussion about prizing, and Match Point Break reveals its true form in Round 3.

Music by Thomas Furr.

In this episode: Dave forces a Chalamet sidebar, Terrence Malick directs Pocahontas, and Mark breaks an unspoken rule with his #1.

Music by Thomas Furr.

In this episode: The guys finally share their Oscars performances, Dave circles back for more chicken, and Mike’s magic doesn’t work on Mark.

Music by Thomas Furr.